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Veterans Fellowship Program Adds HFPA as Partner, Touts First Year Success Stories

The entertainment industry-backed Veterans Fellowship Program is marking its first anniversary with a tally of success stories from the past year and the addition of the Hollywood Foreign Press Association as a grant partner. The fellowship effort was created by Veterans in Media and Entertainment and the Got Your 6 initiative, an effort to open […].....»»

Category: topSource: varietyNov 9th, 2018

Veterans Org Got Your 6 Launches Industry Fellowship Program, Hails 5 TV Shows

The industry-affiliated veterans org Got Your 6 is marking its five-year anniversary with the launch of a fellowship program designed to help military alums build careers in entertainment. Got Your 6 has teamed with Veterans in Media and Entertainment to offer veterans internship and career development opportunities through placements in everything from corporate offices — […].....»»

Category: topSource: varietyNov 6th, 2017

Podcasts You Should Know: Taking Risks with Kevin Allison

Kevin Allison made many of us laugh during his time on MTV’s cult comedy series, The State. These days, he’s still making us laugh, and cry, and think. Kevin is […] More The post Podcasts You Should Know: Taking Risks with Kevin Allison appeared first on Socialite Life. Kevin Allison made many of us laugh during his time on MTV’s cult comedy series, The State. These days, he’s still making us laugh, and cry, and think. Kevin is the host of the amazing storytelling podcast RISK! On the show, which arose from a series of successful live shows in New York and Los Angeles, people from all walks of life tell true stories “they never thought they’d dare to share.” I had the chance to chat with Kevin about the show’s origins and how he is able to provide listeners with emotional, hilarious and often relatable stories. Socialite Life: How did you end up going from sketch comedy to storytelling? Kevin Allison: I was in a sketch comedy group called The State and we had a show on MTV from 1993 to 1995 – and then, in 1996, the group broke up and I was devastated by that breakup. I remember the day we were fired. We quit MTV and tried to go to CBS, and Les Moonves fired us immediately. He had just been hired to take over CBS. He was like, “I don’t have time to think about a bunch of kids making sketch comedy. Just fire them right away even though we just hired them.” And I remember I went back to my apartment that night and laid down on my floor and my body was shaking, because I was so distraught. And the reason I was so distraught was because I had attained a level of success with that group of people. I was on television, there were all sorts of prospects of how to go up, up, up in the whole Hollywood and TV world and all of a sudden, it was all gone because the group was all of a sudden maybe no longer going to exist. And I really didn’t have the confidence that I could create a career on my own as a solo performer. I was just so insecure about the fact that I’m so unusual. I was so insecure about the fact that I’m SO gay and so kinky and do Midwestern and so, I don’t know, intellectual and sincere – and all sorts of things that I never felt like added up to something that would be really appealing to a Hollywood casting director. I just always thought of myself as being too odd. So, 12 years after The State broke up, I was trying everything I could think of to forge a solo career. I was doing one-man shows and I was auditioning for commercials and indie movies. I was pitching television shows to Comedy Central, but I was terrified. I was filled with stage fright and I just wasn’t comfortable in my own skin yet. I was very reliant on playing old crazy, kooky characters, like I had been with the sketch comedy group. I did that for 12 years, and was getting nowhere. I was a starving artist. I mean, in order to live, most of what I was doing was cater waitering – and getting recognized left and right by people because I was still on TV in reruns. SL: Where did the idea for RISK! come from? Kevin Allison: It was in 2009 that I did a solo show of crazy, kooky characters, called F-Up, about five characters who f-ed up their careers. For example, there was one character who was a Jewish vaudevillian and actor from the 20s who used to be in a comedy group, but his partners went off to LA to become multimillionaires and left him behind. So, clearly, there was some autobiography in that. I did this solo show at San Francisco Sketchfest in 2009 and (fellow State alum) Michael Ian Black came to see it. And afterwards, I asked him, “What did you think?”, because I thought the show was a failure that night. And he said, “I think the audience just wanted you to drop the act and stop playing these characters, stop hiding behind a mask and start getting upon stage and just be you. Tell your own stories. Your life is amazingly interesting.” And I said, “Oh, I’m so terrified to hear that because I’m just afraid I’m too gay and too kinky and too Midwestern” and all these things. I said, “It feels too risky.” And he said, “THAT is the word to latch onto. Like, if what you’re doing feels risky, then it probably means you’re opening up to the audience and they’ll open up to you.” So, I went back to New York after that experience and on the flight home, I thought, “I’m going to tell the riskiest story I can imagine telling in front of an audience as soon as I’m back in New York.” And the riskiest story I could think of at the time was about the first time I prostituted myself, when I was 23-years-old. I went up on stage at the UCB Theater in Chelsea and I told this story and I was stunned – because there was such a difference in the feeling between myself and the audience. I was looking right into their eyes, which I was very un-used to doing when being on stage. When you’re playing a character, you’re kind of reciting memorized stuff. But now I felt like I was having a conversation with them – and there was just this energy coming back at me where every time I thought, “Oh, that sounded too gay or too Midwestern, or whatever it might be, I realized, “Oh, no, they continue to lean forward and this is really resonating with them.” So, I left the theater that night and I walked away, down 8th Avenue and the whole idea of RISK! occurred to me at that moment, during that walk. I thought, “I’m going to create a show. It has to be a live show because I had to force my frightened little ass to get up on stage on a regular basis. I’ve been avoiding that my whole life, I’ve got to start doing that regularly in order to get comfortable in front of an audience. And, it should be a podcast – which I was just learning about at the time – because small room comedy isn’t going to get you anywhere; you need a larger audience.” .IRPP_minimalist { padding:0px; margin: 0; padding-top:1em!important; padding-bottom:1em!important; width:100%; display: block; font-weight:bold; background-color:#FFFFFF; border:0!important; border-left:4px solid #141414!important; box-shadow: 0 1px 2px rgba(0, 0, 0, 0.17); -moz-box-shadow: 0 1px 2px rgba(0, 0, 0, 0.17); -o-box-shadow: 0 1px 2px rgba(0, 0, 0, 0.17); -webkit-box-shadow: 0 1px 2px rgba(0, 0, 0, 0.17); text-decoration:none; } .IRPP_minimalist:active, .IRPP_minimalist:hover { opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; text-decoration:none; } .IRPP_minimalist { transition: background-color 250ms; webkit-transition: background-color 250ms; opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; } .IRPP_minimalist .ctaText { font-weight:bold; color:#000000; text-decoration:none; font-size: 16px; } .IRPP_minimalist .postTitle { color:#000000; text-decoration: underline!important; font-size: 16px; } .IRPP_minimalist:hover .postTitle { text-decoration: underline!important; } RELATED:  An Early Halloween Treat – Socialite Life Chats With Elvira! SL: How did you decide the format of the podcast? Kevin Allison: I thought it should be live stories, stories told on stage and radio-style stories, because I’ve always loved putting together an audio story sort of thing. I used to play with a Radio Shack tape recorder when I was a kid all of the time. So, it all came together for me and I realized that the deal with the show is everyone is coming out of the closet about something. Everyone is stepping outside of their comfort zone and speaking to the audience in a way they never really thought they’d be totally comfortable talking in mixed company about – about the things that have happened in their life that have made them feel the most emotional – or just the most revealing – the kinds of things they would normally talk about with their therapist. And, amazingly, that idea immediately resonated with everyone I asked to do the show. People were like, “That’s a great idea.” Because it can be like The Moth or This American Life but it can also go places where those shows can’t go because they’re on NPR. I remember I started listening to those shows at that same time and I was so struck by Ira Glass saying before one of the stories on the show, “I have to warn the audience. This next story acknowledges the existence of sex.” And I was like, “Oh, there is definitely room for a storytelling show that is not afraid to go way deep into that sort of stuff without making apologies.” SL: The interstitial music on RISK! is amazing. How are you able to find songs that connect so well with the stories? Kevin Allison: You know, it’s so funny, because with the podcast, I have found that it has perfectly blended so many of these tiny little ways of being creative that go all the way back to when I was a kid. When I was a kid, my first obsession was with records. I loved listening to records. My parents, my brothers, my sisters – everyone in my family had big record collections. And, also, I was never much into listening to an album. I was always focusing on specific single tracks. I used to make mixtapes when I was a kid – like a maniac – and I always had very eclectic tastes too. And there really is something incredibly…I don’t know…it really does scratch a creative itch to make a good mixtape, where one song leads into the next in a really dynamic way and you feel like you’re getting a really wonderful mix of different colors and tones. So, yes, I have always been obsessed with finding new music, especially new singles or just specific songs and when I started creating RISK!… those first two seasons are especially weird. Because back then we were in the “wild, wild west” of the internet and we didn’t know what we had the rights to use or not so we were using either stuff that was on free music archives online or we were using stuff where we wrote to the band and got their permission or we were using stuff where the band just literally made the song for the show. So, those first two years of the show are really weird with the mix of what you’re hearing. But, eventually, we were able to afford to buy licenses. Now, we can play literally almost any song that’s out there because we have like three different music licenses to play whatever. So, the internet has figured out how to handle all of that with podcasts and now there’s a lot of freedom but I can’t believe how much searching it still takes. I still constantly as people if they can recommend new bands for me to listen to. I’ll just flat-out ask the fans on our Facebook page, send me some songs I should check out. I’ll use stuff like Spotify or Pandora, like little algorithms to help me discover new stuff, like “this song might sound a little bit like that song.” I’m constantly searching for music, and it’s not very time effective. I think an unusual amount of time goes into deciding the songs that end up on the show but I’m very proud of it and I think our Best of RISK! Music episodes – every five or so months, we’ll do an episode that’s just the best songs we’ve had on the show in the past few months. I think that those are spectacular. I think those are so wonderful to listen to at parties and stuff like that. SL: Is there a story that was told on the podcast that still resonates with you to this day? Kevin Allison: Well, I have always been spectacularly fascinated with a story Mollena Williams shared on the show I don’t know how many years ago. The story is called “Slave”. It’s a radio-style story and what was fascinating about it was I knew the broad strokes of what happened in this incident she lived through, but I didn’t really know the whole story. And she came over to my apartment and she just kind of improvised it, just very conversational, just chatting with me. But it really comes off like it’s extremely well thought out and almost like a written short story or something like that – which is very rare, I mean, usually on our end we have to edit and edit and edit to make a person sound a lot more eloquent than they actually were when we first recorded them. But I think what was so fascinating about the story was…like, I’m a kinky person, so I’m always fascinated with people exploring things sexually or erotically that are unusual or maybe even a little taboo or a little dangerous. [Mollena] is a black woman and she was raised in the projects in Harlem and she grew up as a feminist, like very, very conscious and woke about race and power dynamics and all of that, but she had this kink, like ever since she was a little girl, of wanting to play a submissive, sort of slave-like role with someone. So, as she got into the kink community, in her 20s or so in San Francisco, she started to wonder if she could play what they now call “race play”, where you take racial tension and you make that the central focus of the behavioral roleplay between a dominant and a submissive person in an erotic situation. With Reservation / Mindy Tucker So, she started experimenting with that and, at first, she had a really fun time with it, you know, she had people who were very tongue-in-cheek and she had a lot of trust with them and all of that. But then she tried it with a guy who was very, very intense and she didn’t know him quite as well, and they didn’t negotiate it quite well enough. There was some confusion about the negotiation of how they were going to play and she found herself in this roleplay scene with him that was almost like 12 Years a Slave, where she’s like the escaped slave girl sort of thing and he’s the redneck cracker with a bull whip and the whole nine yards and something happened to her psychologically while she was playing where she lost grasp of reality. She started to be unable to remember that she had a safe word and this was just a game, and it started to become a truly traumatic situation for her. The reason I find that story so fascinating is because I think it really is risky of Mollena to be sharing that. People have a wide range of reactions to it but what I love about it is that she’s able to acknowledge and honor her mixed feelings. At the end of the story, she says, “If you’re thinking of doing something like this, any sort of taboo play in the kink realm, you really have to think through it first, like what you can handle, because you might just uncover something psychologically that might be a lot bigger, an emotion that you had planned on dealing with, and it can be pretty dangerous.” It did traumatize her for a while. But she ends it by saying it can also be very, very hot and that’s what I love about stories is that stories don’t have to be black or white, or this way or that way, they can honor those mixed emotions and to hear someone really unpack all of that in depth is really quite impressive. I love that about what we do with the show. SL: Do you think everyone has a RISK!-worthy story inside of them? Kevin Allison: I think everyone has lots of stories in them. What I always tell people is what we’re interested in is those moments from your life when you were most either emotionally wound up or fascinated or you really felt like you were learning something about yourself, like we have these peak experiences, often times it will be your first time doing something, like the night you lost your virginity, and then other times it will be like terrible or wonderful surprises, like a car accident you were in, or you tried mushrooms for the first time and it was like a magical experience. We have these peak experiences in our life and it’s very much worth sitting down and going back and trying to recreate it, because once you start walking through some of those memories and trying to make sense of it all, you’ll have more memories that start creeping in. And you might think, “Oh, I don’t remember all that much about that” or “Oh, it wasn’t that big of a deal, the whole thing took place in only about ten minutes.” But once you start trying to remember and really re-experience it as you’re talking about it, other memories start filtering in and you really begin to have more of a grasp on the entire experience. That’s why people do therapy, by the way. It’s trying to walk through some of these experiences and revisit them and kind of like make something new out of them. So that’s what storytelling is – you’re sharing with someone about a moment that was particularly resonant for you and your hope is that, in sharing that, it will resonate somehow with the listener as well. SL: How long does it take to get someone ready to tell their story on stage or on the podcast? Kevin Alison: Well, New York and Los Angeles are our shows where we’re working a lot with people who are pretty experienced with getting up on stage. So, with those people, it’s like pulling teeth just getting them to agree to work with you because they’re all so full of themselves that they’re like, “No, I don’t have to work with you before the show.” But, when we go, for example, we’re about to go to Cincinnati and Cleveland next month, and what we’ll do is say on the podcast, “Hey, Cincinnati, we’re coming to town, so pitch us your stories.” So, about 20 people from Cincinnati pitch us their stories. They send in like 300-word long descriptions of what they have in mind and then the ones that sound really interesting to us, we’ll say, “Can you make a 15-minute recording of you attempting to tell that story for the first time?” Just a first draft. Then, after we listen to those, then we actually cast the show, and we’ll usually have them go through two more drafts before the show. SL: That’s quite a lot of work. Kevin Allison: It is rather an involved process, and part of the reason it’s so involved is because we want to make sure that everyone getting up on stage is happy with what they’re doing. We want to make sure people have really processed all their emotions and are really ready to do this and we also want to make sure that we’ve done enough poking and prodding at these people to make sure that they really are uncovering all, lifting up all of the rocks to see all the stuff in their stories they might not have thought of in a long time. I have to laugh, because so often when I’m working with someone on a story, I do sound like a therapist because I’ll ask questions like, “Yeah, but what do you think your mother was really thinking at that moment?” or “Oh, is there anything you wanted to say at that moment but you held your tongue?” You know, I ask those kinds of things which kind of get people thinking, “Oh my gosh, yeah, there was something I wanted to say that I didn’t say” and then, all of a sudden, there’s a lot more to unpack there. .IRPP_minimalist { padding:0px; margin: 0; padding-top:1em!important; padding-bottom:1em!important; width:100%; display: block; font-weight:bold; background-color:#FFFFFF; border:0!important; border-left:4px solid #141414!important; box-shadow: 0 1px 2px rgba(0, 0, 0, 0.17); -moz-box-shadow: 0 1px 2px rgba(0, 0, 0, 0.17); -o-box-shadow: 0 1px 2px rgba(0, 0, 0, 0.17); -webkit-box-shadow: 0 1px 2px rgba(0, 0, 0, 0.17); text-decoration:none; } .IRPP_minimalist:active, .IRPP_minimalist:hover { opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; text-decoration:none; } .IRPP_minimalist { transition: background-color 250ms; webkit-transition: background-color 250ms; opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; } .IRPP_minimalist .ctaText { font-weight:bold; color:#000000; text-decoration:none; font-size: 16px; } .IRPP_minimalist .postTitle { color:#000000; text-decoration: underline!important; font-size: 16px; } .IRPP_minimalist:hover .postTitle { text-decoration: underline!important; } RELATED:  Socialite Life Chats with America’s Got Talent’s Breakout Season 13 Star, Hans! SL: What is your advice for aspiring storytellers? Kevin Allison: My first bit of advice is to listen to “What every RISK! storyteller should know.” It’s about an hour long and it’s me giving tips on what really makes a story pop. And what it is, other than what I was talking about before, about how important it is to zero in on just a few incidents that are particularly meaningful for you, is that you really want to flesh those incidents out, you want to be like, “Okay, that night that I did lose my virginity, what do I remember about the look in her eyes and can I recall what temperature was the room and what were those clothes I was wearing? And what was that feeling I got in my gut at that one point?” You need to really get into the sense memory of what that experience was like in the nitty gritty, so that you can really take us there in a cinematic way to re-experience very specific moments. A lot of people have this bad habit of telling us the gist of what someone said. They’ll be like, “My Dad said I had to get out of the house as soon as possible because he really wanted me out of there.” Instead, you should say, “My Dad turned to me and pointed his finger in my face and he said, ‘Now you look here, buddy. I want you out of here’”…so you really hear him saying the dialogue. It’s really about zeroing in on those really specific moments of lived experience and then remembering all the sights and sounds and smells and tastes and details like that where you can really kind of cinematically bring it to life for us, so we feel like we’re there watching it happen. SL: What is the coolest reaction you’ve gotten from a fan of the podcast? Kevin Allison: Oh my God, there have been so, so, so many. You know it was really cute, we were in Austin a few years ago and this couple came up to me and they said they had been married for 15 years and they were determined to get divorced, like they had been talking…not in heated emotion, but in like “It looks like this is over. We really should get divorced.” So, they had been talking about that for a while and had not been looking forward to the divorce process but knew that it had to happen. Then they started listening to RISK! and they started hearing these kinky stories on the show, because there’s a lot of them on the show. And, in the process, they both realized that – each of them realized separately, “Oh my God, we’re kinky!” Like they had never done a lot of this stuff. But hearing people talk about it, they were like “Oh my God, we could be doing this!” So, they started trying kinky things together and they said to me after this Austin show, they came up to me and said, “We have sex every night now and the divorce is off the table.” (Laughs) But a lot of people have come up and said they were suicidal at one point, or just going through a really rough patch. Occasionally it’s a little shocking to hear someone say that they started listening when they were 12-years-old. (Laughs) They’ll be like, “Oh my God, you raised me!” (Laughs) But pretty much every day we’ll get these emails from people with these amazing experiences. It is really funny and endearing to hear the great effect it has on people. SL: However, not all of the feedback you get is positive, right? Kevin Allison: Of course, we get a lot of complaints about offending people. You know, we get a lot of email saying “Shame on you for having played this”. We’re always walking a tightrope because things that are politically incorrect or inexpertly or insensitively worded are kind of bound to pop up on the show here and there because we encourage people to speak so “uncensoredly”, you know, we don’t want people walking on eggshells, we want people being as unfiltered as they can be. So, occasionally, there are little brouhahas that pop up about that too because we do really want to be as compassionate as we can, as emotionally intelligent as we can about creating a show that is valuable to people rather than hurtful to people. So, we have to navigate that a lot as well. SL: You recently published the RISK! book, as well as a series of stories for Amazon, called This Can’t Be Happening, and with this and the ongoing live shows, what else do you want to accomplish with the show? Kevin Allison: Well, we would love to do another book. We would love to do more of the Amazon stuff and we’re starting to talk about film and TV. I can’t really speak specifically about all of that, but this year, at the very least, we’re entering into a lot of talks about that kind of stuff. I’ve always been apprehensive of taking on too much, because, I once had a lunch with Marc Maron. Marc was on the very first episode of RISK! in New York and then he was at the very first night that we ever did the show in Los Angeles. He’s always been a kind of friend of the show in a little bit of a mentoring sort of way. He said, “Whatever you do, if you do a book or you do TV stuff or whatever projects you might do, just make sure you keep the podcast – the audio podcast – going and keep it at the high quality that it always has been.” So that, I think, is the challenge looking forward because I do want to be tackling more. There’s a part of me creatively which just wants to be trying new things but at the same time, this show is very hard to produce. (Laughs) So, I want to make sure that we do it very mindfully. New episodes of RISK! air every Tuesday and can be found wherever you listen to podcasts. On Thursday, Kevin goes into the archives for RISK! Singles. You can follow the show on Twitter, and you can gain access to exclusive content and the full archive of shows by supporting RISK! on Patreon. The post Podcasts You Should Know: Taking Risks with Kevin Allison appeared first on Socialite Life......»»

