Advertisement


John Stamos Shares Cute Red Carpet Moment with "You" Cast

John Stamos playfully pretends to put co-star Penn Badgley in a choke hold while attending the You screening for the SAG-AFTRA Foundation on Thursday (October 11) in Los Angeles. The guys were joined at the event by co-star Elizabeth Lail, who shared the cute red carpet moment with the actors. PHOTOS: Check out the latest [...] John Stamos playfully pretends to put co-star Penn Badgley in a choke hold while attending the You screening for the SAG-AFTRA Foundation on Thursday (October 11) in Los Angeles. The guys were joined at the event by co-star Elizabeth Lail, who shared the cute red carpet moment with the actors. PHOTOS: Check out the latest pics of Penn Badgley You airs on Sunday nights on Lifetime. Five of the 10 episodes in season one have already aired, so make sure to catch up now if you aren’t already watching!.....»»

Category: topSource: justjaredOct 12th, 2018

John Stamos & Wife Caitlin McHugh Welcome Baby Boy - Find Out His Name!

John Stamos and Caitlin McHugh are now the proud parents of a baby boy! The Fuller House star revealed the happy news on his Instagram on Sunday (April 15). PHOTOS: Check out the latest pics of John Stamos And his name? Billy Stamos! “From now on, the best part of me will always be my [...] John Stamos and Caitlin McHugh are now the proud parents of a baby boy! The Fuller House star revealed the happy news on his Instagram on Sunday (April 15). PHOTOS: Check out the latest pics of John Stamos And his name? Billy Stamos! “From now on, the best part of me will always be my wife and my son. Welcome Billy Stamos (named after my father) #NotJustanUncleAnymore #Overjoyed,” John captioned the post. John and Caitlin tied the knot back in February of this year in Beverly Hills, Calif. Congratulations to the happy family!.....»»

Category: topSource: justjaredApr 16th, 2018

John Stamos & Girlfriend Caitlin McHugh Are Engaged!

John Stamos and Caitlin McHugh are engaged! The 54-year-old Fuller House actor made the announcement on his Instagram with a cute drawing of the couple in front of Cinderella’s castle in Disneyland on Sunday night (October 22). PHOTOS: Check out the latest pics of John Stamos “I asked…she said yes! …And we lived happily ever [...] John Stamos and Caitlin McHugh are engaged! The 54-year-old Fuller House actor made the announcement on his Instagram with a cute drawing of the couple in front of Cinderella’s castle in Disneyland on Sunday night (October 22). PHOTOS: Check out the latest pics of John Stamos “I asked…she said yes! …And we lived happily ever after💍” he captioned the post. John began dating the 31-year-old actress early last year. Fun fact: the two once appeared on the same Law & Order: SVU episode back in 2011! Congratulations to the newly engaged couple! A post shared by John Stamos (@johnstamos) on Oct 22, 2017 at 9:09pm PDT.....»»