Category: topSource: celebuzzFeb 6th, 2019

Brendan Fraser Says He Was Sexually Assaulted by Former HFPA President

Brendan Fraser says that he was sexually assaulted by Philip Berk, the former president of the Hollywood Foreign Press Association. If you didn’t know, the HFPA is the group that votes for the Golden Globes each year. Brendan told GQ that the incident happened in the summer of 2003 at the Beverly Hills Hotel. When [...] Brendan Fraser says that he was sexually assaulted by Philip Berk, the former president of the Hollywood Foreign Press Association. If you didn’t know, the HFPA is the group that votes for the Golden Globes each year. Brendan told GQ that the incident happened in the summer of 2003 at the Beverly Hills Hotel. When Brendan reached out to shake Philip‘s hand, the man reached around and allegedly assaulted him. “His left hand reaches around, grabs my ass cheek, and one of his fingers touches me in the taint. And he starts moving it around,” Brendan told GQ. Berk claims that he just “pinched” his ass in jest. “I felt ill. I felt like a little kid. I felt like there was a ball in my throat. I thought I was going to cry,” Brendan said, though he decided to not go public at the time. “I didn’t want to contend with how that made me feel, or it becoming part of my narrative.” Fraser‘s reps asked the HFPA for a written apology and Berk admits that he wrote one. “My apology admitted no wrongdoing, the usual ‘If I’ve done anything that upset Mr. Fraser, it was not intended and I apologize,’” he said. Brendan said the incident made him retreat and “feel reclusive.” He also wonders if his career was derailed by the HFPA. “I don’t know if this curried disfavor with the group, with the HFPA. But the silence was deafening,” he said. Read the full piece on GQ.com......»»

Category: topSource: justjaredFeb 22nd, 2018

Prince Harry "Shocked To The Core" By Armed Forces Veterans Stories

Prince Harry and Meghan Markle have been “shocked to their core” by stories they have heard from armed forces veterans struggling with mental health. The 33-year-old royal recently admitted to this while speaking at the annual Veterans’ Mental Health Conference on Thursday (March 15) at King’s College in London, England. The event brings together leading [...] Prince Harry and Meghan Markle have been “shocked to their core” by stories they have heard from armed forces veterans struggling with mental health. The 33-year-old royal recently admitted to this while speaking at the annual Veterans’ Mental Health Conference on Thursday (March 15) at King’s College in London, England. The event brings together leading academics, researchers, medical professionals and charities to discuss the key issues in military mental health. Harry said many ex-forces personnel “continue to suffer in silence” and “their families also suffer,” but that he will also “continually inspired by amazingly positive outcomes”. Harry and his fiancee Megan recently visited Colchester Garrison to learn about the work of the North Essex Veterans Mental Health Network, a collaboration between the NHS, charities and the MOD. It was one of a number of private visits Meghan is making to charities in the run up to the couple’s wedding on 19 May. “Some of the stories Meghan and I heard when we visited Colchester Garrison a few weeks ago shocked us to our core,” Harry told the crowd......»»

Category: topSource: justjaredMar 15th, 2018

Ken Jeong, Lily Collins Honor Nicholl Fellowship Winners

The Academy of Motion Picture Arts and Sciences honored five up-and-coming screenwriters Thursday as part of its annual Nicholl Fellowship in Screenwriting program. On hand to present the awards was program director Jennifer Yuh Nelson (“Kung Fu Panda 2”) and fellowship chair Robin Swicord (“Memoirs of a Geisha”). Swicord, who began working with the fellowship more […].....»»

Category: topSource: varietyNov 9th, 2018

Film News Roundup: Russo Brothers Partner With Slamdance for Fellowship (EXCLUSIVE)

In today’s film news roundup, the Russo brothers are launching a Slamdance fellowship, Magnolia buys “The China Hustle,” and Bryan Singer is producing and possibly directing “The Anomaly.” SLAMDANCE FELLOWSHIP The directing team of Anthony and Joe Russo are launching the Russo Brothers Fellowship, to be presented to a Slamdance filmmaker at January’s Slamdance Film […].....»»

Category: topSource: varietyOct 11th, 2017

Made in New York Writers Room Taking Applications for TV Fellowship Program

Following the program’s launch last year, the Made in New York Writers Room is accepting applications for its second six month fellowship program. The deadline to apply is Dec. 9. The Made in New York Writers Room fellowship works to identify emerging local writers who come from diverse backgrounds and underrepresented groups. Following an application […].....»»

Category: topSource: varietyDec 3rd, 2018

Brendan Fraser"s Sexual Assault Allegations Against Former HFPA President Spark Investigation!

An investigation is currently underway. As we reported, in a GQ article published on Thursday, Brendan Fraser accuses former Hollywood Foreign Press Association president Philip Berk of sexual assault in 2003 at the Beverly Hills Hotel. Related: Brendan Fraser Sues Producers Of His New Movie Allegedly, Berk grabbed The Mummy star's "ass check" and touched him "in [...] An investigation is currently underway. As we reported, in a GQ article published on Thursday, Brendan Fraser accuses former Hollywood Foreign Press Association president Philip Berk of sexual assault in 2003 at the Beverly Hills Hotel. Related: Brendan Fraser Sues Producers Of His New Movie Allegedly, Berk grabbed The Mummy star's "ass check" and touched him "in the taint" after a HFPA luncheon. On Thursday, the organization released an official statement saying they are looking into the now-49-year-old's claims. They said: "The HFPA stands firmly against sexual harassment and the type of behavior described in this article... Over the years we've continued a positive working relationship with Brendan, which includes announcing Golden Globe nominees, attending the ceremony and participating in press conferences. This report includes alleged information that the HFPA was previously unaware of and at this time we are investigating further details surrounding the incident." After the alleged incident, Fraser says the HFPA made sure the two were never in the same room again (a claim that Berk denies), and that Berk later apologized in a letter. While Berk admits to sending Fraser a letter, he told GQ: "My apology admitted no wrongdoing, the usual 'If I've done anything that upset Mr. Fraser, it was it was not intended and I apologize."' Fraser will appear in the upcoming FX series Trust. [Image via Media Punch.].....»»

Category: gossipSource: perezhiltonFeb 22nd, 2018

British Film Institute Withdraws Harvey Weinstein’s Fellowship

The British Film Institute has withdrawn Harvey Weinstein’s BFI Fellowship, its highest honor. The organisation said: “The serious and widespread allegations about Harvey Weinstein’s appalling conduct are in direct opposition to the BFI’s values. The BFI Board has met and decided to withdraw the BFI Fellowship awarded to Harvey Weinstein in 2002.” The Fellowship was awarded […].....»»

Category: topSource: varietyOct 19th, 2017

Emmys 2018: Nearly 100 Winners Have Already Been Revealed!

The winners of only 26 categories will be announced live on television during the 2018 Emmy Awards, but there are nearly 100 more categories recognized by the Television Academy. The Creative Arts Emmys are held one week in advance of the Emmys ceremony every year to honor all of the winners in the categories that [...] The winners of only 26 categories will be announced live on television during the 2018 Emmy Awards, but there are nearly 100 more categories recognized by the Television Academy. The Creative Arts Emmys are held one week in advance of the Emmys ceremony every year to honor all of the winners in the categories that are not aired on TV. Among the big categories that were already announced were Best TV Movie and the four Guest Actor categories. Game of Thrones and Saturday Night Live are both leading the pack this year with seven wins each at the Creative Arts Emmys. History was made as all four of the winners in the Guest Actor categories were black actors, for the first time ever! Click inside for the full winners list… See the full list of winners below! PROGRAMS Best Interactive Program “The Daily Show with Trevor Noah” “Full Frontal with Samantha Bee” “Last Week Tonight with John Oliver” - WINNER “The Late Late Show with James Corden” “Saturday Night Live” Best Structured Reality Program “Antiques Roadshow” “Fixer Upper” “Lip Sync Battle” “Queer Eye” - WINNER “Shark Tank” “Who Do You Think You Are?” Best Unstructured Reality Program “Born This Way” “Deadliest Catch” “Intervention” “Naked and Afraid” “RuPaul’s Drag Race: Untucked” “United Shades of America” - WINNER Best Variety Special (Live) “75th Annual Golden Globe Awards” “60th Annual Grammy Awards” “Jesus Christ Superstar” - WINNER “Night of Too Many Stars: America Unites for Autism Programs” “The Oscars” Best Variety Special (Recorded) “Carol Burnett Show 50th Anniversary Special” “Carpool Karaoke Primetime Special 2018” “Dave Chappelle: Equanimity” - WINNER “Full Frontal with Samantha Bee: The Great American Puerto Rico” “Steve Martin and Martin Short: An Evening You Will Forget for the Rest of Your Life” Best Children’s Program “Alexa and Katie” “Fuller House” “The Magical Wand Chase: A Sesame Street Special” - WINNER “A Series of Unfortunate Events” “Star Wars Rebels” Best Commercial “Alexa Loses Her Voice” (Amazon) “Earth: Shot on iPhone” (iPhone) “In Real Life” (Monica Lewinsky: Anti-Bullying) “It’s a Tide Ad” (Tide) “The Talk” (P&G) - WINNER Best TV Movie “Fahrenheit 451” “Flint” “Paterno” “The Tale” “USS Callister (Black Mirror)” - WINNER SHORT FORM Best Short Form Nonfiction/Reality Series “The Americans: The Final Season” “Anthony Bourdain: Explore Parts Unknown” - WINNER “The Assassination of Gianni Versace: America’s Obsessions” “Jay Leno’s Garage” “Top Chef: Last Chance Kitchen” Best Short Form Variety Series “Carpool Karaoke: The Series” - WINNER “Creating Saturday Night Live” “The Daily Show: Between the Scenes” “Gay of Thrones” “Honest Trailers” “The Tonight Show Starring Jimmy Fallon: Cover Room” Best Short Form Animated Program “Adventure Time” — “Ring of Fire” “Robot Chicken” — “Freshly Baked: The Robot Chicken Santa Claus Pot Cookie Freakout Special” - WINNER “Steven Universe” — “Jungle Moon” “Teen Titans Go!” — “The Self-Indulgent 200th Episode Spectacular!” “We Bare Bears” — “Hurricane Hal” Best Short Form Comedy or Drama Series “Broken” “Caught: The Series” “I Love Bekka and Lucy” “James Corden’s Next James Corden” - WINNER “The Eddie Murphy Role is Mine, Not Yours” ACTING – GUEST Best Comedy Guest Actor Katt Williams, “Atlanta” - WINNER Sterling K. Brown, “Brooklyn Nine-Nine” Lin-Manuel Miranda, “Curb Your Enthusiasm” Bryan Cranston, “Curb Your Enthusiasm” Bill Hader, “Saturday Night Live” Donald Glover, “Saturday Night Live” Best Comedy Guest Actress Wanda Sykes, “Black-ish” Maya Rudolph, “The Good Place” Jane Lynch, “The Marvelous Mrs. Maisel” Tiffany Haddish, “Saturday Night Live” - WINNER Tina Fey, “Saturday Night Live” Molly Shannon, “Will and Grace” Best Drama Guest Actor Matthew Goode, “The Crown” F. Murray Abraham, “Homeland” Cameron Britton, “Mindhunter” Gerald McRaney, “This is Us” Ron Cephas Jones, “This is Us” - WINNER Jimmi Simpson, “Westworld” Best Drama Guest Actress Diana Rigg, “Game of Thrones” Samira Wiley, “The Handmaid’s Tale” - WINNER Cherry Jones, “The Handmaid’s Tale” Kelly Jenrette, “The Handmaid’s Tale” Cicely Tyson, “How to Get Away with Murder” Viola Davis, “Scandal” ACTING – SHORT FORM Best Short Form Actor Miles Tagtmeyer, “Broken” DeStorm Power, “Caught: The Series” Alexis Denisof, “I Love Bekka and Lucy” James Corden, “James Corden’s Next James Corden” - WINNER Melvin Jackson Jr., “The Eddie Murphy Role is Mine, Not Yours” Best Short Form Actress Kelli O’Hara, “The Accidental Wolf” Diarra Kilpatrick, “American Koko” Christina Pickles, “Break a Hip” - WINNER Lee Garlington, “Broken” Naomi Grossman, “Ctrl Alt Delete” Megan Amram, “An Emmy for Megan” HOST Best Reality Host Ellen DeGeneres, “Ellen’s Game of Games” Jane Lynch, “Hollywood Game Night” Heidi Klum and Tim Gunn, “Project Runway” RuPaul Charles, “RuPaul’s Drag Race”- WINNER W. Kamau Bell, “United Shades of America” ANIMATED Best Character Voice-Over Performance Seth MacFarlane, “American Dad” Alex Borstein, “Family Guy” - WINNER Seth MacFarlane, “Family Guy” Russi Taylor, “The Scariest Story Ever: A Mickey Mouse Halloween Spooktacular” Dan Castellaneta, “The Simpsons” Best Individual Achievement in Animation Lindsay Small-Butera, “Adventure Time” Stu Livingston, “Hey Arnold! The Jungle Movie” Jeff Scher, “The Number on Great-Grandpa’s Arm” Justin Martin, “The Scariest Story Ever Told: A Mickey Mouse Halloween Spooktacular” Caroline Cruikshank, “The Simpsons” Patrick Bryson, “Steven Universe” Best Animated Program “Baymax Returns (Big Hero 6: The Series)” “Bob’s Burgers” — “V for Valentine-detta” “Rick and Morty” — “Pickle Rick” - WINNER “The Simpsons” — “Gone Boy” “South Park” — “Put it Down” CASTING Best Reality Casting “Born This Way” “Project Runway” “Queer Eye”- WINNER “RuPaul’s Drag Race” “The Voice” Best Comedy Casting “Atlanta” “Barry” “GLOW” “The Marvelous Mrs. Maisel” - WINNER “Silicon Valley” Best Drama Casting “The Crown” - WINNER “Game of Thrones” “The Handmaid’s Tale” “Stranger Things” “Westworld” Best Movie/Mini Casting “The Assassination of Gianni Versace” - WINNER “Godless” “Jesus Christ Superstar” “The Looming Tower” “Patrick Melrose” CHOREOGRAPHY Best Choreography Chloe Arnold, “The Late Late Show with James Corden” — “Greatest Showman,” “Crossswalk the Musical on Broadway” Mandy Moore, “So You Think You Can Dance” — “Brand New,” “To Make You Feel My Love” - WINNER Travis Wall, “So You Think You Can Dance” — “Change is Everything,” “Strange Fruit” Al Blackstone, “So You Think You Can Dance” — “The Man That Got Away, “L-O-V-E” Christopher Scott, “So You Think You Can Dance” — “Prism,” “Say You Won’t Let Go” CINEMATOGRAPHY Best Cinematography (Nonfiction) “Anthony Bourdain: Parts Unknown” — “Lagos” “Blue Planet II” — “The Deep” “Blue Planet II” — “One Ocean” “Chef’s Table” — “Corrado Assenza” “Jane” - WINNER Best Cinematography (Reality) “The Amazing Race” — “It’s Just a Million Dollars, No Pressure” “Born This Way” — “Homecoming” “Deadliest Catch” — “Battle Lines” “Life Below Zero” — Series Body of Work- WINNER “Queer Eye” — “To Gay or Not Too Gay” “RuPaul’s Drag Race” — “10s Across the Board” Best Cinematography (Single-Camera Series, Half Hour) “Atlanta” — “Teddy Perkins” - WINNER “Barry” — “Chapter Eight: Know Your Truth” “The End of the F***ing World” — “Episode 3” “GLOW” — “Pilot” “Mozart in the Jungle” — “Ichi Go Ichi E” Best Cinematography (Single-Camera Series, Hour) “The Crown” — “Beryl” - WINNER “The Handmaid’s Tale” — “June” “Legion” — “Chapter 9” “The Marvelous Mrs. Maisel” — “Pilot” “Ozark” — “The Toll” “Stranger Things” — “Chapter One: MADMAX” “Westworld” — “The Riddle of the Sphinx” Best Cinematography (Multi-Camera Series) “The Ranch” — “Do What You Gotta Do” “Superior Donuts” — “Grades of Wrath” “Will and Grace” — “A Gaye Olde Christmas” - WINNER Best Cinematography (Movie/Mini) “The Alienist” — “The Boy on the Bridge” “Fahrenheit 451” “Genius: Picasso” — “Chapter One” - WINNER “Godless” — “An Incident at Creede” “USS Callister (Black Mirror)” COSTUMES Best Costumes (Variety/Nonfiction/Reality) “Dancing with the Stars” — “Disney Night” “Jesus Christ Superstar” “RuPaul’s Drag Race” — “10s Across the Board” - WINNER “Saturday Night Live” — “Host: Natalie Portman” “Tracey Ullman’s Show” — “Episode 1” Best Contemporary Costumes “The Assassination of Gianni Versace” — “The Man Who Would Be Vogue” - WINNER “Black-ish” — “Juneteenth” “Empire” — “Slave to Memory” “Grace and Frankie” — “The Expiration Date” “This is Us” — “The Wedding” Best Fantasy/Sci-Fi Costumes “Fahrenheit 451” “Game of Thrones” — “Beyond the Wall” - WINNER “The Handmaid’s Tale” — “Seeds” “A Series of Unfortunate Events” — “The Vile Village: Part 1” “Westworld” — “Akane No Mai” Best Period Costumes “The Alienist” — “A Fruitful Partnership” “The Crown” — “Dear Mrs. Kennedy” - WINNER “Genius: Picasso” — “Chapter One” “The Marvelous Mrs. Maisel” — “The Disappointment of the Dionne Quintuplets” “Outlander” — “Freedom and Whisky” DIRECTING Best Directing (Documentary/Nonfiction) “Icarus” “Jane” - WINNER “The Vietnam War” — “Episode 8: The History of the World” “Wild Wild Country” — “Part 3” “The Zen Diaries of Garry Shandling” Best Directing (Reality) “The Amazing Race” — “It’s Just a Million Dollars, No Pressure” “American Ninja Warrior” — “Daytona Beach Qualifiers” “RuPaul’s Drag Race” — “10s Across the Board”- WINNER “Shark Tank” — “Episode 903” “The Voice” — “Live Top 11 Performance” Best Directing (Variety Series) “Full Frontal with Samantha Bee” — “Episode 2061” “Last Week Tonight with John Oliver” — “Episode 421” “The Late Late Show with James Corden” — “Episode 0416” “The Late Show with Stephen Colbert” — “Episode 438” “Portlandia” — “Riot Spray” “Saturday Night Live” — “Host: Donald Glover” - WINNER DOCUMENTARY/INFORMATIONAL Best Documentary/Nonfiction Series “American Masters” “Blue Planet II” “The Defiant Ones” “The Fourth Estate” “Wild Wild Country” - WINNER Best Documentary/Nonfiction Special “Icarus” “Jim and Andy: The Great Beyond” “Mister Rogers: It’s You I Like” “Spielberg” “The Zen Diaries of Garry Shandling” - WINNER Exceptional Merit in Documentary Filmmaking “City of Ghosts” “Jane” “Strong Island” - WINNER “What Haunts Us” Best Informational Program “Anthony Bourdain: Parts Unknown” - WINNER “Leah Remini: Scientology and the Aftermath” “My Next Guest Needs No Introduction with David Letterman” “Star Talk with Neil deGrasse Tyson” “Vice” HAIRSTYLING Best Hairstyling (Multi-Camera) “Dancing with the Stars” — “Night at the Movies” “Jesus Christ Superstar” “RuPaul’s Drag Race” — “10s Across the Board” - WINNER “Saturday Night Live” — “Host: Tiffany Haddish” “The Voice” — “Live Finale, Part 1” Best Hairstyling (Single-Camera Series) “The Crown” — “Dear Mrs. Kennedy” “Game of Thrones” — “The Dragon and the Wolf” “GLOW” — “Pilot” “The Marvelous Mrs. Maisel” — “Pilot” “Westworld” — “Akane No Mai” - WINNER Best Hairstyling (Movie/Mini) “American Horror Story: Cult” “The Assassination of Gianni Versace” - WINNER “Genius: Picasso” “Godless” “The Last Tycoon” — “Oscar, Oscar, Oscar” “Twin Peaks” INTERACTIVE MEDIA Best Creative Achievement in Interactive Media Within Unscripted Program “Conan Without Borders” - WINNER “The Oscars” — “All Access” “RuPaul’s Drag Race” — “Season 10 RuVeal” “Watch What Happens Live! With Andy Cohen” Best Creative Achievement in Interactive Media Within Scripted Program “Mr. Robot” — “Ecoin” “Rick and Morty’ — “Virtual Rick-ality” “Silicon Valley” — “Interactive World: Not Hotdog, VR and Twitter-Powered Pizza Drones” “13 Reasons Why” — “Talk to the Reasons” “Westworld” — “Chaos Takes Control Interactive Experience” - WINNER Best Original Interactive Program “Back to the Moon” “Blade Runner 2049: Memory Lab” “Coco VR” “NASA JPL: Cassini’s Grand Finale” - WINNER “Spider-Man Homecoming VR Experience” LIGHTING DESIGN Best Lighting Design/Direction (Variety Series) “America’s Got Talent” — “The Finals” “Dancing with the Stars” — “Halloween Night” “Saturday Night Live” — “Host: Kevin Hart” - WINNER “So You Think You Can Dance” — “Finale” “The Voice” — “Live Finale, Part 1” Best Lighting Design/Direction (Variety Special) “60th Annual Grammy Awards” “Jesus Christ Superstar” - WINNER “The Oscars” “Super Bowl LII Halftime Show Starring Justin Timberlake” “71st Annual Tony Awards” MAIN TITLE DESIGN Best Main Title Design “The Alienist” “Altered Carbon” “Counterpart” - WINNER “GLOW” “Westworld” MAKEUP Best Makeup (Non-Prosthetic, Mulit-Camera) “Dancing with the Stars” — “Halloween Night” “Jesus Christ Superstar” “RuPaul’s Drag Race” — “10s Across the Board” “Saturday Night Live” — “Host: Tina Fey” - WINNER “The Voice” — “Live Finale, Part 1” Best Makeup (Single-Camera Series, Non-Prosthetic) “Game of Thrones” — “The Dragon and the Wolf” “GLOW” — “Money’s in the Chase” “The Handmaid’s Tale” — “Unwomen” “This is Us” — “Number Three” “Vikings” — “Homeland” “Westworld” — “Akane No Mai” - WINNER Best Makeup (Movie/Mini, Non-Prosthetic) “American Horror Story: Cult” “The Assassination of Gianni Versace” - WINNER “Genius: Picasso” “The Last Tycoon” — “Oscar, Oscar, Oscar” “Twin Peaks” Best Prosthetic Makeup “American Horror Story: Cult” “The Assassination of Gianni Versace” “Game of Thrones” — “The Dragon and the Wolf” - WINNER “Star Trek: Discovery” — “Will You Take My Hand?” “Westworld” — “The Riddle of the Sphinx” MOTION DESIGN Best Motion Design “Broad City” — “Mushrooms” “Wasted! The Story of Food Waste” MUSIC Best Music and Lyrics “Big Mouth” — “Totally Gay” “A Christmas Story Live” — “In the Market for a Miracle” “The Good Fight” — “High Crimes and Misdemeanors” “If You’re Not in the Obit, Eat Breakfast” — “Just Getting Started” “Saturday Night Live” — “Come Back Barack” - WINNER “Steve Martin and Martin Short: An Evening You Will Forget for the Rest of Your Life” — “The Buddy Song” Best Music Direction “Bruno Mars: 24K Magic Live at the Apollo” “Elton John: I’m Still Standing – A Grammy Salute” “The Oscars” “Super Bowl LII Halftime Show Starring Justin Timberlake” “Tony Bennett: The Library of Congress Gershwin Prize for Popular Song” - WINNER Best Main Title Theme Music “The Defenders” “Godless” - WINNER “The Last Tycoon” “The Putin Interviews” “Somebody Feed Phil” “The Tick” Best Music Supervision “Atlanta” — “Alligator Man” “The Marvelous Mrs. Maisel” — “Pilot” - WINNER “Stranger Things” — “Trick or Treat, Freak” “This is Us” — “That’ll Be the Day” “Westworld” — “Akane No Mai” Best Music Composition (Movie/Mini) “Alias Grace” — “Part 1” “The Commuter (Electric Dreams)” “Crazy Diamond (Electric Dreams)” “Godless” — “Homecoming” “March of the Penguins 2: The Next Step” - WINNER “USS Callister (Black Mirror)” Best Music Composition (Series) “Game of Thrones” — “The Dragon and the Wolf” - WINNER “Jessica Jones” — “AKA Playland” “Once Upon a Time” — “Leaving Storybrooke” “SEAL Team” — “Pattern of Life” “Star Wars Rebels” — “Family Reunion – And Farewell” “Westworld” — “Akane No Mai” NARRATOR Best Narrator David Attenborough, “Blue Planet II” — “One Ocean” - WINNER Carl Reiner, “If You’re Not in the Obit, Eat Breakfast” Morgan Freeman, “March of the Penguins 2: The Next Step” Charles Dance, “Savage Kingdom” — “Uprising: First Blood” Liev Schreiber, “24/7” — “Canelo-Golovkin” PICTURE EDITING Best Picture Editing (Nonfiction) “Anthony Bourdain: Parts Unknown” — “Lagos” - WINNER “The Defiant Ones” — “Episode 3” “Jane” “Wild Wild Country” — “Part 3” “The Zen Diaries of Garry Shandling” Best Picture Editing (Structured or Competition Reality) “The Amazing Race” — “It’s Just a Million Dollars, No Pressure” “American Ninja Warrior” — “Daytona Beach Qualifiers” “Queer Eye” — Series Body of Work - WINNER “RuPaul’s Drag Race” — “10s Across the Board” “The Voice” — Series Body of Work Best Picture Editing (Unstructured Reality) “Born This Way” — Series Body of Work “Deadliest Catch” — “Battle Lines” “Life Below Zero” — “The 11th Hour” “RuPaul’s Drag Race: Untucked” — “Untucked – 10s Across the Board” “United Shades of America” — “Sikhs in America” - WINNER Best Picture Editing (Variety) “Carpool Karaoke Primetime Special 2018” “Dave Chappelle: Equanimity” “Drunk History” — “Heroines” “Full Frontal with Samantha Bee: The Great American Puerto Rico” “Last Week Tonight with John Oliver” — “Wax President Harding (Segment)” “Last Week Tonight with John Oliver” — “Border Patrol (Segment)” - WINNER Best Picture Editing (Multi-Camera Series) “The Big Bang Theory” — “The Bow Tie Asymmetry” “Mom” — “Crazy Snakes and a Clog to the Head” “One Day at a Time” — “Not Yet” “Roseanne” — “Darlene v. David” “Will and Grace” — “Grandpa Jack” - WINNER Best Picture Editing (Single Camera Comedy) “Atlanta” — “Alligator Man” “Atlanta” — “Teddy Perkins” “Barry” — “Chapter Seven: Loud, Fast and Keep Going” “Barry” — “Chapter Eight: Know Your Truth” “The Marvelous Mrs. Maisel” — “Pilot” - WINNER Best Picture Editing (Single Camera Drama) “Game of Thrones” — “Beyond the Wall” “Game of Thrones” — “The Dragon and the Wolf” “Game of Thrones” — “The Spoils of War” “The Handmaid’s Tale” — “June” - WINNER “Stranger Things” — “Chapter Nine: The Gate” Best Picture Editing (Single Camera Movie/Mini) “The Assassination of Gianni Versace” — “Alone” “The Assassination of Gianni Versace” — “House by the Lake” “The Assassination of Gianni Versace” — “Manhunt” “Twin Peaks” — “Part 8” “USS Callister (Black Mirror)” - WINNER PRODUCTION DESIGN Best Production Design (Variety/Reality Series) “Bill Nye Saves the World” — “Extinction: Why all Our Friends Are Dying” “Dancing with the Stars” — “Night at the Movies” “Last Week Tonight with John Oliver” — “Episode 418” “Saturday Night Live” — “Host: Bill Hader” - WINNER “The Voice” — “The Blind Auditions Season Premiere” Best Production Design (Variety Special) “Carol Burnett Show 50th Anniversary Special” “75th Annual Golden Globe Awards” “60th Annual Grammy Awards” “Jesus Christ Superstar” - WINNER “The Oscars” Best Production Design (Narrative, Half-Hour or Less) “Atlanta” — “Teddy Perkins” “Barry” — “Chapter Seven: Loud, Fast and Keep Going” “GLOW” — “The Dusty Spur” - WINNER “Grace and Frankie” — “The Tappys” “Silicon Valley” — “Tech Evangelist” “Will and Grace” — “A Gaye Olde Christmas” Best Production Design (Narrative, Period/Fantasy) “The Alienist” — “The Boy on the Bridge” “The Crown” — “Beryl” “Game of Thrones” — “Dragonstone” - WINNER “The Marvelous Mrs. Maisel” — “Ya Shivu v Bolshom Dome Na Kholme” “Westworld” — “Akane No Mai” Best Production Design (Narrative, Contemporary) “American Horror Story: Cult” “The Handmaid’s Tale” — “June” - WINNER “The Handmaid’s Tale” — “Seeds” “Ozark” — “My Dripping Sleep” “Twin Peaks” SOUND EDITING Best Sound Editing (Nonfiction) “Anthony Bourdain: Parts Unknown” — “Seattle” - WINNER “Blue Planet II” — “Coral Reefs” “The Defiant Ones” — “Episode 1” “Jane” “The Vietnam War” — “Episode 6: Things Fall Apart” “Wild Wild Country” — “Part 1” Best Sound Editing (Half Hour Series) “Atlanta” — “Teddy Perkins” “Ballers” — “Bull Rush” “Barry” — “Chapter Seven: Loud, Fast and Keep Going” - WINNER “Star Wars Rebels” — “A World Between Worlds” “Vice Principals” — “The Union of the Wizard and the Warrior” Best Sound Editing (One Hour Series) “Game of Thrones” — “The Spoils of War” “Homeland” — “All In” “Star Trek: Discovery” — “What’s Past is Prologue” “Stranger Things” — “Chapter Eight: The Mind Flayer” - WINNER “Westworld” — “Akane No Mai” Best Sound Editing (Movie/Mini) “American Horror Story: Cult” — “Great Again” “Fahrenheit 451” “Godless” — “Homecoming” “Twin Peaks” — “Part 8” “USS Callister (Black Mirror)” - WINNER “Waco” — “Operation Showtime” SOUND MIXING Best Sound Mixing (Nonfiction) “Anthony Bourdain: Parts Unknown” — “Lagos” - WINNER “The Defiant Ones” — “Episode 1” “Jane” “The Vietnam War” — “Episode 6: Things Fall Apart” “Wild Wild Country” — “Part 1” Best Sound Mixing (Variety) “60th Annual Grammy Awards” “Jesus Christ Superstar” - WINNER “Last Week Tonight with John Oliver” — “Episode 421” “The Oscars” “The Voice” — “Live Finale, Part 2” Best Sound Mixing (Half Hour Series) “Barry” — “Chapter Seven: Loud, Fast and Keep Going” - WINNER “Family Guy” — “Three Directors” “Modern Family” — “Lake Life” “Mozart in the Jungle” — “Domo Arigato” “Silicon Valley” — “Fifty-One Percent” Best Sound Mixing (One Hour Series) “Game of Thrones” — “Beyond the Wall” - WINNER “The Handmaid’s Tale” — “June” “Mr. Robot” — “eps3.4_runtime-error.r00” “Stranger Things” — “Chapter Eight: The Mind Flayer” “Westworld” — “Akane No Mai” Best Sound Mixing (Movie/Mini) “The Assassination of Gianni Versace” — “The Man Who Would Be Vogue” “Fahrenheit 451” “Genius: Picasso” — “Chapter One” - WINNER “Twin Peaks” — “Part 8” “Waco” — “Operation Showtime” SPECIAL AND VISUAL EFFECTS Best Special Visual Effects “Altered Carbon” — “Out of the Past” “Game of Thrones” — “Beyond the Wall” - WINNER “Lost in Space” — “Danger, Will Robinson” “Stranger Things” — “Chapter Nine: The Gate” “Westworld” — “The Passenger” Best Supporting Visual Effects “The Alienist” — “The Boy on the Bridge” - WINNER “The Crown” — “Misadventure” “Gotham” — “That’s Entertainment” “The Handmaid’s Tale” — “June” “Mr. Robot” — “eps3.4_runtime-err0r.r00” STUNT COORDINATION Best Stunt Coordination (Comedy/Variety) “Brooklyn Nine-Nine” “Cobra Kai” “GLOW” - WINNER “Saturday Night Live” “Shameless” Best Stunt Coordination (Drama/Movie/Mini) “The Blacklist” “Blindspot” “Game of Thrones” - WINNER “The Punisher” “Westworld” TECHNICAL DIRECTION Best Technical Direction (Movie/Mini/Special) “Carpool Karaoke Primetime Special 2018” “Jesus Christ Superstar” - WINNER “The Oscars” “2018 Rock and Roll Hall of Fame Induction Ceremony” “Super Bowl LII Halftime Show Starring Justin Timberlake” Best Technical Direction (Series) “The Big Bang Theory” — “The Bow Tie Asymmetry” “Dancing with the Stars” — “Finale” “Jimmy Kimmel Live” — “Live in Brooklyn: Billy Joel and Tracy Morgan” “Last Week Tonight with John Oliver” — “Episode 421” “Saturday Night Live” — “Host: Donald Glover” - WINNER “The Voice” — “Live Finale, Part 2” WRITING Best Writing (Nonfiction) “Anthony Bourdain: Parts Unknown” — “Southern Italy” - WINNER “The Defiant Ones” — “Episode 1” “Icarus” “Jane” “Mister Rogers: It’s You I Like” “The Vietnam War” — “Episode 8: The History of the World” Best Writing (Variety Series) “Full Frontal with Samantha Bee” “Last Week Tonight with John Oliver” - WINNER “Late Night with Seth Meyers” “The Late Show with Stephen Colbert” “Saturday Night Live”.....»»