Category: topSource: justjaredOct 23rd, 2017

2019 Grammys Nominations: Drake, Kendrick Lamar, Cardi B & More!

So who is nominated for a 2019 Grammy? All you really want to know is who is nominated, right? There’s lots of love for Drake, Kendrick Lamar, Cardi B, Brandi […] More So who is nominated for a 2019 Grammy? All you really want to know is who is nominated, right? There’s lots of love for Drake, Kendrick Lamar, Cardi B, Brandi Carlisle, and H.E.R. Also this year there are more nominees in the major categories than usual this time around. The Grammy Awards will air February 10, 2019, on CBS. The 2019 Grammy nominees are below. GENERAL FIELD Record Of The Year: “I Like It” — Cardi B, Bad Bunny & J Balvin “The Joke” — Brandi Carlile “This Is America” — Childish Gambino “God’s Plan” — Drake “Shallow” — Lady Gaga & Bradley Cooper “All The Stars” — Kendrick Lamar & SZA “Rockstar” — Post Malone Featuring 21 Savage “The Middle” — Zedd, Maren Morris & Grey Album Of The Year: “Invasion Of Privacy” — Cardi B “By The Way, I Forgive You” — Brandi Carlile “Scorpion” — Drake “H.E.R.” — H.E.R. “Beerbongs & Bentleys” — Post Malone “Dirty Computer” — Janelle Monáe “Golden Hour” — Kacey Musgraves “Black Panther: The Album, Music From And Inspired By” (Various Artists) Song Of The Year: “All The Stars” — Kendrick Duckworth, Solána Rowe, Al Shuckburgh, Mark Spears & Anthony Tiffith, songwriters (Kendrick Lamar & SZA) “Boo’d Up” — Larrance Dopson, Joelle James, Ella Mai & Dijon McFarlane, songwriters (Ella Mai) “God’s Plan” — Aubrey Graham, Daveon Jackson, Brock Korsan, Ron LaTour, Matthew Samuels & Noah Shebib, songwriters (Drake) “In My Blood” — Teddy Geiger, Scott Harris, Shawn Mendes & Geoffrey Warburton, songwriters (Shawn Mendes) “The Joke” — Brandi Carlile, Dave Cobb, Phil Hanseroth & Tim Hanseroth, songwriters (Brandi Carlile) “The Middle” — Sarah Aarons, Jordan K. Johnson, Stefan Johnson, Marcus Lomax, Kyle Trewartha, Michael Trewartha & Anton Zaslavski, songwriters (Zedd, Maren Morris & Grey) “Shallow” — Lady Gaga, Mark Ronson, Anthony Rossomando & Andrew Wyatt, songwriters (Lady Gaga & Bradley Cooper) “This Is America” — Donald Glover & Ludwig Goransson, songwriters (Childish Gambino) Best New Artist: Chloe x Halle Luke Combs Greta Van Fleet H.E.R. Dua Lipa Margo Price Bebe Rexha Jorja Smith POP FIELD Best Pop Solo Performance: “Colors” — Beck “Havana (Live)” — Camila Cabello “God Is A Woman” — Ariana Grande “Joanne (Where Do You Think You’re Goin’?)” — Lady Gaga “Better Now” — Post Malone Best Pop Duo/Group Performance: “Fall In Line” — Christina Aguilera Featuring Demi Lovato “Don’t Go Breaking My Heart” — Backstreet Boys “‘S Wonderful” — Tony Bennett & Diana Krall “Shallow” — Lady Gaga & Bradley Cooper “Girls I Like You” — Maroon 5 Featuring Cardi B “Say Something” — Justin Timberlake Featuring Chris Stapleton “The Middle” — Zedd, Maren Morris & Grey Best Traditional Pop Vocal Album: “Love Is Here To Stay” —Tony Bennett & Diana Krall “My Way” — Willie Nelson “Nat “King” Cole & Me” — Gregory Porter 4. Standards (DELUXE) — Seal 5. THE MUSIC…THE MEM’RIES…THE MAGIC! — Barbra Streisand Best Pop Vocal Album: “Camila” — Camila Cabello “Meaning Of Life” — Kelly Clarkson “Sweetener” — Ariana Grande “Shawn Mendes” — Shawn Mendes “Beautiful Trauma” — P!nk “Reputation” — Taylor Swift DANCE/ELECTRONIC FIELD Best Dance Recording: “Northern Soul” — Above & Beyond Featuring Richard Bedford “Ultimatum” — Disclosure (Featuring Fatoumata Diawara) “Losing It” — Fisher “Electricity” — Silk City & Dua Lipa Featuring Diplo & Mark Ronson “Ghost Voices” — Virtual Self Best Dance/Electronic Album: “Singularity” —Jon Hopkins “Woman Worldwide” — Justice “Treehouse” — Sofi Tukker “Oil of Every Pearl’s Un-Insides” — SOPHIE “Lune Rouge” — TOKiMONSTA CONTEMPORARY INSTRUMENTAL FIELD Best Contemporary Instrumental Album: “The Emancipation Procrastination” — Christian Scott aTunde Adjuah “Steve Gadd Band” — Steve Gadd Band “Modern Lore” — Julian Lage “Laid Black” — Marcus Miller “Protocol 4” — Simon Phillips ROCK FIELD Best Rock Performance: “Four Out Of Five” —Arctic Monkeys “When Bad Does Good” — Chris Cornell “Made An America” — The Fever 333 “Highway Tune” — Greta Van Fleet “Uncomfortable” — Halestorm Best Metal Performance: “Condemned To The Gallows “— Between The Buried And Me “Honeycomb” — Deafheaven “Electric Messiah” — High On Fire “Betrayer” — Trivium “On My Teeth — Underoath Best Rock Song: “Black Smoke Rising” — Jacob Thomas Kiszka, Joshua Michael Kiszka, Samuel Francis Kiszka & Daniel Robert Wagner, songwriters (Greta Van Fleet) “Jumpsuit” — Tyler Joseph, songwriter (Twenty One Pilots) “MANTRA” — Jordan Fish, Matthew Kean, Lee Malia, Matthew Nicholls & Oliver Sykes, songwriters (Bring Me The Horizon) “Masseduction” — Jack Antonoff & Annie Clark, songwriters (St. Vincent) “Rats” — Tom Dalgety & A Ghoul Writer, songwriters (Ghost) Best Rock Album: “Rainier Fog” — Alice In Chains “M A N I A” — Fall Out Boy “Prequelle — Ghost “From The Fires” — Greta Van Fleet “Pacific Daydream” — Weezer ALTERNATIVE FIELD Best Alternative Music Album: “Tranquility Base Hotel + Casino” —Arctic Monkeys “Colors” — Beck “Utopia” — Björk “American Utopia” — David Byrne “Masseduction” — St. Vincent R&B FIELD Best R&B Performance: “Long As I Live” — Toni Braxton “Summer” — The Carters “Y O Y” — Lalah Hathaway “Best Part” — H.E.R. Featuring Daniel Caesar “First Began” — PJ Morton Best Traditional R&B Performance: “Bet Ain’t Worth The Hand” — Leon Bridges “Don’t Fall Apart On Me Tonight” — Bettye LaVette “Honest” — MAJOR. “How Deep Is Your Love” — PJ Morton Featuring Yebba “Made For Love” — Charlie Wilson Featuring Lalah Hathaway Best R&B Song: “Boo’d Up” — Larrance Dopson, Joelle James, Ella Mai & Dijon McFarlane, songwriters (Ella Mai) “Come Through And Chill” — Jermaine Cole, Miguel Pimentel & Salaam Remi, songwriters (Miguel Featuring J. Cole & Salaam Remi) “Feels Like Summer” — Donald Glover & Ludwig Goransson, songwriters (Childish Gambino) “Focus” — Darhyl Camper Jr, H.E.R. & Justin Love, songwriters (H.E.R.) “Long As I Live” — Paul Boutin, Toni Braxton & Antonio Dixon, songwriters (Toni Braxton) Best Urban Contemporary Album: “Everything Is Love” — The Carters “The Kids Are Alright “— Chloe x Halle “Chris Dave And The Drumhedz” — Chris Dave And The Drumhedz “War & Leisure” — Miguel “Ventriloquism” — Meshell Ndegeocello Best R&B Album: “Sex & Cigarettes” — Toni Braxton “Good Thing” — Leon Bridges “Honestly” — Lalah Hathaway “H.E.R.” — H.E.R. “Gumbo Unplugged (Live)” — PJ Morton RAP FIELD Best Rap Performance: “Be Careful” — Cardi B “Nice For What” — Drake “King’s Dead” — Kendrick Lamar, Jay Rock, Future & James Blake “Bubblin” — Anderson .Paak “Sicko Mode” — Travis Scott, Drake, Big Hawk & Swae Lee Best Rap/Sung Performance: “Like I Do” — Christina Aguilera Featuring Goldlink “Pretty Little Fears” — 6LACK Featuring J. Cole “This Is America” — Childish Gambino “All The Stars” — Kendrick Lamar & SZA “Rockstar” — Post Malone Featuring 21 Savage Best Rap Song: “God’s Plan” — Aubrey Graham, Daveon Jackson, Brock Korsan, Ron LaTour, Matthew Samuels & Noah Shebib, songwriters (Drake) “King’s Dead” — Kendrick Duckworth, Samuel Gloade, James Litherland, Johnny McKinzie, Mark Spears, Travis Walton, Nayvadius Wilburn & Michael Williams II, songwriters (Kendrick Lamar, Jay Rock, Future & James Blake) “Lucky You” — R. Fraser, G. Lucas, M. Mathers, M. Samuels & J. Sweet, songwriters (Eminem Featuring Joyner Lucas) “Sicko Mode” — Khalif Brown, Rogét Chahayed, BryTavious Chambers, Mike Dean, Mirsad Dervic, Kevin Gomringer, Tim Gomringer, Aubrey Graham, John Edward Hawkins, Chauncey Hollis, Jacques Webster, Ozan Yildirim & Cydel Young, songwriters (Travis Scott, Drake, Big Hawk & Swae Lee) “Win” — K. Duckworth, A. Hernandez, J. McKinzie, M. Samuels & C. Thompson, songwriters (Jay Rock) Best Rap Album: “Invasion Of Privacy” — Cardi B “Swimming” — Mac Miller “Victory Lap” — Nipsey Hussle “Daytona” — Pusha T “Astroworld” — Travis Scott COUNTRY FIELD Best Country Solo Performance: “Wouldn’t It Be Great?” — Loretta Lynn “Mona Lisas And Mad Hatters” — Maren Morris “Butterflies” — Kacey Musgraves “Millionaire” — Chris Stapleton “Parallel Line” — Keith Urban Best Country Duo/Group Performance: “Shoot Me Straight” — Brothers Osborne “Tequila” — Dan + Shay ” When Someone Stops Loving You” — Little Big Town “Dear Hate” — Maren Morris Featuring Vince Gill “Meant To Be” — Bebe Rexha & Florida Georgia Line Best Country Song: “Break Up In The End” — Jessie Jo Dillon, Chase McGill & Jon Nite, songwriters (Cole Swindell) “Dear Hate” — Tom Douglas, David Hodges & Maren Morris, Songwriters (Maren Morris Featuring Vince Gill) “I Lived It” — Rhett Akins, Ross Copperman, Ashley Gorley & Ben Hayslip, songwriters (Blake Shelton) “Space Cowboy” — Luke Laird, Shane McAnally & Kacey Musgraves, songwriters (Kacey Musgraves) “Tequila” — Nicolle Galyon, Jordan Reynolds & Dan Smyers, songwriters (Dan + Shay) “When Someone Stops Loving You” — Hillary Lindsey, Chase McGill & Lori McKenna, songwriters (Little Big Town) Best Country Album: “Unapologetically” — Kelsea Ballerini “Port Saint Joe” — Brothers Osborne “Girl Going Nowhere” — Ashley McBryde “Golden Hour” — Kacey Musgraves “From A Room: Volume 2” — Chris Stapleton NEW AGE FIELD Best New Age Album: “Hiraeth” — Lisa Gerrard & David Kuckhemann “Beloved” — Snatam Kaur “Opium Moon” — Opium Moon “Molecules Of Motion” — Steve Roach “Moku Maluhia – Peaceful Island” — Jim Kimo West JAZZ FIELD Best Improvised Jazz Solo: “Some Of That Sunshine” — Regina Carter, soloist “Don’t Fence Me In” — John Daversa, soloist “We See” — Fred Hersch, soloists “De-dah” — Brad Mehldau, soloist “Cadenas” — Miguel Zenón, soloist Best Jazz Vocal Album: “My Mood Is You” — Freddy Cole “The Questions” — Kurt Elling “The Subject Tonight Is Love” — Kate McGarry With Keith Ganz & Gary Versace “If You Really Want” — Raul Midón With The Metropole Orkest Conducted By Vince Mendoza “The Window” — Cécile McLorin Salvant Best Jazz Instrumental Album: “Diamond Cut” — Tia Fuller “Live In Europe” — Fred Hersch Trio “Seymour Reads The Constitution!” — Brad Mehldau Trio “Still Dreaming” — Joshua Redman, Ron Miles, Scott Colley & Brian Blade “Emanon” — The Wayne Shorter Quartet Best Large Jazz Ensemble Album: “All About That Basie” — The Count Basie Orchestra Directed By Scotty Barnhart “American Dreamers: Voices Of Hope, Music Of Freedom” — John Daversa Big Band Featuring DACA Artists “Presence” — Orrin Evans And The Captain Black Big Band “All Can Work” — John Hollenbeck Large Ensemble “Barefoot Dances And Other Visions” — Jim McNeely & The Frankfurt Radio Big Band Best Latin Jazz Album: “Heart Of Brazil”— Eddie Daniels “Back To The Sunset”— Dafnis Prieto Big Band “West Side Story Reimagined”— Bobby Sanabria Multiverse Big Band “Cinque”— Elio Villafranca “Yo Soy La Tradición” — Miguel Zenón Featuring Spektral Quartet GOSPEL/ CONTEMPORARY CHRISTIAN MUSIC FIELD Best Gospel Performance/Song: “You Will Win” — Jekalyn Carr; Allen Carr & Jekalyn Carr, Songwriters “Won’t He Do It” — Koryn Hawthorne “Never Alone” — Tori Kelly Featuring Kirk Franklin; Kirk Franklin & Victoria Kelly, Songwriters “Cycles” Jonathan Mcreynolds Featuring Doe; Jonathan McReynolds, Songwriter “A Great Work” — Brian Courtney Wilson; Aaron W. Lindsey, Alvin Richardson & Brian Courtney Wilson, Songwriters Best Contemporary Christian Music Performance/Song: “Reckless Love” — Cory Asbury; Cory Asbury, Caleb Culver & Ran Jackson, songwriters “You Say” — Lauren Daigle; Lauren Daigle, Jason Ingram & Paul Mabury, songwriters “Joy” — for King & Country; Ben Glover, Matt Hales, Stephen Blake Kanicka, Seth Moslely, Joel Smallbone, Luke Smallbone & Tedd Tjornhom, songwriters “Grace Got You” — MercyMe Featuring John Reuben; David Garcia, Ben Glover, MercyMe, Solomon Olds & John Reuben, songwriters “Known”— Tauren Wells; Ethan Hulse, Jordan Sapp & Tauren Wells, songwriters Best Gospel Album: “One Nation Under God” — Jekalyn Carr “Hiding Place” — Tori Kelly “Make Room” — Jonathan McReynolds “The Other Side” — The Walls Group “A Great Work” — Brian Courtney Wilson Best Contemporary Christian Music Album: “Look Up Child” — Lauren Daigle “Hallelujah Here Below” — Elevation Worship “Living With a Fire” — Jesus Culture “Surrounded” — Michael W. Smith “Survivor: Live From Harding Prison” — Zach Williams Best Roots Gospel Album: “Unexpected” — Jason Crabb “Clear Skies” — Ernie Haase & Signature Sound “Favorites: Revisited By Request” — The Isaacs “Still Standing” — The Martins “Love Love Love” — Gordon Mote LATIN FIELD Best Latin Pop Album: “Prometo” — Pablo Alboran “Sincera” — Claudia Brant “Musas (Un Homenaje Al Folclore Latinoamericano En Manos De Los Macorinos), Vol. 2” — Natalia Lafourcade “2:00 AM” — Raquel Sofía “Vives” — Carlos Vives Best Latin Rock, Urban or Alternative Album: “Clairoscura” — Aterciopelados “Coastcity” — Coastcity “Encanto Tropical” — Monsieur Periné “Gourmet” — Orishas “Aztlán” — Zoé Best Regional Mexican Music Album (Including Tejano): “Primero Soy Mexicana” — Angela Aguilar “Mitad y Mitad” — Calibre 50 “Totalmente Juan Gabriel Vol. II” — Aida Cuevas “Cruzando Borders” — Los Texmaniacs “Leyendas De Mi Pueblo” — Mariachi Sol De Mexico De Jose Hernandez “¡México Por Siempre!” — Luis Miguel Best Tropical Latin Album: “Pa’ Mi Gente” — Charlie Aponte “Legado” — Formell Y Los Van Van “Orquesta Akokán” — Orquesta Akokán “Ponle Actitud” — Felipe Peláez “Anniversary” — Spanish Harlem Orchestra AMERICAN ROOTS MUSIC FIELD Best American Roots Performance: “Kick Rocks” — Sean Ardoin “Saint James Infirmary Blues” — Jon Batiste “The Joke” Brandi Carlile “All On My Mind” — Anderson East “Last Man Standing” — Willie Nelson Best American Roots Song: “All The Trouble” — Waylon Payne, Lee Ann Womack & Adam Wright, songwriters (Lee Ann Womack) “Build a Bridge” — Jeff Tweedy, songwriter (Mavis Staples) “The Joke” — Brandi Carlile, Dave Cobb, Phil Hanseroth & Tim Hanseroth, songwriters (Brandi Carlile) “Knockin’ On Your Screen Door” — Pat McLaughlin & John Prine, songwriters (John Prine) “Summer’s End” — Pat McLaughlin & John Prine, songwriters (John Prine) Best Americana Album: “By The Way, I Forgive You” — Brandi Carlile “Things Have Changed” — Bettye LaVette “The Tree Of Forgiveness” — John Prine “The Lonely, The Lonesome & The Gone” — Lee Ann Womack “One Drop Of Truth” — The Wood Brothers Best Bluegrass Album:“Portraits in Fiddles” — Mike Barnett “Sister Sadie II” — Sister Sadie “Rivers and Roads” — Special Consensus “The Travelin’ McCourys” — The Travelin’ McCourys “North of Despair” — Wood & Wire Best Traditional Blues Album: “Something Smells Funky ‘Round Here” — Elvin Bishop’s Big Fun Trio “Benton County Relic” — Cedric Burnside “The Blues Is Alive and Well” — Buddy Guy “No Mercy in This Land” — Ben Harper And Charlie Musselwhite “Don’t You Feel My Leg (The Naughty Bawdy Blues of Blue Lu Barker) — Maria Muldaur Best Contemporary Blues Album: “Please Don’t Be Dead” — Fantastic Negrito “Here In Babylon” — Teresa James And The Rhythm Tramps “Cry No More” — Danielle Nicole “Out of The Blues” — Boz Scaggs “Victor Wainwright and The Train” — Victor Wainwright And The Train Best Folk Album: “Whistle Down the Wind” — Joan Baez “Black Cowboys” — Dom Flemons “Rifles & Rosary Beads” — Mary Gauthier “Weed Garden” — Iron & Wine “All Ashore” — Punch Brothers Best Regional Roots Music Album: “Kreole Rock and Soul” — Sean Ardoin “Spyboy” — Cha Wa “Aloha From Na Hoa” — Na Hoa “No ‘Ane’i” — Kalani Pe’a “Mewasinsational – Cree Round Dance Songs” — Young Spirit REGGAE FIELD Best Reggae Album: “As The World Turns” — Black Uhuru “Reggae Forever” — Etana “Rebellion Rises” — Ziggy Marley “A Matter of Time” — Protoje “44/876” — Sting & Shaggy WORLD MUSIC FIELD Best World Music Album: “Deran” — Bombino “Fenfo” — Fatoumata Diawara “Black Times” — Seun Kuti & Egypt 80 “Freedom” — Soweto Gospel Choir “The Lost Songs of World War II” — Yiddish Glory CHILDREN’S FIELD Best Children’s Album: “All The Sounds” — Lucy Kalantari & The Jazz Cats “Building Blocks” — Tim Kubart “Falu’s Bazaar” — Falu “Giants of Science” — The Pop Ups “The Nation of Imagine” — Frank & Deane SPOKEN WORD FIELD Best Spoken Word Album (Includes Poetry, Audio Books & Storytelling): “Accessory to War (Neil Degrasse Tyson & Avis Lang)” — Courtney B. Vance “Calypso” — David Sedaris “Creative Quest” — Questlove “Faith – A Journey For All” — Jimmy Carter “The Last Black Unicorn” — Tiffany Haddish COMEDY FIELD Best Comedy Album: “Annihilation” — Patton Oswalt “Equanimity & The Bird Revelation” — Dave Chappelle “Noble Ape” — Jim Gaffigan “Standup For Drummers” — Fred Armisen “Tamborine” — Chris Rock MUSICAL THEATER FIELD Best Musical Theater Album: “The Band’s Visit” — Etai Benson, Adam Kantor, Katrina Lenk & Ari’el Stachel, principal soloists; Dean Sharenow & David Yazbek, producers; David Yazbek, composer & lyricist (Original Broadway Cast) “Carousel” — Renee Fleming, Alexander Gemignani, Joshua Henry, Lindsay Mendez & Jessie Mueller, principal soloists; Steven Epstein, producer (Richard Rodgers, composer; Oscar Hammerstein II, lyricist) (2018 Broadway Cast) “Jesus Christ Superstar Live in Concert” — Sara Bareilles, Alice Cooper, Ben Daniels, Brandon Victor Dixon, Erik Grönwall, Jin Ha, John Legend, Norm Lewis & Jason Tam, principal soloists; Harvey Mason, Jr., producer (Andrew Lloyd-Webber, composer; Tim Rice, lyricist) (Original Television Cast) “My Fair Lady” — Lauren Ambrose, Norbert Leo Butz & Harry Hadden-Paton, principal soloists; Andre Bishop, Van Dean, Hattie K. Jutagir, David Lai, Adam Siegel & Ted Sperling, producers (Frederick Loewe, composer; Alan Jay Lerner, lyricist) (2018 Broadway Cast) “Once On This Island” — Phillip Boykin, Merle Dandridge, Quentin Earl Darrington, Hailey Kilgore, Kenita R. Miller, Alex Newell, Isaac Powell & Lea Salonga, principal soloists; Lynn Ahrens, Hunter Arnold, Ken Davenport, Stephen Flaherty & Elliot Scheiner, producers (Stephen Flaherty, composer; Lynn Ahrens, lyricist) (New Broadway Cast) MUSIC FOR VISUAL MEDIA FIELD Best Compilation Soundtrack For Visual Media: “Call Me By Your Name” — (Various Artists) “Deadpool 2” — (Various Artists) “The Greatest Showman” — (Various Artists) “Lady Bird” — (Various Artists) “Stranger Things” — (Various Artists) Best Score Soundtrack For Visual Media: “Black Panther” — Ludwig Göransson, composer “Blade Runner 2049” — Benjamin Wallfisch & Hans Zimmer, composers “Coco” — Michael Giacchino, composer “The Shape of Water” — Alexandre Desplat, composer “Star Wars: The Last Jedi” — John Williams, composer Best Song Written For Visual Media: “All The Stars” — Kendrick Duckworth, Solána Rowe, Alexander William Shuckburgh, Mark Anthony Spears & Anthony Tiffith, songwriters (Kendrick Lamar & SZA) “Mystery Of Love” — Sufjan Stevens, songwriter (Sufjan Stevens) “Remember Me” — Kristen Anderson-Lopez & Robert Lopez, songwriters (Miguel Featuring Natalia Lafourcade) “Shallow” — Lady Gaga, Mark Ronson, Anthony Rossomando & Andrew Wyatt, songwriters (Lady Gaga & Bradley Cooper) “This Is Me” — Benj Pasek & Justin Paul, songwriters (Keala Settle & The Greatest Showman Ensemble) COMPOSING/ ARRANGING FIELD Best Instrumental Composition: “Blut und Boden (Blood and Soil)” — Terence Blanchard, composer (Terence Blanchard) “Chrysalis” — Jeremy Kittel, composer (Kittel & Co.) “Infinity War” — Alan Silverstri, composer (Alan Silvestri) “Mine Mission” — John Powell & John Williams, composers (John Powell & John Williams) “The Shape of Water” — Alexandre Desplat, composer (Alexandre Desplat) Best Arrangement, Instrumental or A Cappella: “Batman Theme (TV)” — Randy Waldman & Justin Wilson, arrangers (Randy Waldman Featuring Wynton Marsalis) “Change The World” — Mark Kibble, arranger (Take 6) “Madrid Finale” — John Powell, arranger (John Powell) “The Shape of Water” — Alexandre Desplat, arranger (Alexandre Desplat) “Stars and Stripes Forever” — John Daversa, arranger (John Daversa Big Band Featuring DACA Artists) Best Arrangement, Instruments and Vocals: “It Was a Very Good Year” — Matt Rollings & Kristin Wilkinson, arrangers (Willie Nelson) “Jolene” — Dan Pugach & Nicole Zuraitis, arrangers (Dan Pugach) “Mona Lisa” — Vince Mendoza, arranger (Gregory Porter) “Niña” — Gonzalo Grau, arranger (Magos Herrera & Brooklyn Rider) “Spiderman Theme” — Randy Waldman, arranger (Randy Waldman Featuring Take 6 & Chris Potter) PACKAGE FIELD Best Recording Package: “Be The Cowboy” — Mary Banas, art director (Mitski) “Love Yourself: Tear” — HuskyFox, art director (BTS) “Masseducation” — Willo Perron, art director (St. Vincent) “The Offering” — Qing-Yang Xiao, art director (The Chairman) “Well Kept Thing” — Adam Moore, art director (Foxhole) Best Boxed Or Special Limited Edition Package: “Appetite For Destruction (Locked N’ Loaded Box)” — Arian Buhler, Charles Dooher, Jeff Fura, Scott Sandler & Matt Taylor, art directors (Guns N’ Roses) “I’ll Be Your Girl” — Carson Ellis, Jeri Heiden & Glen Nakasako, art directors (The Decemberists) “Pacific Northwest ’73-74′: The Complete Recordings” — Lisa Glines, Doran Tyson & Roy Henry Vickers, art directors (Grateful Dead) “Squeeze Box: The Complete Works of ‘Weird Al’ Yankovic” — Meghan Foley, Annie Stoll & Al Yankovic, art directors (“Weird Al” Yankovic) “Too Many Bad Habits” — Sarah Dodds & Shauna Dodds, art directors (Johnny Nicholas) NOTES FIELD Best Album Notes: “Alpine Dreaming: The Helvetia Records Story, 1920-1924” — James P. Leary, album notes writer (Various Artists) “4 Banjo Songs, 1891-1897: Foundational Recordings of America’s Iconic Instrument” — Richard Martin & Ted Olson, album notes writers (Charles A. Asbury) “The 1960 Time Sessions” — Ben Ratliff, album notes writer (Sonny Clark Trio) “The Product of Our Souls: The Sound and Sway of James Reese Europe’s Society Orchestra” — David Gilbert, album notes writer (Various Artists) “Trouble No More: The Bootleg Series Vol. 13 / 1979-1981” — Amanda Petrusich, album notes writer (Bob Dylan) “Voices of Mississippi: Artists and Musicians Documented by WIlliam Ferris” — David Evans, album notes writer (Various Artists) HISTORICAL FIELD Best Historical Album: “Any Other Way” — Rob Bowman, Douglas Mcgowan, Rob Sevier & Ken Shipley, compilation producers; Jeff Lipton, mastering engineer (Jackie Shane) “At The Louisiana Hayride Tonight…” — Martin Hawkins, compilation producer; Christian Zwarg, mastering engineer (Various Artists) “Battleground Korea: Songs and Sounds of America’s Forgotten War” — Hugo Keesing, compilation producer; Christian Zwarg, mastering engineer (Various Artists) “Rhapsody in Blue – The Extraordinary Life of Oscar Levant” — Robert Russ, compilation producer; Andreas K. Meyer & Rebekah Wineman, mastering engineers (Oscar Levant) “Voices of Mississippi: Artists and Musicians Documented by WIlliam Ferris” — William Ferris, April Ledbetter & Steven Lance Ledbetter, compilation producers; Michael Graves, mastering engineer (Various Artists) PRODUCTION, NON-CLASSICAL FIELD Best Engineered Album, Non-Classical: “All The Things That I Did and All The Things That I Didn’t Do” — Ryan Freeland & Kenneth Pattengale, engineers; Kim Rosen, mastering engineer (The Milk Carton Kids) “Colors” — Julian Burg, Serban Ghenea, David “Elevator” Greenbaum, John Hanes, Beck Hansen, Greg Kurstin, Florian Lagatta, Cole M.G.N., Alex Pasco, Jesse Shatkin, Darrell Thorp & Cassidy Turbin, engineers; Chris Bellman, Tom Coyne, Emily Lazar & Randy Merrill, mastering engineers (Beck) “Earthtones” — Robbie Lackritz, engineer; Philip Shaw Bova, mastering engineer (Bahamas) “Head Over Heels” — Nathaniel Alford, Jason Evigan, Chris Galland, Tom Gardner, Patrick “P-Thugg” Gemayel, Serban Ghenea, John Hanes, Tony Hoffer, Derek Keota, Ian Kirkpatrick, David Macklovitch, Amber Mark, Manny Marroquin, Vaughn Oliver, Chris “TEK” O’Ryan, Morgan Taylor Reid & Gian Stone, engineers; Chris Gehringer & Michelle Mancini, mastering engineers (Chromeo) “Voicenotes” — Manny Marroquin & Charlie Puth, engineers; Dave Kutch, mastering engineer (Charlie Puth) Producer Of The Year, Non-Classical: Boi-1da Larry Klein Linda Perry Kanye West Pharrell Williams Best Remixed Recording: “Audio (CID Remix)” — CID, remixer (LSD) “How Long (EDX’s Dubai Skyline Remix)” — Maurizio Colella, remixer (Charlie Puth) “Only Road (Cosmic Gate Remix”) — Stefan Bossems & Claus Terhoeven, remixers (Gabriel & Dresden Featuring Sub Teal) “Stargazing (Kaskade Remix)” — Kaskade, remixer (Kygo Featuring Justin Jesso) “Walking Away (Mura Masa Remix)” — Alex Crossan, remixer (Haim) SURROUND SOUND FIELD Best Immersive Audio Album: “Eye in The Sky – 35th Anniversary Edition” — Alan Parsons, surround mix engineer; Dave Donnelly, PJ Olsson & Alan Parsons, surround mastering engineers; Alan Parsons, surround producer (The Alan Parsons Project) “Folketoner” — Morten Lindberg, surround mix engineer; Morten Lindberg, surround mastering engineer; Morten Lindberg, surround producer (Anne Karin Sundal-Ask & Det Norske Jentekor) “Seven Words From The Cross” — Daniel Shores, surround mix engineer; Daniel Shores, surround mastering engineer; Dan Merceruio, surround producer (Matthew Guard & Skylark) “Sommerro: Ujamaa & The Iceberg” — Morten Lindberg, surround mix engineer; Morten Lindberg, surround mastering engineer; Morten Lindberg, surround producer (Ingar Heine Bergby, Trondheim Symphony Orchestra & Choir) “Symbol” — Prashant Mistry & Ronald Prent, surround mix engineers; Darcy Proper, surround mastering engineer; Prashant Mistry & Ronald Prent, surround producers (Engine-Earz Experiment) PRODUCTION, CLASSICAL FIELD Best Engineered Album, Classical: “Bates: The (R)evolution of Steve Jobs” — Mark Donahue & Dirk Sobotka, engineers; Mark Donahue, mastering engineer (Michael Christie, Garrett Sorenson, Wei Wu, Sasha Cooke, Edwards Parks, Jessica E. Jones & Santa Fe Opera Orchestra) “Beethoven: Symphony No. 3; Strauss: Horn Concerto No. 1 — Mark Donahue, engineer; Mark Donahue, mastering engineer (Manfred Honeck & Pittsburgh Symphony Orchestra) “John Williams At The Movies” — Keith O. Johnson & Sean Royce Martin, engineers; Keith O. Johnson, mastering engineer (Jerry Junkin & Dallas Winds) “Liquid Melancholy – Clarinet Music of James M. Stephenson” — Bill Maylone & Mary Mazurek, engineers; Bill Maylone, mastering engineer (John Bruce Yeh) “Shostakovich: Symphonies Nos. 4 & 11” — Shawn Murphy & Nick Squire, engineers; Tim Martyn, mastering engineer (Andris Nelsons & Boston Symphony Orchestra) “Visions and Variations” — Tom Caulfield, engineer; Jesse Lewis, mastering engineer (A Far Cry) Producer Of The Year, Classical: Blanton Alspaugh David Frost Elizabeth Ostrow Judith Sherman Dirk Sobotka CLASSICAL FIELD Best Orchestral Performance: “Beethoven: Symphony No. 3; Strauss: Horn Concerto No. 1” — Manfred Honeck, conductor (Pittsburgh Symphony Orchestra) “Nielsen: Symphony No. 3 & Symphony No. 4” — Thomas Dausgaard, conductor (Seattle Symphony) “Ruggles, Stucky & Harbison: Orchestral Works” — David Alan Miller, conductor (National Orchestral Institute Philharmonic) “Schumann: Symphonies Nos. 1-4” — Michael Tilson Thomas, conductor (San Francisco Symphony) “Shostakovich: Symphonies Nos. 4 & 11” — Andris Nelsons, conductor (Boston Symphony Orchestra) Best Opera Recording: “Adams: Doctor Atomic” — John Adams, conductor; Aubrey Allicock, Julia Bullock, Gerald Finley & Brindley Sherratt; Friedemann Engelbrecht, producer (BBC Symphony Orchestra; BBC Singers) “Bates: The (R)evolution of Steve Jobs” — Michael Christie, conductor; Sasha Cooke, Jessica E. Jones, Edwards Parks, Garrett Sorenson & Wei Wu; Elizabeth Ostrow, producer (The Santa Fe Opera Orchestra) “Lully: Alceste” — Christophe Rousset, conductor; Edwin Crossley-Mercer, Emiliano Gonzalez Toro & Judith Van Wanroij; Maximilien Ciup, producer (Les Talens Lyriques; Choeur De Chambre De Namur) “Strauss, R.: Der Rosenkavalier” Sebastian Weigle, conductor; Renée Fleming, Elīna Garanča, Günther Groissböck & Erin Morley; David Frost, producer (Metropolitan Opera Orchestra; Metropolitan Opera Chorus) “Verdi: Rigoletto” — Constantine Orbelian, conductor; Francesco Demuro, Dmitri Hvorostovsky & Nadine Sierra; Vilius Keras & Aleksandra Keriene, producers (Kaunas City Symphony Orchestra; Men Of The Kaunas State Choir) Best Choral Performance: “Chesnokov: Teach Me Thy Statutes” — Vladimir Gorbik, conductor (Mikhail Davydov & Vladimir Krasov; PaTRAM Institute Male Choir) “Kastalsky: Memory Eternal” — Steven Fox, conductor (The Clarion Choir) “McLoskey: Zealot Canticles” — Donald Nally, conductor (Doris Hall-Gulati, Rebecca Harris, Arlen Hlusko, Lorenzo Raval & Mandy Wolman; The Crossing) “Rachmaninov: The Bells” — Mariss Jansons, conductor; Peter Dijkstra, chorus master (Oleg Dolgov, Alexey Markov & Tatiana Pavlovskaya; Symphonieorchester Des Bayerischen Rundfunks; Chor Des Bayerischen Rundfunks) “Seven Words From The Cross” — Matthew Guard, conductor (Skylark) Best Chamber Music/Small Ensemble Performance: Anderson, Laurie: Landfall” — Laurie Anderson & Kronos Quartet “Beethoven, Shostakovich & Bach” — The Danish String Quartet “Blueprinting” — Aizuri Quartet “Stravinsky: The Rite of Spring Concerto For Two Pianos: — Leif Ove Andsnes & Marc-André Hamelin “Visions and Variations” — A Far Cry Best Classical Instrumental Solo: “Bartók: Piano Concerto No. 2″ — Yuja Wang; Simon Rattle, conductor (Berliner Philharmoniker) “Biber: The Mystery Sonatas” — Christina Day Martinson; Martin Pearlman, conductor (Boston Baroque) “Bruch: Scottish Fantasy, Op. 46; Violin Concerto No. 1 in G Minor, Op. 26” — Joshua Bell (The Academy Of St. Martin In The Fields) “Glass: Three Pieces in The Shape of a Square” — Craig Morris “Kernis: Violin Concerto” — James Ehnes; Ludovic Morlot, conductor (Seattle Symphony) Best Classical Solo Vocal Album: “Arc” — Anthony Roth Costanzo; Jonathan Cohen, conductor (Les Violons Du Roy) “The Handel Album” — Philippe Jaroussky; Artaserse, ensemble “Mirages” — Sabine Devieilhe; François-Xavier Roth, conductor (Alexandre Tharaud; Marianne Crebassa & Jodie Devos; Les Siècles) “Schubert: Winterreise” — Randall Scarlata; Gilbert Kalish, accompanist “Songs of Orpheus – Monteverdi, Caccini, D’India & Landi” — Karim Sulayman; Jeannette Sorrell, conductor; Apollo’s Fire, ensembles Best Classical Compendium: “Fuchs: Piano Concerto ‘Spiritualist’; Poems of Life; Glacier; Rush” — JoAnn Falletta, conductor; Tim Handley, producer “Gold” — The King’s Singers; Nigel Short, producer “The John Adams Edition” — Simon Rattle, conductor; Christoph Franke, producer “John Williams At The Movies” — Jerry Junkin, conductor; Donald J. McKinney, producer “Vaughan Williams: Piano Concerto; Oboe Concerto; Serenade to Music; Flos Campi” — Peter Oundjian, conductor; Blanton Alspaugh, producer Best Contemporary Classical Composition: “Bates: The (R)evolution of Steve Jobs” — Mason Bates, composer; Mark Campbell, librettist (Michael Christie, Garrett Sorenson, Wei Wu, Sasha Cooke, Edwards Parks, Jessica E. Jones & Santa Fe Opera Orchestra) “Du Yun: Air Glow” — Du Yun, composer (International Contemporary Ensemble) “Heggie: Great Scott” — Jake Heggie, composer; Terrence McNally, librettist (Patrick Summers, Manuel Palazzo, Mark Hancock, Michael Mayes, Rodell Rosel, Kevin Burdette, Anthony Roth Costanzo, Nathan Gunn, Frederica von Stade, Ailyn Pérez, Joyce DiDonato, Dallas Opera Chorus & Orchestra) “Kernis: Violin Concerto” — Aaron Jay Kernis, composer (James Ehnes, Ludovic Morlot & Seattle Symphony) “Mazzoli: Vespers For Violin” — Missy Mazzoli, composer (Olivia De Prato) MUSIC VIDEO/FILM FIELD Best Music Video: “APES***” — The Carters, Ricky Saiz, video director; Mélodie Buchris, Natan Schottenfels & Erinn Williams, video producers “This Is America” — Childish Gambino, Hiro Murai, video director; Ibra Ake, Jason Cole & Fam Rothstein, video producers “I’m Not Racist” Joyner Lucas & Ben Proulx, video directors; Joyner Lucas, video producer “Pynk” — Janelle Monáe, Emma Westenberg, video director; Justin Benoliel & Whitney Jackson, video producers “Mumbo Jumbo” — Tierra Whack Marco Prestini, video director; Sara Nassim, video producer Best Music Film: “Life in 12 Bars”— Eric Clapton, Lili Fini Zanuck, video director; John Battsek, Scooter Weintraub, Larry Yelen & Lili Fini Zanuck, video producers “Whitney” — (Whitney Houston), Kevin Macdonald, video director; Jonathan Chinn, Simon Chinn & Lisa Erspamer, video producers “Quincy” — Quincy Jones Alan Hicks & Rashida Jones, video directors; Paula DuPré Pesmen, video producer “Itzhak”— Itzhak Perlman, Alison Chernick, video director; Alison Chernick, video producer “The King” — (Elvis Presley), Eugene Jarecki, video director; Christopher Frierson, Georgina Hill, David Kuhn & Christopher St. John, video producers.....»»