Category: topSource: justjaredSep 17th, 2018

Creative Arts Emmys 2018 - Complete Winners List!

The 2018 Creative Arts Emmy Awards are officially upon us! The annual awards ceremony, presented in recognition of technical and other similar achievements in American television programming, was held between Saturday and Sunday (September 8-9) at the Microsoft Theater in Los Angeles. PHOTOS: Check out the latest pics of James Corden Game of Thrones and [...] The 2018 Creative Arts Emmy Awards are officially upon us! The annual awards ceremony, presented in recognition of technical and other similar achievements in American television programming, was held between Saturday and Sunday (September 8-9) at the Microsoft Theater in Los Angeles. PHOTOS: Check out the latest pics of James Corden Game of Thrones and The Assassination of Gianni Versace: American Crime Story led the pack during the first night of the ceremony. Big show winners at this year’s ceremony also included Black Mirror, Queer Eye, United Shades of America and Rick & Morty. Katt Williams, Tiffany Haddish, Samira Wiley and James Corden also won at the event. See the full list of winners below! PROGRAMS Best Interactive Program “The Daily Show with Trevor Noah” “Full Frontal with Samantha Bee” “Last Week Tonight with John Oliver” - WINNER “The Late Late Show with James Corden” “Saturday Night Live” Best Structured Reality Program “Antiques Roadshow” “Fixer Upper” “Lip Sync Battle” “Queer Eye” - WINNER “Shark Tank” “Who Do You Think You Are?” Best Unstructured Reality Program “Born This Way” “Deadliest Catch” “Intervention” “Naked and Afraid” “RuPaul’s Drag Race: Untucked” “United Shades of America” - WINNER Best Variety Special (Live) “75th Annual Golden Globe Awards” “60th Annual Grammy Awards” “Jesus Christ Superstar” - WINNER “Night of Too Many Stars: America Unites for Autism Programs” “The Oscars” Best Variety Special (Recorded) “Carol Burnett Show 50th Anniversary Special” “Carpool Karaoke Primetime Special 2018” “Dave Chappelle: Equanimity” - WINNER “Full Frontal with Samantha Bee: The Great American Puerto Rico” “Steve Martin and Martin Short: An Evening You Will Forget for the Rest of Your Life” Best Children’s Program “Alexa and Katie” “Fuller House” “The Magical Wand Chase: A Sesame Street Special” - WINNER “A Series of Unfortunate Events” “Star Wars Rebels” Best Commercial “Alexa Loses Her Voice” (Amazon) “Earth: Shot on iPhone” (iPhone) “In Real Life” (Monica Lewinsky: Anti-Bullying) “It’s a Tide Ad” (Tide) “The Talk” (P&G) - WINNER Best TV Movie “Fahrenheit 451” “Flint” “Paterno” “The Tale” “USS Callister (Black Mirror)” - WINNER SHORT FORM Best Short Form Nonfiction/Reality Series “The Americans: The Final Season” “Anthony Bourdain: Explore Parts Unknown” - WINNER “The Assassination of Gianni Versace: America’s Obsessions” “Jay Leno’s Garage” “Top Chef: Last Chance Kitchen” Best Short Form Variety Series “Carpool Karaoke: The Series” - WINNER “Creating Saturday Night Live” “The Daily Show: Between the Scenes” “Gay of Thrones” “Honest Trailers” “The Tonight Show Starring Jimmy Fallon: Cover Room” Best Short Form Animated Program “Adventure Time” — “Ring of Fire” “Robot Chicken” — “Freshly Baked: The Robot Chicken Santa Claus Pot Cookie Freakout Special” - WINNER “Steven Universe” — “Jungle Moon” “Teen Titans Go!” — “The Self-Indulgent 200th Episode Spectacular!” “We Bare Bears” — “Hurricane Hal” Best Short Form Comedy or Drama Series “Broken” “Caught: The Series” “I Love Bekka and Lucy” “James Corden’s Next James Corden” - WINNER “The Eddie Murphy Role is Mine, Not Yours” ACTING – GUEST Best Comedy Guest Actor Katt Williams, “Atlanta” - WINNER Sterling K. Brown, “Brooklyn Nine-Nine” Lin-Manuel Miranda, “Curb Your Enthusiasm” Bryan Cranston, “Curb Your Enthusiasm” Bill Hader, “Saturday Night Live” Donald Glover, “Saturday Night Live” Best Comedy Guest Actress Wanda Sykes, “Black-ish” Maya Rudolph, “The Good Place” Jane Lynch, “The Marvelous Mrs. Maisel” Tiffany Haddish, “Saturday Night Live” - WINNER Tina Fey, “Saturday Night Live” Molly Shannon, “Will and Grace” Best Drama Guest Actor Matthew Goode, “The Crown” F. Murray Abraham, “Homeland” Cameron Britton, “Mindhunter” Gerald McRaney, “This is Us” Ron Cephas Jones, “This is Us” - WINNER Jimmi Simpson, “Westworld” Best Drama Guest Actress Diana Rigg, “Game of Thrones” Samira Wiley, “The Handmaid’s Tale” - WINNER Cherry Jones, “The Handmaid’s Tale” Kelly Jenrette, “The Handmaid’s Tale” Cicely Tyson, “How to Get Away with Murder” Viola Davis, “Scandal” ACTING – SHORT FORM Best Short Form Actor Miles Tagtmeyer, “Broken” DeStorm Power, “Caught: The Series” Alexis Denisof, “I Love Bekka and Lucy” James Corden, “James Corden’s Next James Corden” - WINNER Melvin Jackson Jr., “The Eddie Murphy Role is Mine, Not Yours” Best Short Form Actress Kelli O’Hara, “The Accidental Wolf” Diarra Kilpatrick, “American Koko” Christina Pickles, “Break a Hip” - WINNER Lee Garlington, “Broken” Naomi Grossman, “Ctrl Alt Delete” Megan Amram, “An Emmy for Megan” HOST Best Reality Host Ellen DeGeneres, “Ellen’s Game of Games” Jane Lynch, “Hollywood Game Night” Heidi Klum and Tim Gunn, “Project Runway” RuPaul Charles, “RuPaul’s Drag Race” W. Kamau Bell, “United Shades of America” ANIMATED Best Character Voice-Over Performance Seth MacFarlane, “American Dad” Alex Borstein, “Family Guy” - WINNER Seth MacFarlane, “Family Guy” Russi Taylor, “The Scariest Story Ever: A Mickey Mouse Halloween Spooktacular” Dan Castellaneta, “The Simpsons” Best Individual Achievement in Animation Lindsay Small-Butera, “Adventure Time” Stu Livingston, “Hey Arnold! The Jungle Movie” Jeff Scher, “The Number on Great-Grandpa’s Arm” Justin Martin, “The Scariest Story Ever Told: A Mickey Mouse Halloween Spooktacular” Caroline Cruikshank, “The Simpsons” Patrick Bryson, “Steven Universe” Best Animated Program “Baymax Returns (Big Hero 6: The Series)” “Bob’s Burgers” — “V for Valentine-detta” “Rick and Morty” — “Pickle Rick” - WINNER “The Simpsons” — “Gone Boy” “South Park” — “Put it Down” CASTING Best Reality Casting “Born This Way” “Project Runway” “Queer Eye” “RuPaul’s Drag Race” “The Voice” Best Comedy Casting “Atlanta” “Barry” “GLOW” “The Marvelous Mrs. Maisel” - WINNER “Silicon Valley” Best Drama Casting “The Crown” - WINNER “Game of Thrones” “The Handmaid’s Tale” “Stranger Things” “Westworld” Best Movie/Mini Casting “The Assassination of Gianni Versace” - WINNER “Godless” “Jesus Christ Superstar” “The Looming Tower” “Patrick Melrose” CHOREOGRAPHY Best Choreography Chloe Arnold, “The Late Late Show with James Corden” — “Greatest Showman,” “Crossswalk the Musical on Broadway” Mandy Moore, “So You Think You Can Dance” — “Brand New,” “To Make You Feel My Love” - WINNER Travis Wall, “So You Think You Can Dance” — “Change is Everything,” “Strange Fruit” Al Blackstone, “So You Think You Can Dance” — “The Man That Got Away, “L-O-V-E” Christopher Scott, “So You Think You Can Dance” — “Prism,” “Say You Won’t Let Go” CINEMATOGRAPHY Best Cinematography (Nonfiction) “Anthony Bourdain: Parts Unknown” — “Lagos” “Blue Planet II” — “The Deep” “Blue Planet II” — “One Ocean” “Chef’s Table” — “Corrado Assenza” “Jane” - WINNER Best Cinematography (Reality) “The Amazing Race” — “It’s Just a Million Dollars, No Pressure” “Born This Way” — “Homecoming” “Deadliest Catch” — “Battle Lines” “Life Below Zero” — Series Body of Work “Queer Eye” — “To Gay or Not Too Gay” “RuPaul’s Drag Race” — “10s Across the Board” Best Cinematography (Single-Camera Series, Half Hour) “Atlanta” — “Teddy Perkins” - WINNER “Barry” — “Chapter Eight: Know Your Truth” “The End of the F***ing World” — “Episode 3” “GLOW” — “Pilot” “Mozart in the Jungle” — “Ichi Go Ichi E” Best Cinematography (Single-Camera Series, Hour) “The Crown” — “Beryl” - WINNER “The Handmaid’s Tale” — “June” “Legion” — “Chapter 9” “The Marvelous Mrs. Maisel” — “Pilot” “Ozark” — “The Toll” “Stranger Things” — “Chapter One: MADMAX” “Westworld” — “The Riddle of the Sphinx” Best Cinematography (Multi-Camera Series) “The Ranch” — “Do What You Gotta Do” “Superior Donuts” — “Grades of Wrath” “Will and Grace” — “A Gaye Olde Christmas” - WINNER Best Cinematography (Movie/Mini) “The Alienist” — “The Boy on the Bridge” “Fahrenheit 451” “Genius: Picasso” — “Chapter One” - WINNER “Godless” — “An Incident at Creede” “USS Callister (Black Mirror)” COSTUMES Best Costumes (Variety/Nonfiction/Reality) “Dancing with the Stars” — “Disney Night” “Jesus Christ Superstar” “RuPaul’s Drag Race” — “10s Across the Board” - WINNER “Saturday Night Live” — “Host: Natalie Portman” “Tracey Ullman’s Show” — “Episode 1” Best Contemporary Costumes “The Assassination of Gianni Versace” — “The Man Who Would Be Vogue” - WINNER “Black-ish” — “Juneteenth” “Empire” — “Slave to Memory” “Grace and Frankie” — “The Expiration Date” “This is Us” — “The Wedding” Best Fantasy/Sci-Fi Costumes “Fahrenheit 451” “Game of Thrones” — “Beyond the Wall” - WINNER “The Handmaid’s Tale” — “Seeds” “A Series of Unfortunate Events” — “The Vile Village: Part 1” “Westworld” — “Akane No Mai” Best Period Costumes “The Alienist” — “A Fruitful Partnership” “The Crown” — “Dear Mrs. Kennedy” - WINNER “Genius: Picasso” — “Chapter One” “The Marvelous Mrs. Maisel” — “The Disappointment of the Dionne Quintuplets” “Outlander” — “Freedom and Whisky” DIRECTING Best Directing (Documentary/Nonfiction) “Icarus” “Jane” - WINNER “The Vietnam War” — “Episode 8: The History of the World” “Wild Wild Country” — “Part 3” “The Zen Diaries of Garry Shandling” Best Directing (Reality) “The Amazing Race” — “It’s Just a Million Dollars, No Pressure” “American Ninja Warrior” — “Daytona Beach Qualifiers” “RuPaul’s Drag Race” — “10s Across the Board” “Shark Tank” — “Episode 903” “The Voice” — “Live Top 11 Performance” Best Directing (Variety Series) “Full Frontal with Samantha Bee” — “Episode 2061” “Last Week Tonight with John Oliver” — “Episode 421” “The Late Late Show with James Corden” — “Episode 0416” “The Late Show with Stephen Colbert” — “Episode 438” “Portlandia” — “Riot Spray” “Saturday Night Live” — “Host: Donald Glover” - WINNER DOCUMENTARY/INFORMATIONAL Best Documentary/Nonfiction Series “American Masters” “Blue Planet II” “The Defiant Ones” “The Fourth Estate” “Wild Wild Country” - WINNER Best Documentary/Nonfiction Special “Icarus” “Jim and Andy: The Great Beyond” “Mister Rogers: It’s You I Like” “Spielberg” “The Zen Diaries of Garry Shandling” - WINNER Exceptional Merit in Documentary Filmmaking “City of Ghosts” “Jane” “Strong Island” - WINNER “What Haunts Us” Best Informational Program “Anthony Bourdain: Parts Unknown” - WINNER “Leah Remini: Scientology and the Aftermath” “My Next Guest Needs No Introduction with David Letterman” “Star Talk with Neil deGrasse Tyson” “Vice” HAIRSTYLING Best Hairstyling (Multi-Camera) “Dancing with the Stars” — “Night at the Movies” “Jesus Christ Superstar” “RuPaul’s Drag Race” — “10s Across the Board” - WINNER “Saturday Night Live” — “Host: Tiffany Haddish” “The Voice” — “Live Finale, Part 1” Best Hairstyling (Single-Camera Series) “The Crown” — “Dear Mrs. Kennedy” “Game of Thrones” — “The Dragon and the Wolf” “GLOW” — “Pilot” “The Marvelous Mrs. Maisel” — “Pilot” “Westworld” — “Akane No Mai” - WINNER Best Hairstyling (Movie/Mini) “American Horror Story: Cult” “The Assassination of Gianni Versace” - WINNER “Genius: Picasso” “Godless” “The Last Tycoon” — “Oscar, Oscar, Oscar” “Twin