Category: topSource: celebuzzDec 7th, 2018

Grammys 2019 Nominations - Full List Revealed!

The 2019 Grammy Award nominations have just been revealed! Kendrick Lamar, Cardi B, Drake, Post Malone, Kacey Musgraves, Lady Gaga and Bradley Cooper are among the top nominees at this year’s ceremony. Kendrick leads the pack with eight nominations, followed by Drake with seven and Boi-1Da and Brandi Carlile with six. It’s not yet known [...] The 2019 Grammy Award nominations have just been revealed! Kendrick Lamar, Cardi B, Drake, Post Malone, Kacey Musgraves, Lady Gaga and Bradley Cooper are among the top nominees at this year’s ceremony. Kendrick leads the pack with eight nominations, followed by Drake with seven and Boi-1Da and Brandi Carlile with six. It’s not yet known who will be hosting the Grammys this year, which will air live on CBS from the Staples Center in Los Angeles at 8 p.m. ET/5 p.m. PT. Stick with Just Jared on February 10, 2019, as we’ll have all the live coverage of the Grammys. Check out the complete list of nominees below! Record Of The Year: “I Like It” — Cardi B, Bad Bunny & J Balvin “The Joke” — Brandi Carlile “This Is America” — Childish Gambino “God’s Plan” — Drake “Shallow” — Lady Gaga & Bradley Cooper “All The Stars” — Kendrick Lamar & SZA “Rockstar” — Post Malone Featuring 21 Savage “The Middle” — Zedd, Maren Morris & Grey Album Of The Year: “Invasion Of Privacy” — Cardi B “By The Way, I Forgive You” — Brandi Carlile “Scorpion” — Drake “H.E.R.” — H.E.R. “Beerbongs & Bentleys” — Post Malone “Dirty Computer” — Janelle Monáe “Golden Hour” — Kacey Musgraves “Black Panther: The Album, Music From And Inspired By” (Various Artists) Song Of The Year: “All The Stars” — Kendrick Duckworth, Solána Rowe, Al Shuckburgh, Mark Spears & Anthony Tiffith, songwriters (Kendrick Lamar & SZA) “Boo’d Up” — Larrance Dopson, Joelle James, Ella Mai & Dijon McFarlane, songwriters (Ella Mai) “God’s Plan” — Aubrey Graham, Daveon Jackson, Brock Korsan, Ron LaTour, Matthew Samuels & Noah Shebib, songwriters (Drake) “In My Blood” — Teddy Geiger, Scott Harris, Shawn Mendes & Geoffrey Warburton, songwriters (Shawn Mendes) “The Joke” — Brandi Carlile, Dave Cobb, Phil Hanseroth & Tim Hanseroth, songwriters (Brandi Carlile) “The Middle” — Sarah Aarons, Jordan K. Johnson, Stefan Johnson, Marcus Lomax, Kyle Trewartha, Michael Trewartha & Anton Zaslavski, songwriters (Zedd, Maren Morris & Grey) “Shallow” — Lady Gaga, Mark Ronson, Anthony Rossomando & Andrew Wyatt, songwriters (Lady Gaga & Bradley Cooper) “This Is America” — Donald Glover & Ludwig Goransson, songwriters (Childish Gambino) Best New Artist: Chloe x Halle Luke Combs Greta Van Fleet H.E.R. Dua Lipa Margo Price Bebe Rexha Jorja Smith POP FIELD Best Pop Solo Performance: “Colors” — Beck “Havana (Live)” — Camila Cabello “God Is A Woman” — Ariana Grande “Joanne (Where Do You Think You’re Goin’?)” — Lady Gaga “Better Now” — Post Malone Best Pop Duo/Group Performance: “Fall In Line” — Christina Aguilera Featuring Demi Lovato “Don’t Go Breaking My Heart” — Backstreet Boys “‘S Wonderful” — Tony Bennett & Diana Krall “Shallow” — Lady Gaga & Bradley Cooper “Girls I Like You” — Maroon 5 Featuring Cardi B “Say Something” — Justin Timberlake Featuring Chris Stapleton “The Middle” — Zedd, Maren Morris & Grey Best Traditional Pop Vocal Album: “Love Is Here To Stay” —Tony Bennett & Diana Krall “My Way” — Willie Nelson “Nat “King” Cole & Me” — Gregory Porter “Standards (DELUXE)” — Seal “THE MUSIC…THE MEM’RIES…THE MAGIC!” — Barbra Streisand Best Pop Vocal Album: “Camila” — Camila Cabello “Meaning Of Life” — Kelly Clarkson “Sweetener” — Ariana Grande “Shawn Mendes” — Shawn Mendes “Beautiful Trauma” — P!nk “Reputation” — Taylor Swift DANCE/ELECTRONIC FIELD Best Dance Recording: “Northern Soul” — Above & Beyond Featuring Richard Bedford “Ultimatum” — Disclosure (Featuring Fatoumata Diawara) “Losing It” — Fisher “Electricity” — Silk City & Dua Lipa Featuring Diplo & Mark Ronson “Ghost Voices” — Virtual Self Best Dance/Electronic Album: “Singularity” —Jon Hopkins “Woman Worldwide” — Justice “Treehouse” — Sofi Tukker “Oil of Every Pearl’s Un-Insides” — SOPHIE “Lune Rouge” — TOKiMONSTA CONTEMPORARY INSTRUMENTAL FIELD Best Contemporary Instrumental Album: “The Emancipation Procrastination” — Christian Scott aTunde Adjuah “Steve Gadd Band” — Steve Gadd Band “Modern Lore” — Julian Lage “Laid Black” — Marcus Miller “Protocol 4” — Simon Phillips ROCK FIELD Best Rock Performance: “Four Out Of Five” —Arctic Monkeys “When Bad Does Good” — Chris Cornell “Made An America” — The Fever 333 “Highway Tune” — Greta Van Fleet “Uncomfortable” — Halestorm Best Metal Performance: “Condemned To The Gallows “— Between The Buried And Me “Honeycomb” — Deafheaven “Electric Messiah” — High On Fire “Betrayer” — Trivium “On My Teeth — Underoath Best Rock Song: “Black Smoke Rising” — Jacob Thomas Kiszka, Joshua Michael Kiszka, Samuel Francis Kiszka & Daniel Robert Wagner, songwriters (Greta Van Fleet) “Jumpsuit” — Tyler Joseph, songwriter (Twenty One Pilots) “MANTRA” — Jordan Fish, Matthew Kean, Lee Malia, Matthew Nicholls & Oliver Sykes, songwriters (Bring Me The Horizon) “Masseduction” — Jack Antonoff & Annie Clark, songwriters (St. Vincent) “Rats” — Tom Dalgety & A Ghoul Writer, songwriters (Ghost) Best Rock Album: “Rainier Fog” — Alice In Chains “M A N I A” — Fall Out Boy “Prequelle — Ghost “From The Fires” — Greta Van Fleet “Pacific Daydream” — Weezer ALTERNATIVE FIELD Best Alternative Music Album: “Tranquility Base Hotel + Casino” —Arctic Monkeys “Colors” — Beck “Utopia” — Björk “American Utopia” — David Byrne “Masseduction” — St. Vincent R&B FIELD Best R&B Performance: “Long As I Live” — Toni Braxton “Summer” — The Carters “Y O Y” — Lalah Hathaway “Best Part” — H.E.R. Featuring Daniel Caesar “First Began” — PJ Morton Best Traditional R&B Performance: “Bet Ain’t Worth The Hand” — Leon Bridges “Don’t Fall Apart On Me Tonight” — Bettye LaVette “Honest” — MAJOR. “How Deep Is Your Love” — PJ Morton Featuring Yebba “Made For Love” — Charlie Wilson Featuring Lalah Hathaway Best R&B Song: “Boo’d Up” — Larrance Dopson, Joelle James, Ella Mai & Dijon McFarlane, songwriters (Ella Mai) “Come Through And Chill” — Jermaine Cole, Miguel Pimentel & Salaam Remi, songwriters (Miguel Featuring J. Cole & Salaam Remi) “Feels Like Summer” — Donald Glover & Ludwig Goransson, songwriters (Childish Gambino) “Focus” — Darhyl Camper Jr, H.E.R. & Justin Love, songwriters (H.E.R.) “Long As I Live” — Paul Boutin, Toni Braxton & Antonio Dixon, songwriters (Toni Braxton) Best Urban Contemporary Album: “Everything Is Love” — The Carters “The Kids Are Alright “— Chloe x Halle “Chris Dave And The Drumhedz” — Chris Dave And The Drumhedz “War & Leisure” — Miguel “Ventriloquism” — Meshell Ndegeocello Best R&B Album: “Sex & Cigarettes” — Toni Braxton “Good Thing” — Leon Bridges “Honestly” — Lalah Hathaway “H.E.R.” — H.E.R. “Gumbo Unplugged (Live)” — PJ Morton RAP FIELD Best Rap Performance: “Be Careful” — Cardi B “Nice For What” — Drake “King’s Dead” — Kendrick Lamar, Jay Rock, Future & James Blake “Bubblin” — Anderson .Paak “Sicko Mode” — Travis Scott, Drake, Big Hawk & Swae Lee Best Rap/Sung Performance: “Like I Do” — Christina Aguilera Featuring Goldlink “Pretty Little Fears” — 6LACK Featuring J. Cole “This Is America” — Childish Gambino “All The Stars” — Kendrick Lamar & SZA “Rockstar” — Post Malone Featuring 21 Savage Best Rap Song: “God’s Plan” — Aubrey Graham, Daveon Jackson, Brock Korsan, Ron LaTour, Matthew Samuels & Noah Shebib, songwriters (Drake) “King’s Dead” — Kendrick Duckworth, Samuel Gloade, James Litherland, Johnny McKinzie, Mark Spears, Travis Walton, Nayvadius Wilburn & Michael Williams II, songwriters (Kendrick Lamar, Jay Rock, Future & James Blake) “Lucky You” — R. Fraser, G. Lucas, M. Mathers, M. Samuels & J. Sweet, songwriters (Eminem Featuring Joyner Lucas) “Sicko Mode” — Khalif Brown, Rogét Chahayed, BryTavious Chambers, Mike Dean, Mirsad Dervic, Kevin Gomringer, Tim Gomringer, Aubrey Graham, John Edward Hawkins, Chauncey Hollis, Jacques Webster, Ozan Yildirim & Cydel Young, songwriters (Travis Scott, Drake, Big Hawk & Swae Lee) “Win” — K. Duckworth, A. Hernandez, J. McKinzie, M. Samuels & C. Thompson, songwriters (Jay Rock) Best Rap Album: “Invasion Of Privacy” — Cardi B “Swimming” — Mac Miller “Victory Lap” — Nipsey Hussle “Daytona” — Pusha T “Astroworld” — Travis Scott COUNTRY FIELD Best Country Solo Performance: “Wouldn’t It Be Great?” — Loretta Lynn “Mona Lisas And Mad Hatters” — Maren Morris “Butterflies” — Kacey Musgraves “Millionaire” — Chris Stapleton “Parallel Line” — Keith Urban Best Country Duo/Group Performance: “Shoot Me Straight” — Brothers Osborne “Tequila” — Dan + Shay ” When Someone Stops Loving You” — Little Big Town “Dear Hate” — Maren Morris Featuring Vince Gill “Meant To Be” — Bebe Rexha & Florida Georgia Line Best Country Song: “Break Up In The End” — Jessie Jo Dillon, Chase McGill & Jon Nite, songwriters (Cole Swindell) “Dear Hate” — Tom Douglas, David Hodges & Maren Morris, Songwriters (Maren Morris Featuring Vince Gill) “I Lived It” — Rhett Akins, Ross Copperman, Ashley Gorley & Ben Hayslip, songwriters (Blake Shelton) “Space Cowboy” — Luke Laird, Shane McAnally & Kacey Musgraves, songwriters (Kacey Musgraves) “Tequila” — Nicolle Galyon, Jordan Reynolds & Dan Smyers, songwriters (Dan + Shay) “When Someone Stops Loving You” — Hillary Lindsey, Chase McGill & Lori McKenna, songwriters (Little Big Town) Best Country Album: “Unapologetically” — Kelsea Ballerini “Port Saint Joe” — Brothers Osborne “Girl Going Nowhere” — Ashley McBryde “Golden Hour” — Kacey Musgraves “From A Room: Volume 2” — Chris Stapleton NEW AGE FIELD Best New Age Album: “Hiraeth” — Lisa Gerrard & David Kuckhemann “Beloved” — Snatam Kaur “Opium Moon” — Opium Moon “Molecules Of Motion” — Steve Roach “Moku Maluhia – Peaceful Island” — Jim Kimo West JAZZ FIELD Best Improvised Jazz Solo: “Some Of That Sunshine” — Regina Carter, soloist “Don’t Fence Me In” — John Daversa, soloist “We See” — Fred Hersch, soloists “De-dah” — Brad Mehldau, soloist “Cadenas” — Miguel Zenón, soloist Best Jazz Vocal Album: “My Mood Is You” — Freddy Cole “The Questions” — Kurt Elling “The Subject Tonight Is Love” — Kate McGarry With Keith Ganz & Gary Versace “If You Really Want” — Raul Midón With The Metropole Orkest Conducted By Vince Mendoza “The Window” — Cécile McLorin Salvant Best Jazz Instrumental Album: “Diamond Cut” — Tia Fuller “Live In Europe” — Fred Hersch Trio “Seymour Reads The Constitution!” — Brad Mehldau Trio “Still Dreaming” — Joshua Redman, Ron Miles, Scott Colley & Brian Blade “Emanon” — The Wayne Shorter Quartet Best Large Jazz Ensemble Album: “All About That Basie” — The Count Basie Orchestra Directed By Scotty Barnhart “American Dreamers: Voices Of Hope, Music Of Freedom” — John Daversa Big Band Featuring DACA Artists “Presence” — Orrin Evans And The Captain Black Big Band “All Can Work” — John Hollenbeck Large Ensemble “Barefoot Dances And Other Visions” — Jim McNeely & The Frankfurt Radio Big Band Best Latin Jazz Album: “Heart Of Brazil”— Eddie Daniels “Back To The Sunset”— Dafnis Prieto Big Band “West Side Story Reimagined”— Bobby Sanabria Multiverse Big Band “Cinque”— Elio Villafranca “Yo Soy La Tradición” — Miguel Zenón Featuring Spektral Quartet GOSPEL/ CONTEMPORARY CHRISTIAN MUSIC FIELD Best Gospel Performance/Song: “You Will Win” — Jekalyn Carr; Allen Carr & Jekalyn Carr, Songwriters “Won’t He Do It” — Koryn Hawthorne “Never Alone” — Tori Kelly Featuring Kirk Franklin; Kirk Franklin & Victoria Kelly, Songwriters “Cycles” Jonathan Mcreynolds Featuring Doe; Jonathan McReynolds, Songwriter “A Great Work” — Brian Courtney Wilson; Aaron W. Lindsey, Alvin Richardson & Brian Courtney Wilson, Songwriters Best Contemporary Christian Music Performance/Song: “Reckless Love” — Cory Asbury; Cory Asbury, Caleb Culver & Ran Jackson, songwriters “You Say” — Lauren Daigle; Lauren Daigle, Jason Ingram & Paul Mabury, songwriters “Joy” — for King & Country; Ben Glover, Matt Hales, Stephen Blake Kanicka, Seth Moslely, Joel Smallbone, Luke Smallbone & Tedd Tjornhom, songwriters “Grace Got You” — MercyMe Featuring John Reuben; David Garcia, Ben Glover, MercyMe, Solomon Olds & John Reuben, songwriters “Known”— Tauren Wells; Ethan Hulse, Jordan Sapp & Tauren Wells, songwriters Best Gospel Album: “One Nation Under God” — Jekalyn Carr “Hiding Place” — Tori Kelly “Make Room” — Jonathan McReynolds “The Other Side” — The Walls Group “A Great Work” — Brian Courtney Wilson Best Contemporary Christian Music Album: “Look Up Child” — Lauren Daigle “Hallelujah Here Below” — Elevation Worship “Living With a Fire” — Jesus Culture “Surrounded” — Michael W. Smith “Survivor: Live From Harding Prison” — Zach Williams Best Roots Gospel Album: “Unexpected” — Jason Crabb “Clear Skies” — Ernie Haase & Signature Sound “Favorites: Revisited By Request” — The Isaacs “Still Standing” — The Martins “Love Love Love” — Gordon Mote LATIN FIELD Best Latin Pop Album: “Prometo” — Pablo Alboran “Sincera” — Claudia Brant “Musas (Un Homenaje Al Folclore Latinoamericano En Manos De Los Macorinos), Vol. 2” — Natalia Lafourcade “2:00 AM” — Raquel Sofía “Vives” — Carlos Vives Best Latin Rock, Urban or Alternative Album: “Clairoscura” — Aterciopelados “Coastcity” — Coastcity “Encanto Tropical” — Monsieur Periné “Gourmet” — Orishas “Aztlán” — Zoé Best Regional Mexican Music Album (Including Tejano): “Primero Soy Mexicana” — Angela Aguilar “Mitad y Mitad” — Calibre 50 “Totalmente Juan Gabriel Vol. II” — Aida Cuevas “Cruzando Borders” — Los Texmaniacs “Leyendas De Mi Pueblo” — Mariachi Sol De Mexico De Jose Hernandez “¡México Por Siempre!” — Luis Miguel Best Tropical Latin Album: “Pa’ Mi Gente” — Charlie Aponte “Legado” — Formell Y Los Van Van “Orquesta Akokán” — Orquesta Akokán “Ponle Actitud” — Felipe Peláez “Anniversary” — Spanish Harlem Orchestra AMERICAN ROOTS MUSIC FIELD Best American Roots Performance: “Kick Rocks” — Sean Ardoin “Saint James Infirmary Blues” — Jon Batiste “The Joke” Brandi Carlile “All On My Mind” — Anderson East “Last Man Standing” — Willie Nelson Best American Roots Song: “All The Trouble” — Waylon Payne, Lee Ann Womack & Adam Wright, songwriters (Lee Ann Womack) “Build a Bridge” — Jeff Tweedy, songwriter (Mavis Staples) “The Joke” — Brandi Carlile, Dave Cobb, Phil Hanseroth & Tim Hanseroth, songwriters (Brandi Carlile) “Knockin’ On Your Screen Door” — Pat McLaughlin & John Prine, songwriters (John Prine) “Summer’s End” — Pat McLaughlin & John Prine, songwriters (John Prine) Best Americana Album: “By The Way, I Forgive You” — Brandi Carlile “Things Have Changed” — Bettye LaVette “The Tree Of Forgiveness” — John Prine “The Lonely, The Lonesome & The Gone” — Lee Ann Womack “One Drop Of Truth” — The Wood Brothers Best Bluegrass Album: “Portraits in Fiddles” — Mike Barnett “Sister Sadie II” — Sister Sadie “Rivers and Roads” — Special Consensus “The Travelin’ McCourys” — The Travelin’ McCourys “North of Despair” — Wood & Wire Best Traditional Blues Album: “Something Smells Funky ‘Round Here” — Elvin Bishop’s Big Fun Trio “Benton County Relic” — Cedric Burnside “The Blues Is Alive and Well” — Buddy Guy “No Mercy in This Land” — Ben Harper And Charlie Musselwhite “Don’t You Feel My Leg (The Naughty Bawdy Blues of Blue Lu Barker) — Maria Muldaur Best Contemporary Blues Album: “Please Don’t Be Dead” — Fantastic Negrito “Here In Babylon” — Teresa James And The Rhythm Tramps “Cry No More” — Danielle Nicole “Out of The Blues” — Boz Scaggs “Victor Wainwright and The Train” — Victor Wainwright And The Train Best Folk Album: “Whistle Down the Wind” — Joan Baez “Black Cowboys” — Dom Flemons “Rifles & Rosary Beads” — Mary Gauthier “Weed Garden” — Iron & Wine “All Ashore” — Punch Brothers Best Regional Roots Music Album: “Kreole Rock and Soul” — Sean Ardoin “Spyboy” — Cha Wa “Aloha From Na Hoa” — Na Hoa “No ‘Ane’i” — Kalani Pe’a “Mewasinsational – Cree Round Dance Songs” — Young Spirit REGGAE FIELD Best Reggae Album: “As The World Turns” — Black Uhuru “Reggae Forever” — Etana “Rebellion Rises” — Ziggy Marley “A Matter of Time” — Protoje “44/876” — Sting & Shaggy WORLD MUSIC FIELD Best World Music Album: “Deran” — Bombino “Fenfo” — Fatoumata Diawara “Black Times” — Seun Kuti & Egypt 80 “Freedom” — Soweto Gospel Choir “The Lost Songs of World War II” — Yiddish Glory CHILDREN’S FIELD Best Children’s Album: “All The Sounds” — Lucy Kalantari & The Jazz Cats “Building Blocks” — Tim Kubart “Falu’s Bazaar” — Falu “Giants of Science” — The Pop Ups “The Nation of Imagine” — Frank & Deane SPOKEN WORD FIELD Best Spoken Word Album (Includes Poetry, Audio Books & Storytelling): “Accessory to War (Neil Degrasse Tyson & Avis Lang)” — Courtney B. Vance “Calypso” — David Sedaris “Creative Quest” — Questlove “Faith – A Journey For All” — Jimmy Carter “The Last Black Unicorn” — Tiffany Haddish COMEDY FIELD Best Comedy Album: “Annihilation” — Patton Oswalt “Equanimity & The Bird Revelation” — Dave Chappelle “Noble Ape” — Jim Gaffigan “Standup For Drummers” — Fred Armisen “Tamborine” — Chris Rock MUSICAL THEATER FIELD Best Musical Theater Album: “The Band’s Visit” — Etai Benson, Adam Kantor, Katrina Lenk & Ari’el Stachel, principal soloists; Dean Sharenow & David Yazbek, producers; David Yazbek, composer & lyricist (Original Broadway Cast) “Carousel” — Renee Fleming, Alexander Gemignani, Joshua Henry, Lindsay Mendez & Jessie Mueller, principal soloists; Steven Epstein, producer (Richard Rodgers, composer; Oscar Hammerstein II, lyricist) (2018 Broadway Cast) “Jesus Christ Superstar Live in Concert” — Sara Bareilles, Alice Cooper, Ben Daniels, Brandon Victor Dixon, Erik Grönwall, Jin Ha, John Legend, Norm Lewis & Jason Tam, principal soloists; Harvey Mason, Jr., producer (Andrew Lloyd-Webber, composer; Tim Rice, lyricist) (Original Television Cast) “My Fair Lady” — Lauren Ambrose, Norbert Leo Butz & Harry Hadden-Paton, principal soloists; Andre Bishop, Van Dean, Hattie K. Jutagir, David Lai, Adam Siegel & Ted Sperling, producers (Frederick Loewe, composer; Alan Jay Lerner, lyricist) (2018 Broadway Cast) “Once On This Island” — Phillip Boykin, Merle Dandridge, Quentin Earl Darrington, Hailey Kilgore, Kenita R. Miller, Alex Newell, Isaac Powell & Lea Salonga, principal soloists; Lynn Ahrens, Hunter Arnold, Ken Davenport, Stephen Flaherty & Elliot Scheiner, producers (Stephen Flaherty, composer; Lynn Ahrens, lyricist) (New Broadway Cast) MUSIC FOR VISUAL MEDIA FIELD Best Compilation Soundtrack For Visual Media: “Call Me By Your Name” — (Various Artists) “Deadpool 2” — (Various Artists) “The Greatest Showman” — (Various Artists) “Lady Bird” — (Various Artists) “Stranger Things” — (Various Artists) Best Score Soundtrack For Visual Media: “Black Panther” — Ludwig Göransson, composer “Blade Runner 2049” — Benjamin Wallfisch & Hans Zimmer, composers “Coco” — Michael Giacchino, composer “The Shape of Water” — Alexandre Desplat, composer “Star Wars: The Last Jedi” — John Williams, composer Best Song Written For Visual Media: “All The Stars” — Kendrick Duckworth, Solána Rowe, Alexander William Shuckburgh, Mark Anthony Spears & Anthony Tiffith, songwriters (Kendrick Lamar & SZA) “Mystery Of Love” — Sufjan Stevens, songwriter (Sufjan Stevens) “Remember Me” — Kristen Anderson-Lopez & Robert Lopez, songwriters (Miguel Featuring Natalia Lafourcade) “Shallow” — Lady Gaga, Mark Ronson, Anthony Rossomando & Andrew Wyatt, songwriters (Lady Gaga & Bradley Cooper) “This Is Me” — Benj Pasek & Justin Paul, songwriters (Keala Settle & The Greatest Showman Ensemble) COMPOSING/ ARRANGING FIELD Best Instrumental Composition: “Blut und Boden (Blood and Soil)” — Terence Blanchard, composer (Terence Blanchard) “Chrysalis” — Jeremy Kittel, composer (Kittel & Co.) “Infinity War” — Alan Silverstri, composer (Alan Silvestri) “Mine Mission” — John Powell & John Williams, composers (John Powell & John Williams) “The Shape of Water” — Alexandre Desplat, composer (Alexandre Desplat) Best Arrangement, Instrumental or A Cappella: “Batman Theme (TV)” — Randy Waldman & Justin Wilson, arrangers (Randy Waldman Featuring Wynton Marsalis) “Change The World” — Mark Kibble, arranger (Take 6) “Madrid Finale” — John Powell, arranger (John Powell) “The Shape of Water” — Alexandre Desplat, arranger (Alexandre Desplat) “Stars and Stripes Forever” — John Daversa, arranger (John Daversa Big Band Featuring DACA Artists) Best Arrangement, Instruments and Vocals: “It Was a Very Good Year” — Matt Rollings & Kristin Wilkinson, arrangers (Willie Nelson) “Jolene” — Dan Pugach & Nicole Zuraitis, arrangers (Dan Pugach) “Mona Lisa” — Vince Mendoza, arranger (Gregory Porter) “Niña” — Gonzalo Grau, arranger (Magos Herrera & Brooklyn Rider) “Spiderman Theme” — Randy Waldman, arranger (Randy Waldman Featuring Take 6 & Chris Potter) PACKAGE FIELD Best Recording Package: “Be The Cowboy” — Mary Banas, art director (Mitski) “Love Yourself: Tear” — HuskyFox, art director (BTS) “Masseducation” — Willo Perron, art director (St. Vincent) “The Offering” — Qing-Yang Xiao, art director (The Chairman) “Well Kept Thing” — Adam Moore, art director (Foxhole) Best Boxed Or Special Limited Edition Package: “Appetite For Destruction (Locked N’ Loaded Box)” — Arian Buhler, Charles Dooher, Jeff Fura, Scott Sandler & Matt Taylor, art directors (Guns N’ Roses) “I’ll Be Your Girl” — Carson Ellis, Jeri Heiden & Glen Nakasako, art directors (The Decemberists) “Pacific Northwest ’73-74′: The Complete Recordings” — Lisa Glines, Doran Tyson & Roy Henry Vickers, art directors (Grateful Dead) “Squeeze Box: The Complete Works of ‘Weird Al’ Yankovic” — Meghan Foley, Annie Stoll & Al Yankovic, art directors (“Weird Al” Yankovic) “Too Many Bad Habits” — Sarah Dodds & Shauna Dodds, art directors (Johnny Nicholas) NOTES FIELD Best Album Notes: “Alpine Dreaming: The Helvetia Records Story, 1920-1924” — James P. Leary, album notes writer (Various Artists) “4 Banjo Songs, 1891-1897: Foundational Recordings of America’s Iconic Instrument” — Richard Martin & Ted Olson, album notes writers (Charles A. Asbury) “The 1960 Time Sessions” — Ben Ratliff, album notes