Peaks” INTERACTIVE MEDIA Best Creative Achievement in Interactive Media Within Unscripted Program “Conan Without Borders” - WINNER “The Oscars” — “All Access” “RuPaul’s Drag Race” — “Season 10 RuVeal” “Watch What Happens Live! With Andy Cohen” Best Creative Achievement in Interactive Media Within Scripted Program “Mr. Robot” — “Ecoin” “Rick and Morty’ — “Virtual Rick-ality” “Silicon Valley” — “Interactive World: Not Hotdog, VR and Twitter-Powered Pizza Drones” “13 Reasons Why” — “Talk to the Reasons” “Westworld” — “Chaos Takes Control Interactive Experience” - WINNER Best Original Interactive Program “Back to the Moon” “Blade Runner 2049: Memory Lab” “Coco VR” “NASA JPL: Cassini’s Grand Finale” - WINNER “Spider-Man Homecoming VR Experience” LIGHTING DESIGN Best Lighting Design/Direction (Variety Series) “America’s Got Talent” — “The Finals” “Dancing with the Stars” — “Halloween Night” “Saturday Night Live” — “Host: Kevin Hart” - WINNER “So You Think You Can Dance” — “Finale” “The Voice” — “Live Finale, Part 1” Best Lighting Design/Direction (Variety Special) “60th Annual Grammy Awards” “Jesus Christ Superstar” - WINNER “The Oscars” “Super Bowl LII Halftime Show Starring Justin Timberlake” “71st Annual Tony Awards” MAIN TITLE DESIGN Best Main Title Design “The Alienist” “Altered Carbon” “Counterpart” - WINNER “GLOW” “Westworld” MAKEUP Best Makeup (Non-Prosthetic, Mulit-Camera) “Dancing with the Stars” — “Halloween Night” “Jesus Christ Superstar” “RuPaul’s Drag Race” — “10s Across the Board” “Saturday Night Live” — “Host: Tina Fey” - WINNER “The Voice” — “Live Finale, Part 1” Best Makeup (Single-Camera Series, Non-Prosthetic) “Game of Thrones” — “The Dragon and the Wolf” “GLOW” — “Money’s in the Chase” “The Handmaid’s Tale” — “Unwomen” “This is Us” — “Number Three” “Vikings” — “Homeland” “Westworld” — “Akane No Mai” - WINNER Best Makeup (Movie/Mini, Non-Prosthetic) “American Horror Story: Cult” “The Assassination of Gianni Versace” - WINNER “Genius: Picasso” “The Last Tycoon” — “Oscar, Oscar, Oscar” “Twin Peaks” Best Prosthetic Makeup “American Horror Story: Cult” “The Assassination of Gianni Versace” “Game of Thrones” — “The Dragon and the Wolf” - WINNER “Star Trek: Discovery” — “Will You Take My Hand?” “Westworld” — “The Riddle of the Sphinx” MOTION DESIGN Best Motion Design “Broad City” — “Mushrooms” “Wasted! The Story of Food Waste” MUSIC Best Music and Lyrics “Big Mouth” — “Totally Gay” “A Christmas Story Live” — “In the Market for a Miracle” “The Good Fight” — “High Crimes and Misdemeanors” “If You’re Not in the Obit, Eat Breakfast” — “Just Getting Started” “Saturday Night Live” — “Come Back Barack” - WINNER “Steve Martin and Martin Short: An Evening You Will Forget for the Rest of Your Life” — “The Buddy Song” Best Music Direction “Bruno Mars: 24K Magic Live at the Apollo” “Elton John: I’m Still Standing – A Grammy Salute” “The Oscars” “Super Bowl LII Halftime Show Starring Justin Timberlake” “Tony Bennett: The Library of Congress Gershwin Prize for Popular Song” - WINNER Best Main Title Theme Music “The Defenders” “Godless” - WINNER “The Last Tycoon” “The Putin Interviews” “Somebody Feed Phil” “The Tick” Best Music Supervision “Atlanta” — “Alligator Man” “The Marvelous Mrs. Maisel” — “Pilot” - WINNER “Stranger Things” — “Trick or Treat, Freak” “This is Us” — “That’ll Be the Day” “Westworld” — “Akane No Mai” Best Music Composition (Movie/Mini) “Alias Grace” — “Part 1” “The Commuter (Electric Dreams)” “Crazy Diamond (Electric Dreams)” “Godless” — “Homecoming” “March of the Penguins 2: The Next Step” - WINNER “USS Callister (Black Mirror)” Best Music Composition (Series) “Game of Thrones” — “The Dragon and the Wolf” - WINNER “Jessica Jones” — “AKA Playland” “Once Upon a Time” — “Leaving Storybrooke” “SEAL Team” — “Pattern of Life” “Star Wars Rebels” — “Family Reunion – And Farewell” “Westworld” — “Akane No Mai” NARRATOR Best Narrator David Attenborough, “Blue Planet II” — “One Ocean” - WINNER Carl Reiner, “If You’re Not in the Obit, Eat Breakfast” Morgan Freeman, “March of the Penguins 2: The Next Step” Charles Dance, “Savage Kingdom” — “Uprising: First Blood” Liev Schreiber, “24/7” — “Canelo-Golovkin” PICTURE EDITING Best Picture Editing (Nonfiction) “Anthony Bourdain: Parts Unknown” — “Lagos” - WINNER “The Defiant Ones” — “Episode 3” “Jane” “Wild Wild Country” — “Part 3” “The Zen Diaries of Garry Shandling” Best Picture Editing (Structured or Competition Reality) “The Amazing Race” — “It’s Just a Million Dollars, No Pressure” “American Ninja Warrior” — “Daytona Beach Qualifiers” “Queer Eye” — Series Body of Work - WINNER “RuPaul’s Drag Race” — “10s Across the Board” “The Voice” — Series Body of Work Best Picture Editing (Unstructured Reality) “Born This Way” — Series Body of Work “Deadliest Catch” — “Battle Lines” “Life Below Zero” — “The 11th Hour” “RuPaul’s Drag Race: Untucked” — “Untucked – 10s Across the Board” “United Shades of America” — “Sikhs in America” - WINNER Best Picture Editing (Variety) “Carpool Karaoke Primetime Special 2018” “Dave Chappelle: Equanimity” “Drunk History” — “Heroines” “Full Frontal with Samantha Bee: The Great American Puerto Rico” “Last Week Tonight with John Oliver” — “Wax President Harding (Segment)” “Last Week Tonight with John Oliver” — “Border Patrol (Segment)” - WINNER Best Picture Editing (Multi-Camera Series) “The Big Bang Theory” — “The Bow Tie Asymmetry” “Mom” — “Crazy Snakes and a Clog to the Head” “One Day at a Time” — “Not Yet” “Roseanne” — “Darlene v. David” “Will and Grace” — “Grandpa Jack” - WINNER Best Picture Editing (Single Camera Comedy) “Atlanta” — “Alligator Man” “Atlanta” — “Teddy Perkins” “Barry” — “Chapter Seven: Loud, Fast and Keep Going” “Barry” — “Chapter Eight: Know Your Truth” “The Marvelous Mrs. Maisel” — “Pilot” - WINNER Best Picture Editing (Single Camera Drama) “Game of Thrones” — “Beyond the Wall” “Game of Thrones” — “The Dragon and the Wolf” “Game of Thrones” — “The Spoils of War” “The Handmaid’s Tale” — “June” - WINNER “Stranger Things” — “Chapter Nine: The Gate” Best Picture Editing (Single Camera Movie/Mini) “The Assassination of Gianni Versace” — “Alone” “The Assassination of Gianni Versace” — “House by the Lake” “The Assassination of Gianni Versace” — “Manhunt” “Twin Peaks” — “Part 8” “USS Callister (Black Mirror)” - WINNER PRODUCTION DESIGN Best Production Design (Variety/Reality Series) “Bill Nye Saves the World” — “Extinction: Why all Our Friends Are Dying” “Dancing with the Stars” — “Night at the Movies” “Last Week Tonight with John Oliver” — “Episode 418” “Saturday Night Live” — “Host: Bill Hader” - WINNER “The Voice” — “The Blind Auditions Season Premiere” Best Production Design (Variety Special) “Carol Burnett Show 50th Anniversary Special” “75th Annual Golden Globe Awards” “60th Annual Grammy Awards” “Jesus Christ Superstar” - WINNER “The Oscars” Best Production Design (Narrative, Half-Hour or Less) “Atlanta” — “Teddy Perkins” “Barry” — “Chapter Seven: Loud, Fast and Keep Going” “GLOW” — “The Dusty Spur” - WINNER “Grace and Frankie” — “The Tappys” “Silicon Valley” — “Tech Evangelist” “Will and Grace” — “A Gaye Olde Christmas” Best Production Design (Narrative, Period/Fantasy) “The Alienist” — “The Boy on the Bridge” “The Crown” — “Beryl” “Game of Thrones” — “Dragonstone” - WINNER “The Marvelous Mrs. Maisel” — “Ya Shivu v Bolshom Dome Na Kholme” “Westworld” — “Akane No Mai” Best Production Design (Narrative, Contemporary) “American Horror Story: Cult” “The Handmaid’s Tale” — “June” - WINNER “The Handmaid’s Tale” — “Seeds” “Ozark” — “My Dripping Sleep” “Twin Peaks” SOUND EDITING Best Sound Editing (Nonfiction) “Anthony Bourdain: Parts Unknown” — “Seattle” - WINNER “Blue Planet II” — “Coral Reefs” “The Defiant Ones” — “Episode 1” “Jane” “The Vietnam War” — “Episode 6: Things Fall Apart” “Wild Wild Country” — “Part 1” Best Sound Editing (Half Hour Series) “Atlanta” — “Teddy Perkins” “Ballers” — “Bull Rush” “Barry” — “Chapter Seven: Loud, Fast and Keep Going” - WINNER “Star Wars Rebels” — “A World Between Worlds” “Vice Principals” — “The Union of the Wizard and the Warrior” Best Sound Editing (One Hour Series) “Game of Thrones” — “The Spoils of War” “Homeland” — “All In” “Star Trek: Discovery” — “What’s Past is Prologue” “Stranger Things” — “Chapter Eight: The Mind Flayer” - WINNER “Westworld” — “Akane No Mai” Best Sound Editing (Movie/Mini) “American Horror Story: Cult” — “Great Again” “Fahrenheit 451” “Godless” — “Homecoming” “Twin Peaks” — “Part 8” “USS Callister (Black Mirror)” - WINNER “Waco” — “Operation Showtime” SOUND MIXING Best Sound Mixing (Nonfiction) “Anthony Bourdain: Parts Unknown” — “Lagos” - WINNER “The Defiant Ones” — “Episode 1” “Jane” “The Vietnam War” — “Episode 6: Things Fall Apart” “Wild Wild Country” — “Part 1” Best Sound Mixing (Variety) “60th Annual Grammy Awards” “Jesus Christ Superstar” - WINNER “Last Week Tonight with John Oliver” — “Episode 421” “The Oscars” “The Voice” — “Live Finale, Part 2” Best Sound Mixing (Half Hour Series) “Barry” — “Chapter Seven: Loud, Fast and Keep Going” - WINNER “Family Guy” — “Three Directors” “Modern Family” — “Lake Life” “Mozart in the Jungle” — “Domo Arigato” “Silicon Valley” — “Fifty-One Percent” Best Sound Mixing (One Hour Series) “Game of Thrones” — “Beyond the Wall” - WINNER “The Handmaid’s Tale” — “June” “Mr. Robot” — “eps3.4_runtime-error.r00” “Stranger Things” — “Chapter Eight: The Mind Flayer” “Westworld” — “Akane No Mai” Best Sound Mixing (Movie/Mini) “The Assassination of Gianni Versace” — “The Man Who Would Be Vogue” “Fahrenheit 451” “Genius: Picasso” — “Chapter One” - WINNER “Twin Peaks” — “Part 8” “Waco” — “Operation Showtime” SPECIAL AND VISUAL EFFECTS Best Special Visual Effects “Altered Carbon” — “Out of the Past” “Game of Thrones” — “Beyond the Wall” - WINNER “Lost in Space” — “Danger, Will Robinson” “Stranger Things” — “Chapter Nine: The Gate” “Westworld” — “The Passenger” Best Supporting Visual Effects “The Alienist” — “The Boy on the Bridge” - WINNER “The Crown” — “Misadventure” “Gotham” — “That’s Entertainment” “The Handmaid’s Tale” — “June” “Mr. Robot” — “eps3.4_runtime-err0r.r00” STUNT COORDINATION Best Stunt Coordination (Comedy/Variety) “Brooklyn Nine-Nine” “Cobra Kai” “GLOW” - WINNER “Saturday Night Live” “Shameless” Best Stunt Coordination (Drama/Movie/Mini) “The Blacklist” “Blindspot” “Game of Thrones” - WINNER “The Punisher” “Westworld” TECHNICAL DIRECTION Best Technical Direction (Movie/Mini/Special) “Carpool Karaoke Primetime Special 2018” “Jesus Christ Superstar” - WINNER “The Oscars” “2018 Rock and Roll Hall of Fame Induction Ceremony” “Super Bowl LII Halftime Show Starring Justin Timberlake” Best Technical Direction (Series) “The Big Bang Theory” — “The Bow Tie Asymmetry” “Dancing with the Stars” — “Finale” “Jimmy Kimmel Live” — “Live in Brooklyn: Billy Joel and Tracy Morgan” “Last Week Tonight with John Oliver” — “Episode 421” “Saturday Night Live” — “Host: Donald Glover” - WINNER “The Voice” — “Live Finale, Part 2” WRITING Best Writing (Nonfiction) “Anthony Bourdain: Parts Unknown” — “Southern Italy” - WINNER “The Defiant Ones” — “Episode 1” “Icarus” “Jane” “Mister Rogers: It’s You I Like” “The Vietnam War” — “Episode 8: The History of the World” Best Writing (Variety Series) “Full Frontal with Samantha Bee” “Last Week Tonight with John Oliver” - WINNER “Late Night with Seth Meyers” “The Late Show with Stephen Colbert” “Saturday Night Live”.....»»

Category: topSource: justjaredSep 9th, 2018

Emmys 2018 - Complete Winners List Revealed!

The winners of the 2018 Emmy Awards were so unpredictable and you can see the full list of winners right here! Game of Thrones and The Marvelous Mrs. Maisel were the big winners of the night, taking home the awards for Outstanding Drama Series and Outstanding Comedy Series, respectively. Both of the shows won several [...] The winners of the 2018 Emmy Awards were so unpredictable and you can see the full list of winners right here! Game of Thrones and The Marvelous Mrs. Maisel were the big winners of the night, taking home the awards for Outstanding Drama Series and Outstanding Comedy Series, respectively. Both of the shows won several awards in other categories, including acting wins for Thrones‘ Peter Dinklage and Maisel‘s Rachel Brosnahan and Alex Borstein. There were well over 100 categories at this year’s Emmys when you add in all of the awards handed out at the Creative Arts Emmys last weekend. You can see all of the winners in this post. Click inside to see the full list of winners for the 2018 Emmy Awards… OUTSTANDING DRAMA The Americans The Crown Game of Thrones – WINNER The Handmaid’s Tale Stranger Things This Is Us Westworld LEAD ACTOR IN A DRAMA Jason Bateman, Ozark Sterling K. Brown, This Is Us Ed Harris, Westworld Matthew Rhys, The Americans – WINNER Milo Ventimiglia, This Is Us Jeffrey Wright, Westworld LEAD ACTRESS IN A DRAMA Claire Foy, The Crown – WINNER Tatiana Maslany, Orphan Black Elisabeth Moss, The Handmaid’s Tale Sandra Oh, Killing Eve Keri Russell, The Americans Evan Rachel Wood, Westworld SUPPORTING ACTRESS IN A DRAMA Lena Headey, Game of Thrones Millie Bobby Brown, Stranger Things Ann Dowd, The Handmaid’s Tale Vanessa Kirby, The Crown Yvonne Strahovski, The Handmaid’s Tale Alexis Bledel, The Handmaid’s Tale Thandie Newton, Westworld – WINNER SUPPORTING ACTOR IN A DRAMA Nikolaj Coster-Waldeau, Game of Thrones Peter Dinklage, Game of Thrones – WINNER Mandy Patinkin, Homeland David Harbour, Stranger Things Matt Smith, The Crown Joseph Fiennes, The Handmaid’s Tale OUTSTANDING COMEDY Atlanta Barry black-ish Curb Your Enthusiasm GLOW The Marvelous Mrs. Maisel – WINNER Silicon Valley Unbreakable Kimmy Schmidt LEAD ACTRESS IN A COMEDY Pamela Adlon, Better Things Rachel Brosnahan, The Marvelous Mrs. Maisel – WINNER Allison Janney, Mom Issa Rae, Insecure Tracee Ellis Ross, black-ish Lily Tomlin, Grace & Frankie LEAD ACTOR IN A COMEDY Anthony Anderson, black-ish Ted Danson, The Good Place Larry David, Curb Your Enthusiasm Donald Glover, Atlanta Bill Hader, Barry – WINNER William H. Macy, Shameless SUPPORTING ACTRESS IN A COMEDY Zazie Beetz, Atlanta Aidy Bryant, Saturday Night Live Alex Borstein, The Marvelous Mrs. Maisel – WINNER Betty Gilpin, GLOW Leslie Jones, Saturday Night Live Kate McKinnon, Saturday Night Live Laurie Metcalf, Roseanne Megan Mullally, Will & Grace SUPPORTING ACTOR IN A COMEDY Louie Anderson, Baskets Alec Baldwin, Saturday Night Live Tituss Burgess, Unbreakable Kimmy Schmidt Brian Tyree Henry, Atlanta Tony Shalhoub, The Marvelous Mrs. Maisel Kenan Thompson, Saturday Night Live Henry Winkler, Barry – WINNER LIMITED SERIES The Alienist The Assassination of Gianni Versace: American Crime Story – WINNER Genius: Picasso Godless Patrick Melrose LEAD ACTRESS IN A LIMITED SERIES OR MOVIE Jessica Biel, The Sinner Laura Dern, The Tale Michelle Dockery, Godless Edie Falco, Law & Order True Crime: The Menendez Murders Regina King, Seven Seconds – WINNER Sarah Paulson, American Horror Story: Cult LEAD ACTOR IN A LIMITED SERIES OR MOVIE Antonio Banderas, Genius: Picasso Darren Criss, The Assassination of Gianni Versace: American Crime Story – WINNER Benedict Cumberbatch, Patrick Melrose Jeff Daniels, The Looming Tower John Legend, Jesus Christ Superstar Jesse Plemons, Black Mirror, “USS Callister” SUPPORTING ACTRESS IN A LIMITED SERIES OR MOVIE Adina Porter, American Horror Story: Cult Letitia Wright, Black Mirror, “Black Museum” Merrit Wever, Godless – WINNER Sara Bareilles, Jesus Christ Superstar Live in Concert Penelope Cruz, The Assassination of Gianni Versace: American Crime Story Judith Light, The Assassination of Gianni Versace: American Crime Story SUPPORTING ACTOR IN A LIMITED SERIES OR MOVIE Jeff Daniels, Godless – WINNER Brandon Victor Dixon, Jesus Christ Superstar Live in Concert Ricky Martin, The Assassination of Gianni Versace: American Crime Story Edgar Ramirez, The Assassination of Gianni Versace: American Crime Story Finn Wittorck, The Assassination of Gianni Versace: American Crime Story Michael Stuhlbag, The Looming Tower John Leguizamo, Waco REALITY SHOW COMPETITION The Amazing Race American Ninja Warrior Project Runway RuPaul’s Drag Race – WINNER Top Chef The Voice VARIETY SKETCH SERIES At Home With Amy Sedaris Drunk History I Love You, America With Sarah Silverman Portlandia Saturday Night Live – WINNER Tracey Ullman’s Show VARIETY TALK SERIES The Daily Show With Trevor Noah Full Frontal With Samantha Bee Jimmy Kimmel Live Last Week Tonight With John Oliver – WINNER The Late Late Show With James Corden The Late Show With Stephen Colbert Writing for a Drama Series David Benioff and D.B. Weiss, Game of Thrones (“The Dragon and the Wolf”) Phoebe Waller-Bridge, Killing Eve (“Nice Face”) The Duffer Brothers, Stranger Things (“Chapter Nine: The Gate”) Joel Fields and Joe Weisberg, The Americans (“Start”) – WINNER Peter Morgan, The Crown (“Mystery Man”) Bruce Miller, The Handmaid’s Tale (“June”) Directing for a Drama Series Alan Taylor, Game Of Thrones (“Beyond The Wall”) Jeremy Podeswa, Game Of Thrones (“The Dragon And The Wolf”) Jason Bateman, Ozark (“The Toll”) Daniel Sackheim, Ozark (“Tonight We Improvise”) The Duffer brothers, Stranger Things (“Chapter Nine: The Gate”) Stephen Daldry, The Crown (“Paterfamilias”) – WINNER Kari Skogland, The Handmaid’s Tale (“After”) Outstanding Writing for a Comedy Series Amy Sherman-Palladino, The Marvelous Mrs. Maisel, “Pilot” – WINNER Donald Glover, Atlanta, “Alligator Man” Stefani Robinson, Atlanta, “Barbershop” Alec Berg and Bill Hader, Barry, “Chapter One: Make Your Mark” Liz Sarnoff, Barry, “Chapter Seven: Loud, Fast, and Keep Going” Alec Berg, Silicon Valley, “Fifty One Percent” Outstanding Directing for a Comedy Series Amy Sherman-Palladino, The Marvelous Mrs. Maisel, “Pilot” – WINNER Donald Glover, Atlanta, “Fubu” Mark Cendrowski, The Big Bang Theory, “The Bow Tie Asymmetry” Jesse Peretz, GLOW, “Pilot” Hiro Murai, Atlanta, “Teddy Perkins” Mike Judge, Silicon Valley, “Initial Coin Offering” Bill Hader, Barry, “Chapter One: Make Your Mark” Writing for a Limited Series, TV Movie, or Special Kevin McManus and Matthew McManus, American Vandal Scott Frank, Godless David Nicholls, Patrick Melrose Tom Rob Smith, The Assassination Of Gianni Versace: American Crime Story David Lynch and Mark Frost, Twin Peaks William Bridges and Charlie Brooker, “USS Callister: Black Mirror” – WINNER Directing for a Limited Series Scott Frank, Godless David Leveaux (director) and Alex Rudzinski (Live Television Director), Jesus Christ Superstar: Live In Concert Barry Levinson, Paterno Edward Berger, Patrick Melrose Ryan Murphy, The Assassination Of Gianni Versace: American Crime Story – WINNER Craig Zisk, The Looming Tower David Lynch, Twin Peaks Outstanding Writing for a Variety Special Kid Gorgeous – WINNER Full Frontal With Samantha Bee Presents: The Great American* Puerto Rico (*It’s Complicated) Michelle Wolf: Nice Lady Patton Oswalt: Annihilation Steve Martin & Martin Short: An Evening You Will Forget for the Rest of Your Life Outstanding Directing for a Variety Special Dave Chappelle: Equanimity Jerry Seinfeld: Jerry Before Seinfeld Steve Martin & Martin Short: An Evening You Will Forget for the Rest of Your Life Super Bowl LII Halftime Show Starring Justin Timberlake The Oscars – WINNER PLUS THE WINNERS OF THE CREATIVE ARTS EMMYS PROGRAMS Best Interactive Program “The Daily Show with Trevor Noah” “Full Frontal with Samantha Bee” “Last Week Tonight with John Oliver” - WINNER “The Late Late Show with James Corden” “Saturday Night Live” Best Structured Reality Program “Antiques Roadshow” “Fixer Upper” “Lip Sync Battle” “Queer Eye” - WINNER “Shark Tank” “Who Do You Think You Are?” Best Unstructured Reality Program “Born This Way” “Deadliest Catch” “Intervention” “Naked and Afraid” “RuPaul’s Drag Race: Untucked” “United Shades of America” - WINNER Best Variety Special (Live) “75th Annual Golden Globe Awards” “60th Annual Grammy Awards” “Jesus Christ Superstar” - WINNER “Night of Too Many Stars: America Unites for Autism Programs” “The Oscars” Best Variety Special (Recorded) “Carol Burnett Show 50th Anniversary Special” “Carpool Karaoke Primetime Special 2018” “Dave Chappelle: Equanimity” - WINNER “Full Frontal with Samantha Bee: The Great American Puerto Rico” “Steve Martin and Martin Short: An Evening You Will Forget for the Rest of Your Life” Best Children’s Program “Alexa and Katie” “Fuller House” “The Magical Wand Chase: A Sesame Street Special” - WINNER “A Series of Unfortunate Events” “Star Wars Rebels” Best Commercial “Alexa Loses Her Voice” (Amazon) “Earth: Shot on iPhone” (iPhone) “In Real Life” (Monica Lewinsky: Anti-Bullying) “It’s a Tide Ad” (Tide) “The Talk” (P&G) - WINNER Best TV Movie “Fahrenheit 451” “Flint” “Paterno” “The Tale” “USS Callister (Black Mirror)” - WINNER SHORT FORM Best Short Form Nonfiction/Reality Series “The Americans: The Final Season” “Anthony Bourdain: Explore Parts Unknown” - WINNER “The Assassination of Gianni Versace: America’s Obsessions” “Jay Leno’s Garage” “Top Chef: Last Chance Kitchen” Best Short Form Variety Series “Carpool Karaoke: The Series” - WINNER “Creating Saturday Night Live” “The Daily Show: Between the Scenes” “Gay of Thrones” “Honest Trailers” “The Tonight Show Starring Jimmy Fallon: Cover Room” Best Short Form Animated Program “Adventure Time” — “Ring of Fire” “Robot Chicken” — “Freshly Baked: The Robot Chicken Santa Claus Pot Cookie Freakout Special” - WINNER “Steven Universe” — “Jungle Moon” “Teen Titans Go!” — “The Self-Indulgent 200th Episode Spectacular!” “We Bare Bears” — “Hurricane Hal” Best Short Form Comedy or Drama Series “Broken” “Caught: The Series” “I Love Bekka and Lucy” “James Corden’s Next James Corden” - WINNER “The Eddie Murphy Role is Mine, Not Yours” ACTING – GUEST Best Comedy Guest Actor Katt Williams, “Atlanta” - WINNER Sterling K. Brown, “Brooklyn Nine-Nine” Lin-Manuel Miranda, “Curb Your Enthusiasm” Bryan Cranston, “Curb Your Enthusiasm” Bill Hader, “Saturday Night Live” Donald Glover, “Saturday Night Live” Best Comedy Guest Actress Wanda Sykes, “Black-ish” Maya Rudolph, “The Good Place” Jane Lynch, “The Marvelous Mrs. Maisel” Tiffany Haddish, “Saturday Night Live” - WINNER Tina Fey, “Saturday Night Live” Molly Shannon, “Will and Grace” Best Drama Guest Actor Matthew Goode, “The Crown” F. Murray Abraham, “Homeland” Cameron Britton, “Mindhunter” Gerald McRaney, “This is Us” Ron Cephas Jones, “This is Us” - WINNER Jimmi Simpson, “Westworld” Best Drama Guest Actress Diana Rigg, “Game of Thrones” Samira Wiley, “The Handmaid’s Tale” - WINNER Cherry Jones, “The Handmaid’s Tale” Kelly Jenrette, “The Handmaid’s Tale” Cicely Tyson, “How to Get Away with Murder” Viola Davis, “Scandal” ACTING – SHORT FORM Best Short Form Actor Miles Tagtmeyer, “Broken” DeStorm Power, “Caught: The Series” Alexis Denisof, “I Love Bekka and Lucy” James Corden, “James Corden’s Next James Corden” - WINNER Melvin Jackson Jr., “The Eddie Murphy Role is Mine, Not Yours” Best Short Form Actress Kelli O’Hara, “The Accidental Wolf” Diarra Kilpatrick, “American Koko” Christina Pickles, “Break a Hip” - WINNER Lee Garlington, “Broken” Naomi Grossman, “Ctrl Alt Delete” Megan Amram, “An Emmy for Megan” HOST Best Reality Host Ellen DeGeneres, “Ellen’s Game of Games” Jane Lynch, “Hollywood Game Night” Heidi Klum and Tim Gunn, “Project Runway” RuPaul Charles, “RuPaul’s Drag Race”- WINNER W. Kamau Bell, “United Shades of America” ANIMATED Best Character Voice-Over Performance Seth MacFarlane, “American Dad” Alex Borstein, “Family Guy” - WINNER Seth MacFarlane, “Family Guy” Russi Taylor, “The Scariest Story Ever: A Mickey Mouse Halloween Spooktacular” Dan Castellaneta, “The Simpsons” Best Individual Achievement in Animation Lindsay Small-Butera, “Adventure Time” Stu Livingston, “Hey Arnold! The Jungle Movie” Jeff Scher, “The Number on Great-Grandpa’s Arm” Justin Martin, “The Scariest Story Ever Told: A Mickey Mouse Halloween Spooktacular” Caroline Cruikshank, “The Simpsons” Patrick Bryson, “Steven Universe” Best Animated Program “Baymax Returns (Big Hero 6: The Series)” “Bob’s Burgers” — “V for Valentine-detta” “Rick and Morty” — “Pickle Rick” - WINNER “The Simpsons” — “Gone Boy” “South Park” — “Put it Down” CASTING Best Reality Casting “Born This Way” “Project Runway” “Queer Eye”- WINNER “RuPaul’s Drag Race” “The Voice” Best Comedy Casting “Atlanta” “Barry” “GLOW” “The Marvelous Mrs. Maisel” - WINNER “Silicon Valley” Best Drama Casting “The Crown” - WINNER “Game of Thrones” “The Handmaid’s Tale” “Stranger Things” “Westworld” Best Movie/Mini Casting “The Assassination of Gianni Versace” - WINNER “Godless” “Jesus Christ Superstar” “The Looming Tower” “Patrick Melrose” CHOREOGRAPHY Best Choreography Chloe Arnold, “The Late Late Show with James Corden” — “Greatest Showman,” “Crossswalk the Musical on Broadway” Mandy Moore, “So You Think You Can Dance” — “Brand New,” “To Make You Feel My Love” - WINNER Travis Wall, “So You Think You Can Dance” — “Change is Everything,” “Strange Fruit” Al Blackstone, “So You Think You Can Dance” — “The Man That Got Away, “L-O-V-E” Christopher Scott, “So You Think You Can Dance” — “Prism,” “Say You Won’t Let Go” CINEMATOGRAPHY Best Cinematography (Nonfiction) “Anthony Bourdain: Parts Unknown” — “Lagos” “Blue Planet II” — “The Deep” “Blue Planet II” — “One Ocean” “Chef’s Table” — “Corrado Assenza” “Jane” - WINNER Best Cinematography (Reality) “The Amazing Race” — “It’s Just a Million Dollars, No Pressure” “Born This Way” — “Homecoming” “Deadliest Catch” — “Battle Lines” “Life Below Zero” — Series Body of Work- WINNER “Queer Eye” — “To Gay or Not Too Gay” “RuPaul’s Drag Race” — “10s Across the Board” Best Cinematography (Single-Camera Series, Half Hour) “Atlanta” — “Teddy Perkins” - WINNER “Barry” — “Chapter Eight: Know Your Truth” “The End of the F***ing World” — “Episode 3” “GLOW” — “Pilot” “Mozart in the Jungle” — “Ichi Go Ichi E” Best Cinematography (Single-Camera Series, Hour) “The Crown” — “Beryl” - WINNER “The Handmaid’s Tale” — “June” “Legion” — “Chapter 9” “The Marvelous Mrs. Maisel” — “Pilot” “Ozark” — “The Toll” “Stranger Things” — “Chapter One: MADMAX” “Westworld” — “The Riddle of the Sphinx” Best Cinematography (Multi-Camera Series) “The