writer (Sonny Clark Trio) “The Product of Our Souls: The Sound and Sway of James Reese Europe’s Society Orchestra” — David Gilbert, album notes writer (Various Artists) “Trouble No More: The Bootleg Series Vol. 13 / 1979-1981” — Amanda Petrusich, album notes writer (Bob Dylan) “Voices of Mississippi: Artists and Musicians Documented by WIlliam Ferris” — David Evans, album notes writer (Various Artists) HISTORICAL FIELD Best Historical Album: “Any Other Way” — Rob Bowman, Douglas Mcgowan, Rob Sevier & Ken Shipley, compilation producers; Jeff Lipton, mastering engineer (Jackie Shane) “At The Louisiana Hayride Tonight…” — Martin Hawkins, compilation producer; Christian Zwarg, mastering engineer (Various Artists) “Battleground Korea: Songs and Sounds of America’s Forgotten War” — Hugo Keesing, compilation producer; Christian Zwarg, mastering engineer (Various Artists) “Rhapsody in Blue – The Extraordinary Life of Oscar Levant” — Robert Russ, compilation producer; Andreas K. Meyer & Rebekah Wineman, mastering engineers (Oscar Levant) “Voices of Mississippi: Artists and Musicians Documented by WIlliam Ferris” — William Ferris, April Ledbetter & Steven Lance Ledbetter, compilation producers; Michael Graves, mastering engineer (Various Artists) PRODUCTION, NON-CLASSICAL FIELD Best Engineered Album, Non-Classical: “All The Things That I Did and All The Things That I Didn’t Do” — Ryan Freeland & Kenneth Pattengale, engineers; Kim Rosen, mastering engineer (The Milk Carton Kids) “Colors” — Julian Burg, Serban Ghenea, David “Elevator” Greenbaum, John Hanes, Beck Hansen, Greg Kurstin, Florian Lagatta, Cole M.G.N., Alex Pasco, Jesse Shatkin, Darrell Thorp & Cassidy Turbin, engineers; Chris Bellman, Tom Coyne, Emily Lazar & Randy Merrill, mastering engineers (Beck) “Earthtones” — Robbie Lackritz, engineer; Philip Shaw Bova, mastering engineer (Bahamas) “Head Over Heels” — Nathaniel Alford, Jason Evigan, Chris Galland, Tom Gardner, Patrick “P-Thugg” Gemayel, Serban Ghenea, John Hanes, Tony Hoffer, Derek Keota, Ian Kirkpatrick, David Macklovitch, Amber Mark, Manny Marroquin, Vaughn Oliver, Chris “TEK” O’Ryan, Morgan Taylor Reid & Gian Stone, engineers; Chris Gehringer & Michelle Mancini, mastering engineers (Chromeo) “Voicenotes” — Manny Marroquin & Charlie Puth, engineers; Dave Kutch, mastering engineer (Charlie Puth) Producer Of The Year, Non-Classical: Boi-1da Larry Klein Linda Perry Kanye West Pharrell Williams Best Remixed Recording: “Audio (CID Remix)” — CID, remixer (LSD) “How Long (EDX’s Dubai Skyline Remix)” — Maurizio Colella, remixer (Charlie Puth) “Only Road (Cosmic Gate Remix”) — Stefan Bossems & Claus Terhoeven, remixers (Gabriel & Dresden Featuring Sub Teal) “Stargazing (Kaskade Remix)” — Kaskade, remixer (Kygo Featuring Justin Jesso) “Walking Away (Mura Masa Remix)” — Alex Crossan, remixer (Haim) SURROUND SOUND FIELD Best Immersive Audio Album: “Eye in The Sky – 35th Anniversary Edition” — Alan Parsons, surround mix engineer; Dave Donnelly, PJ Olsson & Alan Parsons, surround mastering engineers; Alan Parsons, surround producer (The Alan Parsons Project) “Folketoner” — Morten Lindberg, surround mix engineer; Morten Lindberg, surround mastering engineer; Morten Lindberg, surround producer (Anne Karin Sundal-Ask & Det Norske Jentekor) “Seven Words From The Cross” — Daniel Shores, surround mix engineer; Daniel Shores, surround mastering engineer; Dan Merceruio, surround producer (Matthew Guard & Skylark) “Sommerro: Ujamaa & The Iceberg” — Morten Lindberg, surround mix engineer; Morten Lindberg, surround mastering engineer; Morten Lindberg, surround producer (Ingar Heine Bergby, Trondheim Symphony Orchestra & Choir) “Symbol” — Prashant Mistry & Ronald Prent, surround mix engineers; Darcy Proper, surround mastering engineer; Prashant Mistry & Ronald Prent, surround producers (Engine-Earz Experiment) PRODUCTION, CLASSICAL FIELD Best Engineered Album, Classical: “Bates: The (R)evolution of Steve Jobs” — Mark Donahue & Dirk Sobotka, engineers; Mark Donahue, mastering engineer (Michael Christie, Garrett Sorenson, Wei Wu, Sasha Cooke, Edwards Parks, Jessica E. Jones & Santa Fe Opera Orchestra) “Beethoven: Symphony No. 3; Strauss: Horn Concerto No. 1 — Mark Donahue, engineer; Mark Donahue, mastering engineer (Manfred Honeck & Pittsburgh Symphony Orchestra) “John Williams At The Movies” — Keith O. Johnson & Sean Royce Martin, engineers; Keith O. Johnson, mastering engineer (Jerry Junkin & Dallas Winds) “Liquid Melancholy – Clarinet Music of James M. Stephenson” — Bill Maylone & Mary Mazurek, engineers; Bill Maylone, mastering engineer (John Bruce Yeh) “Shostakovich: Symphonies Nos. 4 & 11” — Shawn Murphy & Nick Squire, engineers; Tim Martyn, mastering engineer (Andris Nelsons & Boston Symphony Orchestra) “Visions and Variations” — Tom Caulfield, engineer; Jesse Lewis, mastering engineer (A Far Cry) Producer Of The Year, Classical: Blanton Alspaugh David Frost Elizabeth Ostrow Judith Sherman Dirk Sobotka CLASSICAL FIELD Best Orchestral Performance: “Beethoven: Symphony No. 3; Strauss: Horn Concerto No. 1” — Manfred Honeck, conductor (Pittsburgh Symphony Orchestra) “Nielsen: Symphony No. 3 & Symphony No. 4” — Thomas Dausgaard, conductor (Seattle Symphony) “Ruggles, Stucky & Harbison: Orchestral Works” — David Alan Miller, conductor (National Orchestral Institute Philharmonic) “Schumann: Symphonies Nos. 1-4” — Michael Tilson Thomas, conductor (San Francisco Symphony) “Shostakovich: Symphonies Nos. 4 & 11” — Andris Nelsons, conductor (Boston Symphony Orchestra) Best Opera Recording: “Adams: Doctor Atomic” — John Adams, conductor; Aubrey Allicock, Julia Bullock, Gerald Finley & Brindley Sherratt; Friedemann Engelbrecht, producer (BBC Symphony Orchestra; BBC Singers) “Bates: The (R)evolution of Steve Jobs” — Michael Christie, conductor; Sasha Cooke, Jessica E. Jones, Edwards Parks, Garrett Sorenson & Wei Wu; Elizabeth Ostrow, producer (The Santa Fe Opera Orchestra) “Lully: Alceste” — Christophe Rousset, conductor; Edwin Crossley-Mercer, Emiliano Gonzalez Toro & Judith Van Wanroij; Maximilien Ciup, producer (Les Talens Lyriques; Choeur De Chambre De Namur) “Strauss, R.: Der Rosenkavalier” Sebastian Weigle, conductor; Renée Fleming, Elīna Garanča, Günther Groissböck & Erin Morley; David Frost, producer (Metropolitan Opera Orchestra; Metropolitan Opera Chorus) “Verdi: Rigoletto” — Constantine Orbelian, conductor; Francesco Demuro, Dmitri Hvorostovsky & Nadine Sierra; Vilius Keras & Aleksandra Keriene, producers (Kaunas City Symphony Orchestra; Men Of The Kaunas State Choir) Best Choral Performance: “Chesnokov: Teach Me Thy Statutes” — Vladimir Gorbik, conductor (Mikhail Davydov & Vladimir Krasov; PaTRAM Institute Male Choir) “Kastalsky: Memory Eternal” — Steven Fox, conductor (The Clarion Choir) “McLoskey: Zealot Canticles” — Donald Nally, conductor (Doris Hall-Gulati, Rebecca Harris, Arlen Hlusko, Lorenzo Raval & Mandy Wolman; The Crossing) “Rachmaninov: The Bells” — Mariss Jansons, conductor; Peter Dijkstra, chorus master (Oleg Dolgov, Alexey Markov & Tatiana Pavlovskaya; Symphonieorchester Des Bayerischen Rundfunks; Chor Des Bayerischen Rundfunks) “Seven Words From The Cross” — Matthew Guard, conductor (Skylark) Best Chamber Music/Small Ensemble Performance: Anderson, Laurie: Landfall” — Laurie Anderson & Kronos Quartet “Beethoven, Shostakovich & Bach” — The Danish String Quartet “Blueprinting” — Aizuri Quartet “Stravinsky: The Rite of Spring Concerto For Two Pianos: — Leif Ove Andsnes & Marc-André Hamelin “Visions and Variations” — A Far Cry Best Classical Instrumental Solo: “Bartók: Piano Concerto No. 2″ — Yuja Wang; Simon Rattle, conductor (Berliner Philharmoniker) “Biber: The Mystery Sonatas” — Christina Day Martinson; Martin Pearlman, conductor (Boston Baroque) “Bruch: Scottish Fantasy, Op. 46; Violin Concerto No. 1 in G Minor, Op. 26” — Joshua Bell (The Academy Of St. Martin In The Fields) “Glass: Three Pieces in The Shape of a Square” — Craig Morris “Kernis: Violin Concerto” — James Ehnes; Ludovic Morlot, conductor (Seattle Symphony) Best Classical Solo Vocal Album: “Arc” — Anthony Roth Costanzo; Jonathan Cohen, conductor (Les Violons Du Roy) “The Handel Album” — Philippe Jaroussky; Artaserse, ensemble “Mirages” — Sabine Devieilhe; François-Xavier Roth, conductor (Alexandre Tharaud; Marianne Crebassa & Jodie Devos; Les Siècles) “Schubert: Winterreise” — Randall Scarlata; Gilbert Kalish, accompanist “Songs of Orpheus – Monteverdi, Caccini, D’India & Landi” — Karim Sulayman; Jeannette Sorrell, conductor; Apollo’s Fire, ensembles Best Classical Compendium: “Fuchs: Piano Concerto ‘Spiritualist’; Poems of Life; Glacier; Rush” — JoAnn Falletta, conductor; Tim Handley, producer “Gold” — The King’s Singers; Nigel Short, producer “The John Adams Edition” — Simon Rattle, conductor; Christoph Franke, producer “John Williams At The Movies” — Jerry Junkin, conductor; Donald J. McKinney, producer “Vaughan Williams: Piano Concerto; Oboe Concerto; Serenade to Music; Flos Campi” — Peter Oundjian, conductor; Blanton Alspaugh, producer Best Contemporary Classical Composition: “Bates: The (R)evolution of Steve Jobs” — Mason Bates, composer; Mark Campbell, librettist (Michael Christie, Garrett Sorenson, Wei Wu, Sasha Cooke, Edwards Parks, Jessica E. Jones & Santa Fe Opera Orchestra) “Du Yun: Air Glow” — Du Yun, composer (International Contemporary Ensemble) “Heggie: Great Scott” — Jake Heggie, composer; Terrence McNally, librettist (Patrick Summers, Manuel Palazzo, Mark Hancock, Michael Mayes, Rodell Rosel, Kevin Burdette, Anthony Roth Costanzo, Nathan Gunn, Frederica von Stade, Ailyn Pérez, Joyce DiDonato, Dallas Opera Chorus & Orchestra) “Kernis: Violin Concerto” — Aaron Jay Kernis, composer (James Ehnes, Ludovic Morlot & Seattle Symphony) “Mazzoli: Vespers For Violin” — Missy Mazzoli, composer (Olivia De Prato) MUSIC VIDEO/FILM FIELD Best Music Video: “APES***” — The Carters, Ricky Saiz, video director; Mélodie Buchris, Natan Schottenfels & Erinn Williams, video producers “This Is America” — Childish Gambino, Hiro Murai, video director; Ibra Ake, Jason Cole & Fam Rothstein, video producers “I’m Not Racist” Joyner Lucas & Ben Proulx, video directors; Joyner Lucas, video producer “Pynk” — Janelle Monáe, Emma Westenberg, video director; Justin Benoliel & Whitney Jackson, video producers “Mumbo Jumbo” — Tierra Whack Marco Prestini, video director; Sara Nassim, video producer Best Music Film: “Life in 12 Bars”— Eric Clapton, Lili Fini Zanuck, video director; John Battsek, Scooter Weintraub, Larry Yelen & Lili Fini Zanuck, video producers “Whitney” — (Whitney Houston), Kevin Macdonald, video director; Jonathan Chinn, Simon Chinn & Lisa Erspamer, video producers “Quincy” — Quincy Jones Alan Hicks & Rashida Jones, video directors; Paula DuPré Pesmen, video producer “Itzhak”— Itzhak Perlman, Alison Chernick, video director; Alison Chernick, video producer “The King” — (Elvis Presley), Eugene Jarecki, video director; Christopher Frierson, Georgina Hill, David Kuhn & Christopher St. John, video producers.....»»