Ranch” — “Do What You Gotta Do” “Superior Donuts” — “Grades of Wrath” “Will and Grace” — “A Gaye Olde Christmas” - WINNER Best Cinematography (Movie/Mini) “The Alienist” — “The Boy on the Bridge” “Fahrenheit 451” “Genius: Picasso” — “Chapter One” - WINNER “Godless” — “An Incident at Creede” “USS Callister (Black Mirror)” COSTUMES Best Costumes (Variety/Nonfiction/Reality) “Dancing with the Stars” — “Disney Night” “Jesus Christ Superstar” “RuPaul’s Drag Race” — “10s Across the Board” - WINNER “Saturday Night Live” — “Host: Natalie Portman” “Tracey Ullman’s Show” — “Episode 1” Best Contemporary Costumes “The Assassination of Gianni Versace” — “The Man Who Would Be Vogue” - WINNER “Black-ish” — “Juneteenth” “Empire” — “Slave to Memory” “Grace and Frankie” — “The Expiration Date” “This is Us” — “The Wedding” Best Fantasy/Sci-Fi Costumes “Fahrenheit 451” “Game of Thrones” — “Beyond the Wall” - WINNER “The Handmaid’s Tale” — “Seeds” “A Series of Unfortunate Events” — “The Vile Village: Part 1” “Westworld” — “Akane No Mai” Best Period Costumes “The Alienist” — “A Fruitful Partnership” “The Crown” — “Dear Mrs. Kennedy” - WINNER “Genius: Picasso” — “Chapter One” “The Marvelous Mrs. Maisel” — “The Disappointment of the Dionne Quintuplets” “Outlander” — “Freedom and Whisky” DIRECTING Best Directing (Documentary/Nonfiction) “Icarus” “Jane” - WINNER “The Vietnam War” — “Episode 8: The History of the World” “Wild Wild Country” — “Part 3” “The Zen Diaries of Garry Shandling” Best Directing (Reality) “The Amazing Race” — “It’s Just a Million Dollars, No Pressure” “American Ninja Warrior” — “Daytona Beach Qualifiers” “RuPaul’s Drag Race” — “10s Across the Board”- WINNER “Shark Tank” — “Episode 903” “The Voice” — “Live Top 11 Performance” Best Directing (Variety Series) “Full Frontal with Samantha Bee” — “Episode 2061” “Last Week Tonight with John Oliver” — “Episode 421” “The Late Late Show with James Corden” — “Episode 0416” “The Late Show with Stephen Colbert” — “Episode 438” “Portlandia” — “Riot Spray” “Saturday Night Live” — “Host: Donald Glover” - WINNER DOCUMENTARY/INFORMATIONAL Best Documentary/Nonfiction Series “American Masters” “Blue Planet II” “The Defiant Ones” “The Fourth Estate” “Wild Wild Country” - WINNER Best Documentary/Nonfiction Special “Icarus” “Jim and Andy: The Great Beyond” “Mister Rogers: It’s You I Like” “Spielberg” “The Zen Diaries of Garry Shandling” - WINNER Exceptional Merit in Documentary Filmmaking “City of Ghosts” “Jane” “Strong Island” - WINNER “What Haunts Us” Best Informational Program “Anthony Bourdain: Parts Unknown” - WINNER “Leah Remini: Scientology and the Aftermath” “My Next Guest Needs No Introduction with David Letterman” “Star Talk with Neil deGrasse Tyson” “Vice” HAIRSTYLING Best Hairstyling (Multi-Camera) “Dancing with the Stars” — “Night at the Movies” “Jesus Christ Superstar” “RuPaul’s Drag Race” — “10s Across the Board” - WINNER “Saturday Night Live” — “Host: Tiffany Haddish” “The Voice” — “Live Finale, Part 1” Best Hairstyling (Single-Camera Series) “The Crown” — “Dear Mrs. Kennedy” “Game of Thrones” — “The Dragon and the Wolf” “GLOW” — “Pilot” “The Marvelous Mrs. Maisel” — “Pilot” “Westworld” — “Akane No Mai” - WINNER Best Hairstyling (Movie/Mini) “American Horror Story: Cult” “The Assassination of Gianni Versace” - WINNER “Genius: Picasso” “Godless” “The Last Tycoon” — “Oscar, Oscar, Oscar” “Twin Peaks” INTERACTIVE MEDIA Best Creative Achievement in Interactive Media Within Unscripted Program “Conan Without Borders” - WINNER “The Oscars” — “All Access” “RuPaul’s Drag Race” — “Season 10 RuVeal” “Watch What Happens Live! With Andy Cohen” Best Creative Achievement in Interactive Media Within Scripted Program “Mr. Robot” — “Ecoin” “Rick and Morty’ — “Virtual Rick-ality” “Silicon Valley” — “Interactive World: Not Hotdog, VR and Twitter-Powered Pizza Drones” “13 Reasons Why” — “Talk to the Reasons” “Westworld” — “Chaos Takes Control Interactive Experience” - WINNER Best Original Interactive Program “Back to the Moon” “Blade Runner 2049: Memory Lab” “Coco VR” “NASA JPL: Cassini’s Grand Finale” - WINNER “Spider-Man Homecoming VR Experience” LIGHTING DESIGN Best Lighting Design/Direction (Variety Series) “America’s Got Talent” — “The Finals” “Dancing with the Stars” — “Halloween Night” “Saturday Night Live” — “Host: Kevin Hart” - WINNER “So You Think You Can Dance” — “Finale” “The Voice” — “Live Finale, Part 1” Best Lighting Design/Direction (Variety Special) “60th Annual Grammy Awards” “Jesus Christ Superstar” - WINNER “The Oscars” “Super Bowl LII Halftime Show Starring Justin Timberlake” “71st Annual Tony Awards” MAIN TITLE DESIGN Best Main Title Design “The Alienist” “Altered Carbon” “Counterpart” - WINNER “GLOW” “Westworld” MAKEUP Best Makeup (Non-Prosthetic, Mulit-Camera) “Dancing with the Stars” — “Halloween Night” “Jesus Christ Superstar” “RuPaul’s Drag Race” — “10s Across the Board” “Saturday Night Live” — “Host: Tina Fey” - WINNER “The Voice” — “Live Finale, Part 1” Best Makeup (Single-Camera Series, Non-Prosthetic) “Game of Thrones” — “The Dragon and the Wolf” “GLOW” — “Money’s in the Chase” “The Handmaid’s Tale” — “Unwomen” “This is Us” — “Number Three” “Vikings” — “Homeland” “Westworld” — “Akane No Mai” - WINNER Best Makeup (Movie/Mini, Non-Prosthetic) “American Horror Story: Cult” “The Assassination of Gianni Versace” - WINNER “Genius: Picasso” “The Last Tycoon” — “Oscar, Oscar, Oscar” “Twin Peaks” Best Prosthetic Makeup “American Horror Story: Cult” “The Assassination of Gianni Versace” “Game of Thrones” — “The Dragon and the Wolf” - WINNER “Star Trek: Discovery” — “Will You Take My Hand?” “Westworld” — “The Riddle of the Sphinx” MOTION DESIGN Best Motion Design “Broad City” — “Mushrooms” “Wasted! The Story of Food Waste” MUSIC Best Music and Lyrics “Big Mouth” — “Totally Gay” “A Christmas Story Live” — “In the Market for a Miracle” “The Good Fight” — “High Crimes and Misdemeanors” “If You’re Not in the Obit, Eat Breakfast” — “Just Getting Started” “Saturday Night Live” — “Come Back Barack” - WINNER “Steve Martin and Martin Short: An Evening You Will Forget for the Rest of Your Life” — “The Buddy Song” Best Music Direction “Bruno Mars: 24K Magic Live at the Apollo” “Elton John: I’m Still Standing – A Grammy Salute” “The Oscars” “Super Bowl LII Halftime Show Starring Justin Timberlake” “Tony Bennett: The Library of Congress Gershwin Prize for Popular Song” - WINNER Best Main Title Theme Music “The Defenders” “Godless” - WINNER “The Last Tycoon” “The Putin Interviews” “Somebody Feed Phil” “The Tick” Best Music Supervision “Atlanta” — “Alligator Man” “The Marvelous Mrs. Maisel” — “Pilot” - WINNER “Stranger Things” — “Trick or Treat, Freak” “This is Us” — “That’ll Be the Day” “Westworld” — “Akane No Mai” Best Music Composition (Movie/Mini) “Alias Grace” — “Part 1” “The Commuter (Electric Dreams)” “Crazy Diamond (Electric Dreams)” “Godless” — “Homecoming” “March of the Penguins 2: The Next Step” - WINNER “USS Callister (Black Mirror)” Best Music Composition (Series) “Game of Thrones” — “The Dragon and the Wolf” - WINNER “Jessica Jones” — “AKA Playland” “Once Upon a Time” — “Leaving Storybrooke” “SEAL Team” — “Pattern of Life” “Star Wars Rebels” — “Family Reunion – And Farewell” “Westworld” — “Akane No Mai” NARRATOR Best Narrator David Attenborough, “Blue Planet II” — “One Ocean” - WINNER Carl Reiner, “If You’re Not in the Obit, Eat Breakfast” Morgan Freeman, “March of the Penguins 2: The Next Step” Charles Dance, “Savage Kingdom” — “Uprising: First Blood” Liev Schreiber, “24/7” — “Canelo-Golovkin” PICTURE EDITING Best Picture Editing (Nonfiction) “Anthony Bourdain: Parts Unknown” — “Lagos” - WINNER “The Defiant Ones” — “Episode 3” “Jane” “Wild Wild Country” — “Part 3” “The Zen Diaries of Garry Shandling” Best Picture Editing (Structured or Competition Reality) “The Amazing Race” — “It’s Just a Million Dollars, No Pressure” “American Ninja Warrior” — “Daytona Beach Qualifiers” “Queer Eye” — Series Body of Work - WINNER “RuPaul’s Drag Race” — “10s Across the Board” “The Voice” — Series Body of Work Best Picture Editing (Unstructured Reality) “Born This Way” — Series Body of Work “Deadliest Catch” — “Battle Lines” “Life Below Zero” — “The 11th Hour” “RuPaul’s Drag Race: Untucked” — “Untucked – 10s Across the Board” “United Shades of America” — “Sikhs in America” - WINNER Best Picture Editing (Variety) “Carpool Karaoke Primetime Special 2018” “Dave Chappelle: Equanimity” “Drunk History” — “Heroines” “Full Frontal with Samantha Bee: The Great American Puerto Rico” “Last Week Tonight with John Oliver” — “Wax President Harding (Segment)” “Last Week Tonight with John Oliver” — “Border Patrol (Segment)” - WINNER Best Picture Editing (Multi-Camera Series) “The Big Bang Theory” — “The Bow Tie Asymmetry” “Mom” — “Crazy Snakes and a Clog to the Head” “One Day at a Time” — “Not Yet” “Roseanne” — “Darlene v. David” “Will and Grace” — “Grandpa Jack” - WINNER Best Picture Editing (Single Camera Comedy) “Atlanta” — “Alligator Man” “Atlanta” — “Teddy Perkins” “Barry” — “Chapter Seven: Loud, Fast and Keep Going” “Barry” — “Chapter Eight: Know Your Truth” “The Marvelous Mrs. Maisel” — “Pilot” - WINNER Best Picture Editing (Single Camera Drama) “Game of Thrones” — “Beyond the Wall” “Game of Thrones” — “The Dragon and the Wolf” “Game of Thrones” — “The Spoils of War” “The Handmaid’s Tale” — “June” - WINNER “Stranger Things” — “Chapter Nine: The Gate” Best Picture Editing (Single Camera Movie/Mini) “The Assassination of Gianni Versace” — “Alone” “The Assassination of Gianni Versace” — “House by the Lake” “The Assassination of Gianni Versace” — “Manhunt” “Twin Peaks” — “Part 8” “USS Callister (Black Mirror)” - WINNER PRODUCTION DESIGN Best Production Design (Variety/Reality Series) “Bill Nye Saves the World” — “Extinction: Why all Our Friends Are Dying” “Dancing with the Stars” — “Night at the Movies” “Last Week Tonight with John Oliver” — “Episode 418” “Saturday Night Live” — “Host: Bill Hader” - WINNER “The Voice” — “The Blind Auditions Season Premiere” Best Production Design (Variety Special) “Carol Burnett Show 50th Anniversary Special” “75th Annual Golden Globe Awards” “60th Annual Grammy Awards” “Jesus Christ Superstar” - WINNER “The Oscars” Best Production Design (Narrative, Half-Hour or Less) “Atlanta” — “Teddy Perkins” “Barry” — “Chapter Seven: Loud, Fast and Keep Going” “GLOW” — “The Dusty Spur” - WINNER “Grace and Frankie” — “The Tappys” “Silicon Valley” — “Tech Evangelist” “Will and Grace” — “A Gaye Olde Christmas” Best Production Design (Narrative, Period/Fantasy) “The Alienist” — “The Boy on the Bridge” “The Crown” — “Beryl” “Game of Thrones” — “Dragonstone” - WINNER “The Marvelous Mrs. Maisel” — “Ya Shivu v Bolshom Dome Na Kholme” “Westworld” — “Akane No Mai” Best Production Design (Narrative, Contemporary) “American Horror Story: Cult” “The Handmaid’s Tale” — “June” - WINNER “The Handmaid’s Tale” — “Seeds” “Ozark” — “My Dripping Sleep” “Twin Peaks” SOUND EDITING Best Sound Editing (Nonfiction) “Anthony Bourdain: Parts Unknown” — “Seattle” - WINNER “Blue Planet II” — “Coral Reefs” “The Defiant Ones” — “Episode 1” “Jane” “The Vietnam War” — “Episode 6: Things Fall Apart” “Wild Wild Country” — “Part 1” Best Sound Editing (Half Hour Series) “Atlanta” — “Teddy Perkins” “Ballers” — “Bull Rush” “Barry” — “Chapter Seven: Loud, Fast and Keep Going” - WINNER “Star Wars Rebels” — “A World Between Worlds” “Vice Principals” — “The Union of the Wizard and the Warrior” Best Sound Editing (One Hour Series) “Game of Thrones” — “The Spoils of War” “Homeland” — “All In” “Star Trek: Discovery” — “What’s Past is Prologue” “Stranger Things” — “Chapter Eight: The Mind Flayer” - WINNER “Westworld” — “Akane No Mai” Best Sound Editing (Movie/Mini) “American Horror Story: Cult” — “Great Again” “Fahrenheit 451” “Godless” — “Homecoming” “Twin Peaks” — “Part 8” “USS Callister (Black Mirror)” - WINNER “Waco” — “Operation Showtime” SOUND MIXING Best Sound Mixing (Nonfiction) “Anthony Bourdain: Parts Unknown” — “Lagos” - WINNER “The Defiant Ones” — “Episode 1” “Jane” “The Vietnam War” — “Episode 6: Things Fall Apart” “Wild Wild Country” — “Part 1” Best Sound Mixing (Variety) “60th Annual Grammy Awards” “Jesus Christ Superstar” - WINNER “Last Week Tonight with John Oliver” — “Episode 421” “The Oscars” “The Voice” — “Live Finale, Part 2” Best Sound Mixing (Half Hour Series) “Barry” — “Chapter Seven: Loud, Fast and Keep Going” - WINNER “Family Guy” — “Three Directors” “Modern Family” — “Lake Life” “Mozart in the Jungle” — “Domo Arigato” “Silicon Valley” — “Fifty-One Percent” Best Sound Mixing (One Hour Series) “Game of Thrones” — “Beyond the Wall” - WINNER “The Handmaid’s Tale” — “June” “Mr. Robot” — “eps3.4_runtime-error.r00” “Stranger Things” — “Chapter Eight: The Mind Flayer” “Westworld” — “Akane No Mai” Best Sound Mixing (Movie/Mini) “The Assassination of Gianni Versace” — “The Man Who Would Be Vogue” “Fahrenheit 451” “Genius: Picasso” — “Chapter One” - WINNER “Twin Peaks” — “Part 8” “Waco” — “Operation Showtime” SPECIAL AND VISUAL EFFECTS Best Special Visual Effects “Altered Carbon” — “Out of the Past” “Game of Thrones” — “Beyond the Wall” - WINNER “Lost in Space” — “Danger, Will Robinson” “Stranger Things” — “Chapter Nine: The Gate” “Westworld” — “The Passenger” Best Supporting Visual Effects “The Alienist” — “The Boy on the Bridge” - WINNER “The Crown” — “Misadventure” “Gotham” — “That’s Entertainment” “The Handmaid’s Tale” — “June” “Mr. Robot” — “eps3.4_runtime-err0r.r00” STUNT COORDINATION Best Stunt Coordination (Comedy/Variety) “Brooklyn Nine-Nine” “Cobra Kai” “GLOW” - WINNER “Saturday Night Live” “Shameless” Best Stunt Coordination (Drama/Movie/Mini) “The Blacklist” “Blindspot” “Game of Thrones” - WINNER “The Punisher” “Westworld” TECHNICAL DIRECTION Best Technical Direction (Movie/Mini/Special) “Carpool Karaoke Primetime Special 2018” “Jesus Christ Superstar” - WINNER “The Oscars” “2018 Rock and Roll Hall of Fame Induction Ceremony” “Super Bowl LII Halftime Show Starring Justin Timberlake” Best Technical Direction (Series) “The Big Bang Theory” — “The Bow Tie Asymmetry” “Dancing with the Stars” — “Finale” “Jimmy Kimmel Live” — “Live in Brooklyn: Billy Joel and Tracy Morgan” “Last Week Tonight with John Oliver” — “Episode 421” “Saturday Night Live” — “Host: Donald Glover” - WINNER “The Voice” — “Live Finale, Part 2” WRITING Best Writing (Nonfiction) “Anthony Bourdain: Parts Unknown” — “Southern Italy” - WINNER “The Defiant Ones” — “Episode 1” “Icarus” “Jane” “Mister Rogers: It’s You I Like” “The Vietnam War” — “Episode 8: The History of the World” Best Writing (Variety Series) “Full Frontal with Samantha Bee” “Last Week Tonight with John Oliver” - WINNER “Late Night with Seth Meyers” “The Late Show with Stephen Colbert” “Saturday Night Live”.....»»