Category: topSource: justjaredDec 7th, 2018

John Stamos Shares Cute Red Carpet Moment with "You" Cast

John Stamos playfully pretends to put co-star Penn Badgley in a choke hold while attending the You screening for the SAG-AFTRA Foundation on Thursday (October 11) in Los Angeles. The guys were joined at the event by co-star Elizabeth Lail, who shared the cute red carpet moment with the actors. PHOTOS: Check out the latest [...] John Stamos playfully pretends to put co-star Penn Badgley in a choke hold while attending the You screening for the SAG-AFTRA Foundation on Thursday (October 11) in Los Angeles. The guys were joined at the event by co-star Elizabeth Lail, who shared the cute red carpet moment with the actors. PHOTOS: Check out the latest pics of Penn Badgley You airs on Sunday nights on Lifetime. Five of the 10 episodes in season one have already aired, so make sure to catch up now if you aren’t already watching!.....»»

Category: topSource: justjaredOct 12th, 2018

Shangela: The Socialite Life Interview

Socialite Life debuted back in 2003. SL Flashback showcases some of our favorite content from years past. The most shocking moment in the season premiere of RuPaul’s Drag Race occurred […] More Socialite Life debuted back in 2003. SL Flashback showcases some of our favorite content from years past. The most shocking moment in the season premiere of RuPaul’s Drag Race occurred when season two contestant Shangela (a/k/a Shangela Laquifa Wadley, the Debutantess of the Deep South) returned to compete for the title of “America’s Next Drag Superstar”. Although she may not have as much experience as her fellow competitors, she’s surely got just as much heart and passion for performing. You can’t not be in a good mood when you talk to Shangela! We chatted with Shangela about her return to Drag Race, how she got her start as a drag entertainer and her future plans. With her infectious personality and homegrown charm, it’s easy to see how this queen got a second chance to compete for the title! Shangela: Halleloo, somebody! Socialite Life: Halleloo! Hi Shangela! How are you? Shangela: I am fabulous! How are you today? SL: I’m great because I’m talking to you! Shangela: Aww, yay! Thank you for that, I appreciate that. SL: I was so happy to see you come back on RuPaul’s Drag Race Shangela: Well, honey, only half as happy as I was to be back! SL: On the premiere, they made sure to let the viewers (and the other queens) know that you had to audition again to get on Drag Race 3. Shangela: That’s right, just like everyone else! You know, there were tons and tons of applicants – even more than the first two years – this year, so the competition was stiffer. But, you know, I felt like I worked so hard over the last year and why not? I really wanted to come back and show that I am America’s Next Drag Superstar – not because I’m specialized in one specific area, just because I work hard in all of the different areas. I feel like I’ve been in “drag boot camp” over the last year! So, I was excited to put in an audition tape and hopefully come back and I was just lucky that RuPaul felt the same way. SL: What was it like to get that second chance? Shangela: Girl! I’ll tell you this, the day I got the call, I really, really almost didn’t believe it because, going on the show, doing the second season, I’d only been doing drag for five months – and to get a huge honor like that to compete with 12 other of the best divas out there, I already had such a great opportunity. And I was only on one episode, you know this, but I worked it as hard as I could over the next year, just to get better and take what I learned from that one episode and go farther. So, I was like, “I’m going to try this” and to get that call saying “We’re going to bring you back” and you get another shot at this – it’s a second chance at life really. And you play it in your head like, “Okay, what am I going to do better? How am I going to turn this time?”, but it’s so much more pressure too because when you get a second chance, I feel people judge you more critically. View this post on Instagram Last night I joined @EqualityUtah to help raise more than $160,000 for LGBTQ activism and work. Swipe right to see some great pics from the night with @tanfrance @danreynolds of Imagine Dragons @senatorjimdabakis and Savannah, the outspoken young teen that courageously came out to her Mormon church. Let’s keep standing united to end conversion therapy everywhere and make our community even stronger. Halleloo! (And can I take a quick sec to feel my oats about Dan Reynolds standing and jammin to my live performance of Uptown Fish last night lol) A post shared by Shangela (DJ) (@itsshangela) on Nov 4, 2018 at 7:14am PST SL: Was the reaction of the other girls when they first saw you this season creative editing or did they really have those expressions on their faces when they laid eyes on you? Shangela: Girl, if it was creative editing, I need to hire that person to get the reactions for everything I say in life! Those were the most real expressions on their faces – you know, I jump out of a Christmas box – first of all, I look like “jack-in-the-box Shangela” – and I come popping out of this box and to see all of those faces, their jaws were just on the ground. And I thought that – you know me, I’m Shangela, I hug everybody – so I’m like “Hey, I’m back! How is everybody?” and everyone’s looking at me like, “Who? Oh, really?” SL: Do you feel like the competition is stiffer this season? Shangela: Well, you know, I was only there for one episode last season and this year’s girls are a completely different batch from last year’s girls. I can’t really comparatively judge them – but I can tell you that this year’s girls were sickening! Because as more people are competing, Ru and the judges – and everyone who chooses the contestants on the show – they’re having to see everyone pulling out the best of the best. So, definitely, it was a tough competition and these girls are stiff competition, period. SL: So, let’s talk about you. How did you get your start in drag? Shangela: Well, you know, this is pretty much my anniversary month. I’ve been doing drag now for exactly two years but going on the show, I’d only been doing it for 4 months. I kind of fell into it, to be honest with you. I was choreographing a number, Beyonce’s “Single Ladies”, for these three guys who were doing a charity event here in West Hollywood and, the night before the guys were to go on, one of them got sick. So they called me and said (of course, I wasn’t Shangela yet), “DJ, is there any way you can help us out? You know all of the steps and we really want to do this as a trio” and I’m thinking, “I don’t have any wigs, I don’t have any makeup.” But…well, you know, I’m gay, honey! So, just a man around the corner has a wig, a dress, something in your size, a bra, some pads…and the next thing you know, I was filling in for him. And the guy who runs the show said, “I would love for you to come back and I would love to book you for our show” and I said “Oh, this isn’t my thing. I’m not a drag performer, I was just filling in” and he said, “You can win money” And girl, you know we’re in a recession! (Laughs) But, to be honest with you, I’ve always been a performer. I’ve been a backup dancer for some of the best drag queens in the business back in Texas and I always watched them and I learned by watching but I just love to entertain. So I say it chose me and I fell into it and now I’m just loving it. View this post on Instagram LaQuifa HOME Collection A post shared by Shangela (DJ) (@itsshangela) on Oct 6, 2018 at 3:17am PDT SL: How did the character of Shangela come to life – and how would you describe her? Shangela: Well, she’s evolved, okay? (Laughs) I’ll tell you this – Shangela is a little bit bougy, but she’s also your homegirl. I’ve always stuck to that and I also have affectionately titled myself “The Debutantess of the Deep South” – and that speaks a lot about Shangela. Shangela is sweet, she’s somewhat refined but she’s also your girl from the block. Anybody you want to call or go out with – the party girl who’s going to tell it like it is – that’s Shangela. SL: I saw you do stand up on Logo and I thought you were hilarious! Is that something you had done before you started doing drag? Shangela: Well, you know, the really cool thing is – and I don’t know if you know this – but before I went on Drag Race, I’d been working a 9-to-5 office life in PR for the last couple of years and, you know, sometimes you just feel – I don’t know if you ever feel like this – but I felt like this just isn’t everything that I want out of my life. It’s great, it works for a lot of people but, for me, I felt almost trapped. I was getting up at seven to be on the road by eight, be at the office by nine and then leave at six, get home at seven, go to bed at ten to get back up at seven – you know? And that was every day of the week and I just felt like when I got the opportunity to go on Drag Race, this was my shot. And my job told me, “If you go there, we’re not going to be able to keep your job for you”, so I quit – in the middle of a recession – and that’s not an easy thing to do but when you have a passion, sometimes you’ve got to step out on a little bit of faith – halleloo! So that’s what I did, and luckily, it worked out really well for me. It opened the door for me. I didn’t go back to work…here’s the thing, when I left to go on Drag Race, I was like, “Baby, yes, I’m going to win this. I’m going to take care of my family and I’m going to be the next drag superstar” – and I went home after the first episode. And I kind of had a little moment of shock like, “Oh my God, what have I done? I quit my job. I don’t have any checks coming in. What’s going on?” – but that opened the door for me to really do what I’m supposed to do with my life – and that’s being an entertainer. I started doing stand up comedy at a couple of clubs here in Los Angeles and they picked me up at The Comedy Store. They said, “We think you’re funny. We want you to come every two weeks.” and from there, they cast me to do stand up comedy and host the Logo comedy special. So all of that’s kind of come as a result of me following my dreams – and starting it with Drag Race. SL: Do you think being able to do stand up is a benefit to your drag career? Shangela: Oh my God, yes! Any time I can be on a stage and perform is a benefit to my career. Any time that I can make someone else laugh or touch someone’s life – because you really don’t know how much laughter impacts our world, it really does. And that’s what I think I bring to my everyday life…you ask my friends, honey, their stomachs are hurting all of the time because we just sit around and laugh! But I love to bring that to the stage so I think that, yeah, being in drag definitely helps me have more experiences that are crazy and funny – and I can take them right to the stage. SL: When you’re on stage, what do you enjoy the most about performing? Shangela: It’s the connection that you get with the audience. You know, a lot of people can put a great look together and get on stage and they look gorgeous and they do their song – if it’s a lip sync – or they do their form of entertainment; but if you don’t connect with the audience, then the people in the audience don’t get the full experience of being at the show. And that’s what I bring every time I hit the stage – that’s what I really want to bring is an experience. It’s not just, “I’m going to see Shangela”. It’s “I’m going to experience Shangela” and that’s what you get! That’s what I love about being on stage, the way you can really connect with people in the audience and have a good time! SL: As far as inspirations for your drag performances – do you have any? Shangela: Oh, definitely! I have so many because I’m new – so everything is so wide-eyed to me. I get so much from so many different people. I look at people’s fashion or I look at the way people bring fire to the stage, there’s always me in the performance but a lot of times – especially makeup, honey! I have a drag mother who I got after I started doing drag – but I used to dance back-up for her. Her name is Alyssa Edwards out of Dallas, Texas. Now she is the most winningest…can I say, bitch? She is the most winningest bitch in captivity, okay? She has won every pageant because she’s refined and what I have in entertainment I’ve had to really try and gather fast to meet that or match it with refinement, with makeup and the ability to sew and create costumes and just to be organized with your drag – because it can be a lot. So, I learned a lot from her. I’ve learned a little from afar by watching Ru as a businessperson – making drag, not just a past time or a hobby – but, as I said, I left my job and this is what I do full-time now. It’s now a business. It’s about marketing, it’s about branding, it’s about connecting to your fans, it’s about being fresh, new and re-inventing yourself – and that’s what I hope to continue to bring. SL: Do you think your background in PR has helped you in your drag career? Shangela: You know, my background in life helps it out! And, I’m just fortunate – definitely the PR piece, because you can go into a meeting and people are talking about, “We’re going to do these t-shirts with you” and you can know that there needs to be a strategy behind just putting some t-shirts together. There needs to be a business model that works with doing everything in drag – you know, a big misconception about drag queens is that this is what they’ve done all of their lives. And there are some drag queens who have – and that’s great for them – but I know drag queens who are attorneys, I know drag queens who, you know, have full, married lives and have children and I know drag queens who are creative in the arts – artists, stylists, everything – we come from all walks of life. So I think a lot of us – including myself – bring what we have from our background and put it into our drag to make us successful. SL: Were you able to learn anything or take anything away from this season’s experience? Shangela: A check! (Laughs) I’m telling you, what I always take away from last year’s experience on Drag Race and this year’s experience on Drag Race is not only the connection, the family with the other girls – because you know there are some catty bitches in that room, okay? There are! And they will fight tooth and nail to get to the top, as when you’re in a competition you sometimes have to. But what the viewers at home don’t get to see is that after the show and even during in the show, we develop such great relationships between a couple of us – and that’s what I love – the sisterhood of drag – because you can’t get far without helping someone else and someone else has to bump you and that’s what I really believe in. I get so many emails and so many calls from new drag queens on the scene – because I think that’s part of the genre of the group that I represent as well because I’m so new – and fierce! I really have to be a role model for them and I think it’s important that we help each other – and, on the show, you don’t get to see it, but we’ve built a great sisterhood there – a family. SL: What kind of advice are you giving to these aspiring drag queens? Shangela: Well, I’d say watch, listen, learn and always do you! That’s it! You can watch a lot of people – but you don’t want to become anyone else – the whole thing about drag is that its self-expression. It’s unleashed, okay? Anything that you think that can’t be done in drag…yes, it can! If you’re a nasty, stank ho and you want to get on the stage…that’s you’re drag – you do you! That’s not Shangela! But you do you! And that’s my advice to all of them. Makeup…that’s the “watch, listen, learn” part – the makeup, the putting yourself together, the hoe to be organized, the how to make it work…but when you get on stage, ain’t nobody there but you and the lights! So you have to do you! SL: Is there a lot of DJ in Shangela? Shangela: Yes, but Shangela takes it to the next level – a different level. In my day-to-day life, I’m entertaining, I’m funny, I love my friends, we have a good time, that kind of thing…yes! Shangela’s more of an all out-there partier. You’re going to see me on the stage at the club, having a good time, toasting it up with the girls. I’m a little bit louder – if you can even imagine that because I’m mighty loud today! But, I just take it up a notch and when you’re a girl – or when you’re putting on an illusion – it’s a full-on illusion to me. When you meet Shangela, you get the Shangela voice, the Shangela essence, the Shangela smell – I mean, I am Juicy Couture fish! I love just putting all of that together as Shangela. Now, in my day-to-day life, I’m not so glamorous all of the time. Right now, I’m just sitting here – I just helped my friend with a photo shoot this morning at the LA river, and I’m very “call me up, I’ll help anyone” and I was holding a reflector, I’ve got my hair snatched back in a bun with a baseball cap on with sunglasses – that’s the farthest thing from glamour that you can get! But you’ll never see Shangela in a pair of sweats – I don’t even show up at the club in a pair of tennis shoes, no ma’am! SL: What do you think separates you from the other queens this season? View this post on Instagram #AStarIsBorn #UKPremiere Dress: @diegomontoya3d; Styled by: @derekanthonypurcell Hair: @ashleiiman; Hair Styled by @justmaydoes; Jewelry: Maria Isabel; Body Bronzer: @bludline A post shared by Shangela (DJ) (@itsshangela) on Sep 27, 2018 at 2:13pm PDT Shangela: We’re all very, very different. You’ve seen the first episode, you can already see a lot of the really sharp differences. I think what sets me apart is that…well, two things. One, I’ve been in this setting before, so I feel like I have something to prove this time around. So, the fire in me, I feel is burning a little bit brighter – it’s a little bit hotter because I feel like I have so much to prove…I have a huge weight on my shoulders, being brought back to represent those who haven’t been doing it for a long time, to say it doesn’t matter how long you’ve been doing something, you can still rock it and you can be the fiercest bitch in the room! It’s not years of experience, it’s how hard you’re willing to work, and I think that’s what really sets me apart in this room is that I’m here to work – and that is W-E-R-Q! – with the exclamation point! I’m going to work, so I think that’s what sets me apart. I don’t want to be the baby of the group this time around even though I have the least amount of experience in drag. I’m nobody’s baby. My years of experience are less than the other girls, but then again, the fire is burning hot and somebody better step back or you’re going to get burned! SL: What would people be surprised to know about you? Shangela: I’m a very open book, a lot of people don’t know that I’m from Paris, Texas. I tell everyone that as soon as I meet them, but they look at me and say, “You don’t have a Texas twang.” Well, you know, give me a bucket of chicken and a Coca-Cola and the next thing you know, I’m just as country as can be! But, I am from Paris, Texas. It’s a very small town and I grew up with my grandparents and my Mom came back from the military and I grew up with her in a single-family home and I really worked a lot to have the experiences in my life that I’ve had. But you wouldn’t know that I’ve worked on the hill for a year or that I studied abroad in Madrid in art history…nobody wants to know all of that, they just want to see what you have on the stage. But there are so many layers to me, and I love just sharing a lot and everything about me, so there’s not a lot people don’t know about me – if you choose to get to know me. SL: How would you describe your look? Shangela: Sickening – that’s pretty much the way you would describe my look! To be honest with you, I think that my look just…there’s so many looks because it’s drag…the everyday Shangela is glamour and homegirl – all together. It’s glamour girl from the streets – because, with me, I always keep it real. I can have on the Alexander McQueen, straight off the runway, and look fish sickening boots – and we can still roll in that to the Taco Bell. That’s who I am and that essence of me keeping it real just comes with everything – and I think that’s the best way that you can connect with people – there are no walls, there is no diva attitude – I am a diva, make no mistake, when I come into a room, I feel like it’s important to say, “I’m here”, but you don’t have to say that out loud to do that, you just have to walk in and be – and that’s Shangela. SL: What does the future hold for Shangela? Shangela: Well, specifically, on the show, I want to win – so, my aspiration is to go home as America’s Next Drag Superstar. In addition to that, I really just want to be able to show that there’s so many different talents to drag queens to me, as Shangela, that I hope I’m able to express to the full extent on the show. I’m a comedian, I’m an entertainer, I’m a host – I would love after the show to go on and represent – whether it be brands or a show host, having someone sitting on my couch every week and keeping it real and talking. Be the Andy Cohen, have a Life on the D List – I live here in Los Angeles and I am a diva on the rise. So, with all of those experiences, people should be able to see those and experience those as well and hopefully, one day, I’ll have a platform to share that with them. SL: Do you have any interest in a singing career? Shangela: You know, I think that a lot of girls have done great with their careers, from season two especially – and season one. I know that my sister Sahara Davenport just put out a new single “Pump with Me” which is kick-ass, it’s a dance track. And I love to sing, I’m a Tina Turner fanatic. But I think where I’m going to start is by doing a one-woman show and my calling is entertaining people, making people laugh. Whether it’s singing, putting out a hot dance track – you know, I can disco dance – and I love the Pussycat Dolls – bringing that kind of fire to the stage. But I’m really going to focus on entertaining any way I can right now. If it comes later in a song, it comes later in a song – but I’ve got to write it, it’s got to come from me because I feel that only I can really have my voice and we’re just going to work it out. SL: Are you going to continue doing stand up? Shangela: Yes! Most definitely. I’m bringing a show to New York, I think it’s going to be at Caroline’s on Broadway later this spring so I’m really about that. I work here at The Comedy Store and we just started a new night at Hamburger Mary’s in West Hollywood, and I’m hosting that show as well. You know, I do those shows in drag and out of drag and it’s always a good time! SL: Are you planning on touring after the show? Shangela: Oh, honey, I’m touring! I just launched a new website, Shangela.com – please send everybody and their grandmother to it! It has my entire touring schedule there. I’m on the move, honey! SL: Besides your website, is there any other way fans can keep in touch with you? Shangela: Most definitely! You know, I’m a Tweet from the street, girl! You can follow me on Twitter @itsShangela and on my Facebook fan page! Oh, my God, I have to tell you about the new film! I’m in this new film, as Shangela, called Body of a Barbie, okay? It’s a short film we produced in Los Angeles and it got picked up by BET, it aired last fall, and it’s actually now in the top seven finalists of the BET Lens on Talent program. So, they had this huge competition for short films and our film was in the top seven in the US. It’s called Body of a Barbie and it’ll be back on BET this spring and I’m really excited about that. SL: Oh, I almost forgot to mention that I thought you were awesome on Terriers! Shangela: Oh, thank you! That was my first guest starring role and the writers were so awesome. You know, when I auditioned, I was only on three pages of script, and when I got to San Diego to film it, they thought that the character needed more involvement in the show and it went from three pages to 28 pages of a 42 page script and I wanted to bring the fire, because that episode was directed by Adam Arkin and he was fabulous to work with and they were so great and so respectful and I got to be in drag and out of drag and it’s done a lot of great things for me. Actually, I’m going to be on an episode of this show on ABC called Detroit 1-8-7. We just shot that – me, Coco Peru and Jai Rodriguez – and it airs February 15th on ABC. SL: Thank you so much for your time and good luck with everything! Shangela: Aww, thank you! I wish I could give you a big hug! Halleloo! This article was originally published on January 25, 2011. RuPaul’s Drag Race Holi-Slay Spectacular featuring Shangela airs Friday, Dec. 7 at 8:00 p.m. ET on VH1......»»