Category: topSource: justjaredSep 18th, 2018

Prince Harry Launches "Walk Of America" Month Before Wedding

Prince Harry is still keeping busy ahead of his May 19 royal wedding to Meghan Markle! The 33-year-old royal was in great spirits as he helped launched the Walk Of America at the Mandarin Oriental Hyde Park on Wednesday (April 11) in London, England. The Walk of America will feature a team of six veterans [...] Prince Harry is still keeping busy ahead of his May 19 royal wedding to Meghan Markle! The 33-year-old royal was in great spirits as he helped launched the Walk Of America at the Mandarin Oriental Hyde Park on Wednesday (April 11) in London, England. The Walk of America will feature a team of six veterans from America and the United Kingdom walking 1,000 miles from the west to east coasts of the U.S. in just 14 weeks. PHOTOS: Check out the latest pics of Prince Harry The veterans will start in Los Angeles, California, on Jun 2 and finish in New York City on September 6. During their walk, they will visit some of the country’s most iconic cities and landmarks. “The Walk Of America will tell the stories of wounded veterans and their individual journeys from injury to the present day and encourage conversations around veteran mental health. The expedition will also raise funds for veterans both sides of the Atlantic,” reads a statement on Kensington Palace’s Twitter. “Generations of servicemen and women from the USA and UK have fought alongside each other, and Prince Harry believes that just as countries fight together, more can be done to recover together too.”.....»»

Category: topSource: justjaredApr 11th, 2018

Zachary Quinto & Partner Miles McMillan Attend TIFF"s Star-Studded HFPA Bash!

Zachary Quinto and his partner Miles McMillan hit up the HFPA & InStyle annual celebration at the Windsor Arms Hotel on Saturday (September 9) in Toronto, Canada. Joining Zachary at the Toronto Film Festival event was his Who Are We Now co-star Emma Roberts and Jess Weixler. PHOTOS: Check out the latest pics of Emma [...] Zachary Quinto and his partner Miles McMillan hit up the HFPA & InStyle annual celebration at the Windsor Arms Hotel on Saturday (September 9) in Toronto, Canada. Joining Zachary at the Toronto Film Festival event was his Who Are We Now co-star Emma Roberts and Jess Weixler. PHOTOS: Check out the latest pics of Emma Roberts In addition, Breath star Simon Baker also made an appearance at the star-studded bash. All the photos are in the gallery below! Click inside to see all the photos from the event….....»»

Category: topSource: justjaredSep 10th, 2017

Veterans Day: Stars who have served

Veterans Day is November 11, a chance to honor those who have served in America's armed forces. Lots of famous folks are veterans. Here are just some.         Veterans Day is November 11, a chance to honor those who have served in America's armed forces. Lots of famous folks are veterans. Here are just some.        .....»»

Category: topSource: usatodayNov 9th, 2018

Courteney Cox Says Calling Johnny McDaid Her "Partner" is "Difficult"

Courteney Cox stopped by Jimmy Kimmel Live on Monday night (January 7) and opened up about her relationship with her longtime love Johnny McDaid. “He’s my guy, he’s my one,” the 54-year-old former Friends star expressed to Jimmy. “He’s my partner, that’s what he calls it, ‘my partner,’” Courteney added, admitting she struggles with that [...] Courteney Cox stopped by Jimmy Kimmel Live on Monday night (January 7) and opened up about her relationship with her longtime love Johnny McDaid. “He’s my guy, he’s my one,” the 54-year-old former Friends star expressed to Jimmy. “He’s my partner, that’s what he calls it, ‘my partner,’” Courteney added, admitting she struggles with that word sometimes. “I’m from Alabama, so you don’t really say partner unless you’re in the same sex. Saying partner is difficult for me!” “I was in Atlanta not that long ago and I was like, ‘Oh, I’m supposed to meet my partner in section F,’ and they were like, ‘Oh, I’m sure she’s going to be there, don’t worry about it,’” Courteney recalled with a laugh. “Not that it matters, but it’s just a different way to speak.” Courteney talks about her new Facebook Watch show 9 Months with Courteney Cox – Watch more after the cut! Courteney Cox on Visiting Her ‘Partner’ Johnny McDaid in England Click inside to watch the rest of Courteney Cox’s appearance on Jimmy Kimmel Live… Courteney Cox on New Documentary Series About Babies Courteney Cox on Visiting Her ‘Partner’ Johnny McDaid in England.....»»

Category: topSource: justjaredJan 8th, 2019

Thelma Schoonmaker, Martin Scorsese’s Longtime Editor, to Receive BAFTA Fellowship

Three-time Oscar winner Thelma Schoonmaker, best-known for her editing work on Martin Scorsese movies such as “Raging Bull” and “Goodfellas,” will receive the British Academy of Film and Television Arts’ highest accolade, the BAFTA Fellowship, at the EE British Academy Film Awards on Feb. 10. The BAFTA Fellowship is given to an individual in recognition […].....»»

Category: topSource: varietyJan 24th, 2019

Field of Vision Launches Fellowship Program for Rising Documentary Filmmakers

Field of Vision, the documentary unit of First Look Media, has announced a fellowship for rising documentary filmmakers, naming four inaugural fellows who will work with the unit led by Oscar-winning filmmaker Laura Poitras and executive producer Charlotte Cook. The program is a year-long effort intended to support filmmakers by providing access to resources like […].....»»

Category: topSource: varietyFeb 6th, 2018

Meghan Markle & Prince Harry Honor Veterans at Opening of Anzac Memorial

Meghan Markle and Prince Harry are paying tribute to fallen Australian and New Zealand veterans. The Duke and Duchess of Sussex stepped out for the official opening of the ANZAC Memorial at Hyde Park on Saturday (October 20) in Sydney, Australia. Anzac Day commemorates the first major battle involving Australian and New Zealand forces during [...] Meghan Markle and Prince Harry are paying tribute to fallen Australian and New Zealand veterans. The Duke and Duchess of Sussex stepped out for the official opening of the ANZAC Memorial at Hyde Park on Saturday (October 20) in Sydney, Australia. Anzac Day commemorates the first major battle involving Australian and New Zealand forces during WWI. Harry honored veterans wearing his white military uniform, while Meghan wore a black Emilia Wickstead dress and a Philip Treacy fascinator. During the afternoon, the royal couple received a tour of the new education and interpretation facilities and visited the Hall of Silence. Harry later unveiled a plaque. Later in the day, Meghan and Harry are set to travel by boat to Cockatoo Island, where they will attend the first medal event of the 2018 Invictus Games. 15+ pictures of Meghan Markle and Prince Harry inside….....»»

Category: topSource: justjaredOct 19th, 2018

Female CEO Touts Benefits Of Potato Chips For B**ches

Indra Nooyi is the CEO of PepsiCo – which owns brands like Lays and Cheetos – and she recently proved that she really gets the current political climate by announcing new potato chips engineered specifically for women. Strong enough for a man. Gentle enough for bitches and hos. The news got out a while ago, but is […] The post Female CEO Touts Benefits Of Potato Chips For B**ches appeared first on WWTDD - What Would Tyler Durden Do?. Indra Nooyi is the CEO of PepsiCo – which owns brands like Lays and Cheetos – and she recently proved that she really gets the current political climate by announcing new potato chips engineered specifically for women. Strong enough for a man. Gentle enough for bitches and hos. The news got out a while ago, but is making the rounds again now that Nooyi has opened up to the podcast Freakonomics Radio on the reasoning behind her company’s Bitch Chips. Women, it turns out, don’t like to make crunching sounds, and don’t like to lick excess flavor off their fingers after snacking on brands like Doritos (because dey too busy sucking dat dick right Indra?) and while we don’t get specifics on exactly what the new chips will look like, it’s sounding as if they’ll fulfill all feminine wiles by being soggy and flavorless and probably inferior to man chips in every way: When you eat out of a flex bag — one of our single-serve bags — especially as you watch a lot of the young guys eat the chips, they love their Doritos, and they lick their fingers with great glee, and when they reach the bottom of the bag they pour the little broken pieces into their mouth, because they don’t want to lose that taste of the flavor, and the broken chips in the bottom. Women would love to do the same, but they don’t. They don’t like to crunch too loudly in public. And they don’t lick their fingers generously and they don’t like to pour the little broken pieces and the flavor into their mouth. Is she referring to all women or just Geishas specifically. Gendered products almost always face backlash on the Buzzfeed circuit, but Nooyi DGAF, and continues to explain the necessity behind her tampon chips: It’s not a male and female as much as “are there snacks for women that can be designed and packaged differently?” And yes, we are looking at it, and we’re getting ready to launch a bunch of them soon. For women, low crunch, the full taste profile, not have so much of the flavor stick on the fingers, and how can you put it in a purse? Because women love to carry a snack in their purse. The whole design capability we built in PepsiCo was to allow design to work with innovation. Not just on packaging colors, but to go through the entire cycle, and say, “All the way to the product in the pantry, or how it’s being carried around, or how they eat it in the car, or drink it in the car, what should be the design of the product, the package, the experience, so that we can influence the entire chain?” Is there anything sexier than a woman who carries around bags of potato chips in her purse? I can just picture Margot Robbie opening up her designer clutch and tearing into a fresh bag of Slut Snacks. JK. These are for Mama June. Almost every headline is dragging Nooyi for her feminine potato chip idea, and I’m just glad to see that it’s okay to cyber-harass women again. Five minutes of watching Shark Tank will tell you that corporations have exhausted almost every angle for new products to shill, but in order to grow they will continue to test the limits of consumer taste stupid new shit. Have you seen the most recent razors for men? They’re Transformers. In fact I remember reading this article about the razor arms race, and how basically inching out the competition for any consumer goods category means making inane tweaks to already successful products. But, and this is going to be a shocker for Buzzbottomfeeders, it doesn’t mean we have to buy them. A CEO’s head is always on the chopping block, and being a woman, I would think that the public would be championing Nooya for at least trying to appease investors by expanding a category of food that has gotten so bombastic that Thrillist has a ranking of all seventeen Doritos flavors. Seven-freaking-teen. Well, eighteen once Menstrual Munchums hits shelves. Photo Credit: Getty Images The post Female CEO Touts Benefits Of Potato Chips For B**ches appeared first on WWTDD - What Would Tyler Durden Do?......»»

Category: topSource: wwtddFeb 6th, 2018