Category: topSource: celebuzzDec 7th, 2018

John Stamos & Lori Loughlin Lip-Sync "Frozen" & It"s Too Cute

John Stamos and Lori Loughlin are too cute! The pair – who play Uncle Jesse and Aunt Becky on Fuller House and have been friends for decades – lip-synced to “Love Is An Open Door” from the 2013 animated film Frozen. The song is originally sung by Kristen Bell and Santino Fontana, who play Anna [...] John Stamos and Lori Loughlin are too cute! The pair – who play Uncle Jesse and Aunt Becky on Fuller House and have been friends for decades – lip-synced to “Love Is An Open Door” from the 2013 animated film Frozen. The song is originally sung by Kristen Bell and Santino Fontana, who play Anna and Prince Hans. PHOTOS: Check out the latest pics of John Stamos John captioned the video, “‘Frozen’ in time w/ @loriloughlin.” If you missed it, John posted a bare-butt photo for his birthday last week! A post shared by John Stamos (@johnstamos) on Aug 23, 2017 at 6:59pm PDT.....»»

Category: topSource: justjaredAug 24th, 2017

Why John Stamos Is Ready to Be a Dad: 'I Had to Do Some Work on Myself First' - PEOPLE.com

PEOPLE.comWhy John Stamos Is Ready to Be a Dad: 'I Had to Do Some Work on Myself First'PEOPLE.comUncle Jesse is going to be a dad! The beloved Fuller House star opens up about expecting a baby with fiancée Caitlin McHugh. Subscribe now for the EXCLUSIVE baby news — only in PEOPLE! John Stamos has had quite a reign as one of Hollywood's most ...John Stamos Expecting First Child With Fiancée Caitlin McHughE! Online'Fuller House' star John Stamos is expecting his first childLos Angeles TimesJohn Stamos and fiancee Caitlin McHugh are expecting their 1st childABC NewsUSA TODAY -Fox News -Entertainment Tonight -CNNall 62 news articles ».....»»

Category: topSource: googlenewsDec 13th, 2017

John Stamos & Fiancée Caitlin McHugh Are Expecting — "I"ll Be A Fun Dad"!!

It's nonstop baby news this December! On Wednesday, it was revealed that John Stamos is FINALLY going to be a dad. Have mercy!! Related: Kirsten Dunst Is Pregnant! For a chat with People, the Fuller House star opened up about how he and his fiancée, Caitlin McHugh, are preparing for their home to get, well, fuller. On becoming [...] It's nonstop baby news this December! On Wednesday, it was revealed that John Stamos is FINALLY going to be a dad. Have mercy!! Related: Kirsten Dunst Is Pregnant! For a chat with People, the Fuller House star opened up about how he and his fiancée, Caitlin McHugh, are preparing for their home to get, well, fuller. On becoming a dad at 54, Stamos shared: "We have the same morals and the same values, that all clicked nicely. So we said, ‘Oh, well, maybe we should have a family.'" Apparently, Miz McHugh suggested that they should have a little one before tying the knot. Why?? Well, per Caitlin, because the industry vet is "old." Ouch! And it seems that Caitlin was pregnant before the twosome's sweet Disneyland proposal in October. In regards to learning that he was going to be a poppa, John added: "The [pregnancy] happened. Then I said, I better have a ring on her finger because it's the right thing to do, and I wanted to marry her anyway. So I called her parents to ask, and it was like, ‘You better!' " Not to mention, the pair HAD already "talked about" having a baby in the past -- so everything worked out the way it should! Supposedly, the Scream Queens alum had a very adorable reaction to the pregnancy news, as McHugh explained: "The look on John's face when I told him we were pregnant was priceless. It was the look of a man who has wanted a family of his own but wasn't sure it was going to happen for him. Now it is!" We're not crying, YOU ARE. While the love birds have happily confirmed that they're expecting, they've decided to stay tight-lipped about the sex of their unborn little one. Instead, the duo are reveling in their joyous news. According to Stamos, he "always wanted to be a dad," but wasn't sure it would happen for him. He dished: "People would say, ‘You should have a child. 'I was like, ‘That ship has sailed.'" And it appears that John is more than ready to take on diaper duty, as he vowed: "I'll be a fun dad. I've been practicing for a long time. I've done every schtick you can do with a baby on TV … all the bits and jokes and diaper gags. I'll probably just do all that stuff." Well, raising a kid on camera is VERY different to having one IRL. Just sayin'. John's lady has no worries about his child rearing skills as she revealed that she is "sure he will be an amazing father" since he has "always been wonderful with kids." Which is good, because John has claimed that Caitlin "wants to have other kids too." Get ready for little Stamoses running around. Congrats again to the pregnant couple! [Image via Adriana M. Barraza/WENN.].....»»

Category: gossipSource: perezhiltonDec 13th, 2017

John Stamos marries fiancée Caitlin McHugh one day after jewelry robbery - New York Daily News

New York Daily NewsJohn Stamos marries fiancée Caitlin McHugh one day after jewelry robberyNew York Daily NewsJohn Stamos wed Caitlin McHugh one day after she was robbed of $165,000 worth of jewelry. (JEAN-BAPTISTE LACROIX/AFP/Getty Images). BY Rachel Desantis. NEW YORK DAILY NEWS. Sunday, February 4, 2018, 1:10 PM. Wedding rings were all the jewelry John ...John Stamos and Caitlin McHugh's Wedding Day Looked Magical: PhotosUs WeeklyJohn Stamos Marries Caitlin McHugh After Their Hotel Room Was RobbedBustleIt's Official! John Stamos Has Gotten MarriedCinema BlendPage Six -Refinery29 -TMZ.com -PEOPLE.comall 93 news articles ».....»»

Category: topSource: googlenewsFeb 4th, 2018

Have Mercy! John Stamos Marries Caitlin McHugh - PEOPLE.com

PEOPLE.comHave Mercy! John Stamos Marries Caitlin McHughPEOPLE.comJohn Stamos is officially a married man, getting his Disney-worthy happy ending with Caitlin McHugh. The Fuller House star and his fiancée, a 31-year-old model and actress — who is pregnant with their first child — tied the knot on Saturday in ...John Stamos Marries Caitlin McHugh!Entertainment Tonight$165000 in jewelry stolen from Beverly Hills hotel room of John Stamos' fiancée Caitlin McHughLos Angeles TimesJohn Stamos' Pregnant Fiancée Caitlin McHugh's Hotel Room BurglarizedE! OnlineHollywood Life -USA TODAY -TMZ.com -ABC Newsall 44 news articles ».....»»

Category: topSource: googlenewsFeb 3rd, 2018

John Stamos & Pregnant Caitlin McHugh Tie the Knot in Beverly Hills!

Have Mercy – John Stamos is a married man! The 54-year-old Full House star and pregnant model Caitlin McHugh tied the knot in front of family of friends on Saturday afternoon (February 3) in Beverly Hills, Calif. PHOTOS: Check out the latest pics of John Stamos However, the couple’s wedding weekend didn’t exactly start off [...] Have Mercy – John Stamos is a married man! The 54-year-old Full House star and pregnant model Caitlin McHugh tied the knot in front of family of friends on Saturday afternoon (February 3) in Beverly Hills, Calif. PHOTOS: Check out the latest pics of John Stamos However, the couple’s wedding weekend didn’t exactly start off as planned. The night before, the 31-year-old bride’s Beverly Hills Hotel room was robbed of almost $165,000 worth of jewelry. Fortunately, no one was in the room at the time of the robbery. John popped the question to Caitlin back in October in Disneyland. Two months later, the couple announced that they were expecting their first child together! Congrats John and Caitlin!.....»»

Category: topSource: justjaredFeb 3rd, 2018

John Stamos Welcomes First Child Named After Late Father - HuffPost

HuffPostJohn Stamos Welcomes First Child Named After Late FatherHuffPost“Full House” star John Stamos welcomed his first child with wife Caitlin McHugh ― a baby boy named Billy after his late father. The actor, who first met his new bride in 2011 on the set of an episode of “Law & Order: SVU,” shared the news of his son's ...John Stamos & Caitlin McHugh's Baby Is Here & His Name Is A Tribute To Someone ImportantBustleJohn Stamos Welcomes 1st Child, A Baby Boy, With Wife Caitlin McHugh — See Adorable PicHollywood LifeJohn Stamos and Wife Caitlin McHugh Welcome First ChildHollywood ReporterNew York Daily News -Page Six -ABC News -Today.comall 71 news articles ».....»»

Category: topSource: googlenewsApr 16th, 2018

Thief Steals Nearly $165000 Worth of Jewelry from John Stamos' Fiancée Day Before Wedding - PEOPLE.com

PEOPLE.comThief Steals Nearly $165000 Worth of Jewelry from John Stamos' Fiancée Day Before WeddingPEOPLE.comJohn Stamos' fiancée, Caitlin McHugh, was the victim of a burglary while staying at the Beverly Hills Hotel on Friday. According to the Beverly Hills Police Department, McHugh reported that the burglary occurred sometime in the evening hours on Friday ...Thieves swipe $165K in jewelry from John Stamos' fianceeABC NewsJohn Stamos' Fiancee Caitlin McHugh Is The Latest Robbed CelebrityCinema BlendJohn Stamos & Pregnant Fiancee Robbed Of $165K Worth Of Jewelry Hours Before WeddingHollywood LifePerezHilton.com -TMZ.com -New York Daily News -Fox Newsall 25 news articles ».....»»

Category: topSource: googlenewsFeb 3rd, 2018

John Stamos and Fiancée Caitlin McHugh's Love Story Is Straight Out of a Disney Movie - PEOPLE.com

PEOPLE.comJohn Stamos and Fiancée Caitlin McHugh's Love Story Is Straight Out of a Disney MoviePEOPLE.comWedding bells are on the horizon for John Stamos. On Sunday, the Fuller House star announced his engagement to model and actress Caitlin McHugh. As fans flood Twitter to jokingly grieve the loss of their childhood crush, here's a look back at the happy ...John Stamos Engaged to Caitlin McHugh: All the Details on His Proposal at DisneylandE! OnlineJohn Stamos & Caitlin McHugh's Engagement Announcement Will Make Disney Fans SwoonBustleJohn Stamos and Caitlin McHugh get engagedCNNNew York Daily News -Los Angeles Times -Page Six -HuffPostall 93 news articles ».....»»

Category: topSource: googlenewsOct 23rd, 2017

John Stamos and Caitlin McHugh Are Engaged! - PEOPLE.com

PEOPLE.comJohn Stamos and Caitlin McHugh Are Engaged!PEOPLE.comHave mercy … she said yes! On Sunday, John Stamos announced his engagement to girlfriend of nearly two years Caitlin McHugh in a sweet Instagram post. The Fuller House star shared a magical drawing (with an even more magical caption!) of himself ...'Fuller House' star John Stamos engaged to model Caitlin McHughToday.comJohn Stamos Engaged to Actress Caitlin McHughHollywood ReporterJohn Stamos Engaged to Caitlin McHughE! OnlineHollywood Life -Just Jared -Heavy.com -CBS 8 San Diegoall 25 news articles ».....»»

Category: topSource: tmzOct 23rd, 2017

John Stamos Celebrates Birthday with "Full House" Costars Lori Loughlin & Dave Coulier!

John Stamos is celebrating his birthday with some of his oldest and closest friends! The actor spent his 54th birthday attending Cinespia’s outdoor screening of Some Like It Hot with former Full House co-stars Lori Loughlin and Davie Coulier on Saturday night (August 19) in Hollywood. PHOTOS: Check out the latest pics of John Stamos [...] John Stamos is celebrating his birthday with some of his oldest and closest friends! The actor spent his 54th birthday attending Cinespia’s outdoor screening of Some Like It Hot with former Full House co-stars Lori Loughlin and Davie Coulier on Saturday night (August 19) in Hollywood. PHOTOS: Check out the latest pics of John Stamos Other stars attending the event and hanging out at the photo booth included Aaron Paul and wife Lauren Pareskian along with Emily Ratajkowski. In case you missed it, John also stripped down to share a super cheeky photo of himself on earlier that same day! To see the other movies screening at Cinespia’s, head over to Cinespia.org......»»

Category: topSource: justjaredAug 20th, 2017

New Dad John Stamos Gets In Some Retail Therapy

John Stamos throws a piece sign to the photographers while leaving Barneys New York after doing some shopping on Wednesday (June 27) in Beverly Hills, Calif. The 54-year-old actor and new dad went solo while getting in a little bit of retail therapy. PHOTOS: Check out the latest pics of John Stamos “My first Father’s [...] John Stamos throws a piece sign to the photographers while leaving Barneys New York after doing some shopping on Wednesday (June 27) in Beverly Hills, Calif. The 54-year-old actor and new dad went solo while getting in a little bit of retail therapy. PHOTOS: Check out the latest pics of John Stamos “My first Father’s Day means that I don’t have to hand a kid back to the parents when someone yells cut. It means when people ask me if I’m a father, I don’t have to use the goofy line, ‘No, but I play one on TV,’” John wrote on Instagram a couple weeks ago. “My first Father’s Day means that from this day forward— I will start to look my age (and older) Most importantly, it means that for the rest of my life, I’ll always be known as someone’s dad. And that’s all I ever wanted. Happy Father’s day,” he added......»»

Category: topSource: justjaredJun 29th, 2018

John Stamos & Pregnant Fiancee Caitlin McHugh Are All Smiles at LAX!

John Stamos and Caitlin McHugh are a jet-setting duo! The 54-year-old Fuller House actor and the pregnant 31-year-old model and Vampire Diaries actress were spotted at LAX airport on Wednesday (January 17) in Los Angeles. PHOTOS: Check out the latest pics of John Stamos The two were seen arriving at the airport together, flashing big [...] John Stamos and Caitlin McHugh are a jet-setting duo! The 54-year-old Fuller House actor and the pregnant 31-year-old model and Vampire Diaries actress were spotted at LAX airport on Wednesday (January 17) in Los Angeles. PHOTOS: Check out the latest pics of John Stamos The two were seen arriving at the airport together, flashing big smiles to the awaiting photographers. John revealed the happy news of Caitlin‘s pregnancy in December. The two got engaged after nearly two years of dating at Disneyland back in October of 2017 – one of Caitlin‘s favorite places......»»

Category: topSource: justjaredJan 17th, 2018

John Stamos welcomes first child with wife Caitlin McHugh - New York Daily News

New York Daily NewsJohn Stamos welcomes first child with wife Caitlin McHughNew York Daily NewsJohn Stamos' house just got fuller. The actor, 54, welcomed his first child — a son named Billy — with his wife Caitlin McHugh, he announced Monday with an Instagram snap of the newborn. "From now on, the best part of me will always be my wife and my ...'Full House' star John Stamos welcomes 1st child, Billy, honors late father with namesakeABC NewsJohn Stamos and wife welcome first childPage SixJohn Stamos is a dad! See the adorable pic of his baby sonToday.comColumbia Missourian -Her.ie -Entertainment Tonight -Winsford Guardianall 49 news articles ».....»»

Category: topSource: googlenewsApr 16th, 2018